La Morra is an early music consort led by flautist Corina Marti and lutenist Michal Gondko. They are expertly assisted on this recording by Els Jannsens (voice), Dani Pelagatti (douçaine), and Uri Smilanski (vielle and flute). The songs on "Flour de Beaulté" come from the Torino J.II.9 manuscript, cited in the liner notes as "the largest repository of French music… between the Ars Nova compilations of the fourteenth and the Franco-Burgundian manuscripts of the late fifteenth century".
Atrium Musicae was an early music ensemble from Madrid, Spain, founded in 1964 by Gregorio Paniagua, a Spanish monk.
Essential: a masterpiece of progressive rock music
The traditional oriented “Soldiers Three” opens this extraordinary wonderful psychedelic folk album, and it’s vocal arrangements for several voices and medieval like guitar interludes gives a strong first impression.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
"These early Latin songs from the repertoire of some unknown 10th or 11th century Rhineland harper are drawn mainly from the Carmina Cantabrigiensis, the so-called ‘Cambridge Songs’. Varied and lively, they are a welcome addition to the discography of early music, and Sequentia are to be thanked for planning and executing such a challenging project. …Reconstruction of music composed before the birth of notation is always a hazardous task, but however true or not it may be to authenticity, this recital is a true delight. " ~Grammophone