Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. The group's name is a bit of wordplay, and might make you think they're presenting themselves in a flip sort of way – but their music is rock-solid, and has this well-crafted, rock-solid approach that's mighty nice! Intrioduction have that open, flowing sensibility that the better European piano groups started to pick up towards the end of the 70s – a tradition that really seemed to flower in France during the 80s and 90s, but which also has a great proponent here – as the piano of Harry Happel opens up in these waves of lyrical lines that often have a lot of power, but a gentler sort of heart as well. Daan Gaillard is on bass and Fred Krens plays drums – and both players make themselves known throughout, but sometimes in nicely subtle ways.
Even though Master of Puppets didn't take as gigantic a leap forward as Ride the Lightning, it was the band's greatest achievement, hailed as a masterpiece by critics far outside heavy metal's core audience. It was also a substantial hit, reaching the Top 30 and selling three million copies despite absolutely nonexistent airplay…
A totally excellent bit of funk from Chico Hamilton – working with a great group that more than helps their leader live up to the album's title! The record's a real lost gem – and it's got Chico working in much funkier territory than before, grooving with complicated rhythms, and a heavy sound that features lots of work on organ and guitar. Lowell George (of Little Feat fame) is playing slide guitar in the group, giving the sound a great, muddy propellant – which only gets stronger with the help of Simon Nava and Sam Clayton on congas, plus heavy organ and piano by Stu Garner, Jerry Aiello and Bill Payne. Includes the killer Latin groover "Conquistadores 74", plus "Stu", "Feels Good", "Fancy", "Stacy", Gengis" and "I Can Hear The Grass Grow".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A nice little set from Monty Alexander – a Sunday Night session recorded with the same group, on the same weekend as his Saturday Night album! Monty Alexander's always great in a trio, but we really love the pianist when he's trying to add a little something extra to the mix – as he does here in a quartet performance that features some nice added percussion from Robert Thomas! The tracks have that warm glow and open flow that Alexander first started bringing to his music in the 70s – with sensitive rhythm work here from Reggie Johnson on bass and Ed Thigpen on drums – but the added percussion really helps things swing at a slightly higher level, giving a gentle kick to some cuts, while Monty's still able to open up with some warmly lyrical lines over the top.