One of the more curious characters of the new wave movement, singer/guitarist/songwriter Moon Martin issued several critically acclaimed yet commercially underappreciated releases from the late '70s through the early '80s, before reappearing in the mid-'90s.
The young Swiss cellist Christian Poltéra released three remarkable discs of Swiss modernist music in 2007. First came Othmar Schoeck's concerto and sonata for cello plus four song transcriptions for cello and piano. Then came Arthur Honegger's concerto and sonata for cello plus two sonatines. And last there was this one, Frank Martin's concerto and ballade for cello and 8 Preludes for orchestra.
Maria Kochetkova is exceptional as Juliet, her movements always graceful, supple and beautiful. Her facial expressions early in the ballet radiate an ingratiating childlike innocence and joy, but in the darker and more tragic moments later on transform subtly to frustration, fear and sadness. She is a fine actress and a great dancer. Davit Karapetyan makes a splendid Romeo: his dance scenes with Juliet exude passion and deep love, and his sword fight with Tybalt divulges both exceptional athleticism and gracefulness. Luke Ingham in the role of Tybalt is also very convincing, both in his dancing and acting skills. (Robert Cummings, Classical Net)
Descendant d'une longue lignée de musiciens, François Couperin fut le plus grand compositeur baroque de son temps. Il représente un jalon important entre Lully et Rameau et, bien que, comparé à d'autres, il ait peu composé, rien dans son oeuvre n'est à écarter. C'est pour les concerts du dimanche matin à la cour du roi Louis XIV, que Couperin composa cette série de Concerts royaux.