With his idiomatic and graceful style, pianist Philip Martin has established himself as the foremost exponent of Gottschalk. Much of his music is by no means easy to play; it requires an impeccable technique matched with Èlan and joie de vivre for its most effective execution. Although not essentially a great composer, Louis Moreau Gottschalk had a unique spontaneity and individuality which Martins performances bring vividly to the fore. The composers music was hugely popular during his lifetime and his works display a real melodic charm and a great sense of fun. Each of the eight discs in Martins extensive Gottschalk series has received wide acclaim and left pianophiles eagerly awaiting the next issue.
The penultimate volume in Hyperion’s four-part survey of the complete solo piano music of Ernő Dohnányi focuses on music from the period when the composer’s pre-eminent position was being assured. The titles of the largest works here, Ruralia hungarica and the Variations on a Hungarian Folksong, mask in their nationalistic ostentation the skill of a true master of piano composition. Martin Roscoe inhabits the world of Dohnányi’s music like no other—appraisals of the earlier volumes attest to this—and this new recording is a joy.
While 2002's Essential Stevie Ray Vaughan & Double Trouble is the place to go for the complete picture, Martin Scorsese Presents the Blues: Stevie Ray Vaughan works well as a nice single-disc introduction to the work of the influential blues guitarist. Perhaps a few more hits could have been included to make this more attractive to the curious buyer, but with a previously unreleased live version of "Mary Had a Little Lamb" and a track listing that dodges much of the 1995 Greatest Hits collection, this does offer an alternative for longtime fans.
Martin Carthy’s 1971 solo album tunnels further than its predecessors into contemporary song, coming up with memorable performances of Dave Goulder’s January Man John Kirkpatrick’s Dust To Dust and David Ackles’ His Name is Andrew.
John Surman, Stu Martin, Barre Phillips - Conflagration (Rare British jazz 1971 UK 6-track LP on the Dawn label, from Surman's highly regarded and influential Trio group, including the two expatriate American musicians Phillips and Martin, also starring Harold Beckett, Chick Corea, Mike Osborne, Alan Skidmore, John Taylor & more. The trio joined by a variety of other musicians. The songs are challenging in an Ornette Coleman sort of way but never inaccessible. Not a recording for the casual jazz listener - it's more for the adventurous jazz lover.
This set was also issued as two separate LPs under John Surman’s name, Vogue VJD 505/1 and VJD 505/2. Rare bit of free jazz by this trio of British players from the early 70′s. The music is very intense, without any of the noodling that sometimes ruins Brit sessions from the time. Surman plays baritone, soprano, and bass clarinet, and he really blows like mad in some passages. The sound quality of this album is stunning! In the autumn of 1969, John Surman decided to make a break and joined forces with Barre Phillips and Stu Martin, to form a group they called The Trio. Phillips had a varied background, having worked as a sideman with Archie Shepp, Jimmy Giuffre and George Russell, as well as performing solo in Leonard Bernstein and the New York Philharmonic.