Professional woodcarver, Mary May, shows the step-by-step process of how to carve the concave Newport style shell. This shell is based on the style of the Goddard and Townsend furnituremakers of Newport, RI back in the 18th century.
This instructional woodcarving DVD shows the step by step instruction of how to carve a convex Newport style shell. With the DVD is a matching plaster casting of the same style that is shown in the DVD. This is very valuable in viewing when you are carving the shell so you can see the details, depth, etc.
Cardboard sleeve (mini LP) reissue from Peter, Paul and Mary featuring 2012 remastering, using the original master tape. Includes a description and lyrics. Part of a eleven-album Peter, Paul and Mary cardboard sleeve reissue series featuring albums "Peter, Paul And Mary I", "Moving", "In The Wind", "Peter, Paul And Mary in Concert", "A Song Will Rise", "See What Tomorrow Brings", "The Peter, Paul And Mary Album", "Album 1700", "In Japan", "Late Again", and "Peter, Paul And Mommy".
Mary Lou Williams spent a fair amount of time in Europe in the early '50s, prior to a temporary hiatus from jazz. This CD from Verve's Jazz in Paris series compiles two separate sessions from 1954; one features a trio, a quintet, and a pair of vocals by blues singer Beryl Bryden, and the other is purely a trio. All of the selections are fairly brief, with only one running over three-and-a-half minutes. The first 11 songs are a bit of a mixed bag. The strongest tracks feature Williams alone ("I Made You Love Paris" and her "Club Francais Blues") or with her trio ("Avalon," "Swingin' for the Guys," and "Memories of You")…
One of improvised music’s most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her “a singular talent” (Lloyd Sachs, JazzTimes), ”NYC’s least-predictable improviser” (Howard Mandel, City Arts), “one of the most exciting and original guitarists in jazz—or otherwise” (Steve Dollar, Wall Street Journal), and “one of today’s most formidable bandleaders” (Francis Davis, Village Voice). The Philadelphia City Paper’s Shaun Brady adds, “Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style.”