The liner notes of The Hugo Masters: An Anthology of Chinese Classical Music contain extensive documentation of the various instruments used in Chinese solo and orchestral music, with descriptions of their history and modifications, as well as an essay to help Western listeners understand the background of Chinese classical music.
Again Rather Interesting presents the result of a collaboration that already proved their skills. This time under the name 'Masters of Psychedelic Ambience', Tetsu Inoue and Atom Heart produced the CD entitled 'Mu'. The Japanese word 'Mu' stands for 'emptyness' but more in a spiritual sense. The music on 'Mu' stands for innovative ambience' that is far away from all kinds of cliches we know so far. 'Mu' contains 27 titles that reach from chilling monochrome tones to weird layered dub grooves de-synchronizing your perception, drifting and spaced out. Some people say 'Mu' refers to 'trip' experiences but 'Rather Interesting' of course denies the connection to any kind of drugs.
This six-CD set, with recordings from 1972 to 1984, includes the albums Conception Vessel, Tribute, Dance, Le Voyage, Psalm and It Should’ve Happened A Long Time Ago. Paul Motian’s innovative drumming with the great trios of Bill Evans and Paul Bley had already assured him of a place in jazz’s history books, but Motian had not considered life as a bandleader until ECM proposed a recording session under his own name. “Conception Vessel” opened floodgates of creativity. Through these recordings we hear not only the evolution of several outstanding Motian ensembles and the birth of the enduring Motian/Frisell/Lovano trio, but also the growth of confidence of a unique jazz composer. In Paul’s music, memories of Turkish and Armenian melodies he had heard as a child were filtered through a love of jazz.
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. We love Jack Teagarden on Roulette Records – as the label's slightly broken-down, booze-drenched approach was perfect for the late life skills of the trombonist – and maybe a better setting for his talents than anywhere else! This fantastic set has Jack at all the height of those aging powers – playing trombone with a deftness that's way more than the trad modes in which he was schooled, and singing in this heartbreaking voice that's almost even more compelling – trying for blues, and full of pathos in its attempt to reach it – wonderfully human overall. The group features Don Ewell on piano, Don Goldie on trumpet, and Ronnie Greb on drums – and titles include "Big Noise From Winnetka", "When", "Stardust", "Honeysuckle Rose", and "South Rampart Street Parade".
Cold email is a marketing method that you don’t need any money or any more tools than you already have to start. If you have an email address, then you already have everything you need. It’s also a scalable strategy capable of generating millions, even birthing an industry goliath such as Paypal
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon".
Deep Purple went through more than their share of personnel changes over the years. In 1990, their lineup consisted of guitarist Ritchie Blackmore (who had returned to the Purple fold in 1984 after leaving the band to form Rainbow following the release of Stormbringer in November 1974), singer Joe Lynn Turner, keyboardist/organist Jon Lord, drummer Ian Paice, and bassist Roger Glover…
Though they ultimately made their name as a blues-rock band, and Peter Green's admiration of artists like Jerry Garcia eventually found its way into their music, Fleetwood Mac began as a straight-ahead blues band. A bunch of Brits devoted to the music of Chicago and the Delta, Green and company couldn't help but put their own twist on the blues, but they were simultaneously reverential towards it. This is the situation presented in this 1968 live recording. While the sound quality is less than stellar, it's good enough to make the guitar talents of Green and Jeremy Spencer obvious, as they work up effective solos over "Got To Move"…