Already possessing a very distinctive tenor sax sound, Javon Jackson's debut as a leader is an exceptional effort. Jackson, 26 at the time of the recording, joined forces with 40-year-old James Williams, 19-year-old Christian McBride and 64-year-old Elvin Jones to create a powerful musical statement that bridges the generations. "Mr. Jones" refers to the master drummer, whose presence and energy are felt throughout the recording, especially on the medium swingers "The Masquerade Is Over" and Williams' "A Certain Attitude," as well as on the title track and "Theme for Penny," two uptempo Jackson originals that begin with brief drum solos. Also making his presence felt is McBride, whose tone, time, and imagination belie his age. One of 1992's best releases.
A bombastic party courtesy of Legacy Records. The festivities begin with an unedited "Wake Up Everybody" by Harold Melvin & the Bluenotes, flows into Isley, Jasper, Isley's "Caravan of Love," and then switches to adult theme ballads, the stature of "Me & Mrs. Jones," "Kiss and Say Goodbye," and Bill Withers' "Ain't No Sunshine." Brenda & the Tabulations' breezy but despairing "One Girl Too Late" is delightful. The Intruders' "Cowboy to Girls" and Major Lance's calypso-ish "Hey Little Girl" are irresistible. Includes Labelle's potent "Lady Marmalade" and MFSB's contagious, six-plus minute "Love Is the Message."
2012 marks the 40th anniversary of the hugely influential Philadelphia International Records. To mark this, and following our reissue of some of the labels other acts such as the Three Degrees, Harold Melvin & The Blue Notes and the O’Jays. We are pleased to present another album from one of the most identifiable voices of the Philly Sound. Billy Paul is a Grammy Award winning soul singer, most noted for his R&B and Pop #1 ME AND MRS. JONES from this 1972 album 360 DEGREES OF BILLY PAUL.
72 tracks across 4CDs, nice compilation of love songs covering 60's to present day.
"Let me begin by saying that this is not the greatest jazz album you've ever heard." So states critic/DJ Harry Abraham in the liner notes on the back of Sweet Revival, Ronnie Foster's second album as a leader. Abraham was obviously trying to deflect criticism that this record is, in his words, "a commercial album that could have just as easily been titled 'Ronnie Foster Plays the Top 40 hits of the Seventies With Horns, Strings and Voices,'" but nothing he could write would make this album acceptable to jazz purists.
GREATEST EVER! is Union Square Music’s select, best-selling label, utilising the very best repertoire from key major labels, Greatest Ever’s 3CD box sets are some of the strongest multi-artist compilations on the market, with the greatest ever songs.
Me and Simon is as clever a piece of pop as could be asked for, meaning that it camouflages itself as not pop at all. Laleh does a convincing impression of a singer/songwriter girl – acoustic guitar, a voice dripping with sincerity (smartly pushed to the forefront in the mix), and well-thought-out lyrics. She likes to play a naïve and slightly sad outsider with immigrant roots, exaggerating this persona on the opening track where she wonders, "is this what they call big city love?" singing in a cute accent (absent from other songs) over Middle Eastern strings.