Lewis an orphan wants to see what his mother looked like. So he invents a machine that looks through your brain so you can see your memories. But this weird kid says he's from the future and warns him about a guy in a bowler hat. The bowler hat guy messes with his invention and it fails. He decides that he's a failure and no one wants him. But the kid that warned him about the guy is here on a mission to find the bowler hat guy that wants to destroy Lewis. To prove he's from the future he takes lewis to the future. But the time machine breaks and he's stuck in the future until he fixes it. In the meantime he spends quality time with the family. But the bowler hat guy is about to alter time and it's up to Lewis to save the future.
Excellent addition to any prog rock music collection
Entry into the exclusive club of “professional musicians” is often a gradual and painful process. Based on recorded documents, such was not the case with Horslips, who came to the game fully formed and ready to rock n reel. I’m sure they paid their dues in a live setting for years, even if that included weddings, funerals, and christenings, as off the cuff performing is often part and parcel of Irish culture. Whatever the case, “Happy to Meet…Sorry to Part” is a landmark celtic rock recording and a stunning debut, and this applies whether you are a celtic music fan, a progressive fan, a rocker, or any combination thereof.
This disc introduces Yo-Yo Ma's latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music. This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments. Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian "horse-head fiddle." There is also a Mongolian soprano, who sings a traditional song native to her region.