Beginning with the first notes of Too Much through to the last notes of its reprise, this midsummer show from Atlanta, GA brings some heat. The 2004 Summer Tour saw the live debut of Sugar Will, Joyride, Crazy Easy, Good Good Time and Hello Again played alongside proven fan favorites and rarities. From Captain to Crush, founding member LeRoi Moore’s playing is nothing short of amazing as the band delivers one of its finer sets.
The Best of What's Around Vol. 1, also known as TBOWA Vol. 1, is a greatest hits compilation album by the Dave Matthews Band that was released on November 7, 2006. The two-disc set is the Dave Matthews Band's first ever greatest hits album featuring twelve studio tracks on the first disc, and eight previously unreleased live tracks on the second disc.
Matthews Southern Comfort is a transitional album for Matthews. Having recently exited Fairport Convention, this record pays tribute to that period of his career in both material ("A Castle Far") and in the choice of musicians who back him (many of them from Fairport Convention). At the same time, songs like "A Commercial Proposition" indicate where Matthews' future work is headed. With Second Spring, the other album included on this two-fer, Southern Comfort is a real band, and in addition to Matthews also includes Roger Swallow (ex-Marmalade) and Marc Griffiths (ex-Spooky Tooth). Although there is really nothing that makes this a memorable record, it's still quite nice overall.
Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the best Jazz Fusion albums ever produced…..and Eric Gale on guitar is a wonderful contributor. Recording is similar in sound and vibe to Eric Gale's other Jazz/Fusion records. If you like "In a Jazz Tradition" or "In the Shade of a Tree" you'll like this.
The Dave Matthews Band may not have released the Lillywhite Sessions – the semi-legendary soul-searching album recorded in 2000 but abandoned in favor of the heavy-handed, laborious Glen Ballard-produced Everyday – but they couldn't escape its shadow. Every review, every article surrounding the release of Everyday mentioned it, often claiming it was better than the released project – an opinion the band seemed to support by playing many numbers from the widely bootlegged lost album on tour in 2001. Since they couldn't run away from the Lillywhite Sessions, they decided to embrace it, albeit on their own terms. They didn't just release the album, as is. They picked nine of the best songs from the sessions, reworked some of them a bit, tinkered with the lyrics, re-recorded the tunes with a different producer (Stephen Harris, a veteran of post-Brit-pop bands like the Bluetones, plus engineer on U2's All That You Can't Leave Behind), added two new songs, and came up with Busted Stuff, a polished commercial spin on music widely considered the darkest, most revealing work Matthews has yet created.
On their major-label debut, Under the Table and Dreaming, the Dave Matthews Band is helped by the lean production of Steve Lillywhite, who manages to rein in the group's tendency to meander. The result is a set of eclectic pop/rock that is accentuated by bursts of instrumental virtuosity instead of being ruled by it. That also means that the Dave Matthews Band is capable of turning out pop songs, and as the hit single "What Would You Say" and "Ants Marching" illustrate, they have a flair for catchy hooks.