A classic recording by one of Chicago blues' finest living legends, Left My Blues in San Francisco consists of 11 smoking tracks, featuring Buddy Guy's matchless guitar work and equally distinctive vocals. This recording is for people who like their blues straight up; like whiskey, it burns all the way through. Included are some of Guy's classic original songs, such as "She Suits Me to a Tee" and "I Suffer with the Blues," as well as excellent performances of "Buddy's Groove," "Keep It to Yourself," and "Goin' Home." All of this material can also be found on the Complete Chess Studio Recordings collection, but if you're new to Buddy Guy, Left My Blues in San Francisco is an excellent place to start.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Guitarist Johnny Smith in a sweet, laidback trio setting – just the kind of mode that's perfect for his gentle sense of color and tone – a style he virtually invented for jazz guitar in the 50s! The album's one of his classics for the Roost label, and it's a masterpiece in chromatic hues – subtle, simple, but completely fantastic – at a level that makes Johnny Smith one of the true legends in jazz guitar from the 50s. Accompaniment is by George Roumanis on bass and Mousie Alexander on drums – but both players are extremely gentle, and leave most of the sound to Johnny – as it should be. Titles include "Little Girl Blue", "My Funny Valentine", "Polka Dots & Moonbeams", "Everything Happens To Me", "Pavanne", and "Blues Back Stage".
Oscar Peterson was recorded by Verve more often than any other artist. In those years, his groups had the ability to not just keep up with him but become equal partners in creating music that would soar the heights while never forgetting to flat-out swing. Hear him in classic duo, trio, and big-band settings with such stalwarts as Cannonball Adderley, Ray Brown, Herb Ellis, Sam Jones, Clark Terry, and Ed Thigpen.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. A Johnny Smith album with a real difference, and that difference is vibes – handled her by a young John Rae, whose tones make a perfect accompaniment to Smith's chromatic style of guitar! The balance of vibes and guitar is beautiful – handled with all that sense of space that both Johns could bring to their 50s work – with just a bit of extra help from George Roumanis on bass and John Lee on drums – players who can come in strong when needed, but often lay back and let the chromes take over!