Already possessing a very distinctive tenor sax sound, Javon Jackson's debut as a leader is an exceptional effort. Jackson, 26 at the time of the recording, joined forces with 40-year-old James Williams, 19-year-old Christian McBride and 64-year-old Elvin Jones to create a powerful musical statement that bridges the generations. "Mr. Jones" refers to the master drummer, whose presence and energy are felt throughout the recording, especially on the medium swingers "The Masquerade Is Over" and Williams' "A Certain Attitude," as well as on the title track and "Theme for Penny," two uptempo Jackson originals that begin with brief drum solos. Also making his presence felt is McBride, whose tone, time, and imagination belie his age. One of 1992's best releases.
72 tracks across 4CDs, nice compilation of love songs covering 60's to present day.
"Let me begin by saying that this is not the greatest jazz album you've ever heard." So states critic/DJ Harry Abraham in the liner notes on the back of Sweet Revival, Ronnie Foster's second album as a leader. Abraham was obviously trying to deflect criticism that this record is, in his words, "a commercial album that could have just as easily been titled 'Ronnie Foster Plays the Top 40 hits of the Seventies With Horns, Strings and Voices,'" but nothing he could write would make this album acceptable to jazz purists.
GREATEST EVER! is Union Square Music’s select, best-selling label, utilising the very best repertoire from key major labels, Greatest Ever’s 3CD box sets are some of the strongest multi-artist compilations on the market, with the greatest ever songs.
This is an electrical and fantastic soundtrack of the wonderful fantasy movie of 1986, starring Jennifer Connoly and DAvid Bowie, Labyrinth. From start to finish it is electrical and rich in fantasty rock and some electronic instrumental music too. This album includes the beautiful song of loneliness and hope, Underground, the catchy and super Magic Dance, the fun and cheeky Chilly Down, the gentle As The Wall Falls Down and the romantic Within You. This album was proof that Bowie was still one of the greatest talents of the musical world by 1986, and had lost none of his ability to create beautiful and enchanting music.
This was one of Mtume's '80s "sophisti-funk" projects, with a mix of socially conscious lyrics, love songs, and uptempo cuts, plus collective vocals and sparing production and arrangements. The title cut was a huge R&B hit, peaking at number two and even generating some crossover pop action. Mtume got two other R&B smashes, one in the Top 20, and the album proved one of his best. A former jazz percussionist, Mtume moved into urban contemporary and funk in the late '70s and became one of the more successful producers and performers in both styles during the '80s. The son of the great jazz saxophonist Jimmy Heath, Mtume was a conga player and percussionist who recorded and toured with Miles Davis and was featured on albums by the Heath Brothers, Sonny Rollins, Herbie Hancock, Joe Henderson, and Freddie Hubbard.