This is Volume 2 in the series of orchestral works by Alfredo Casella, performed by the BBC Philharmonic and Gianandrea Noseda, with the pianist Martin Roscoe. The disc also forms part of the ‘Italian Series’ on Chandos, in association with Ricordi Music and the BBC Philharmonic. International Record Review said of the previous volume: ‘Anyone with more than a passing interest in this fascinating composer needs to have this remarkable disc.’
Fearsomely talented Swedish clarinetist Martin Fröst continues his conquest of the major concerto repertoire for his instrument with this recording of Carl Nielsen's 1928 Clarinet Concerto, paired with a new concerto by Finland's Kalevi Aho. The Nielsen concerto is a dense work in which the clarinet and the orchestra spend a lot of time going their separate ways, with the path of the clarinet being very twisted indeed.
Too often, CDs that are mostly originals offer more preening than melody. This isn't the case with The Soccerball, a delightful collection that is 76.9-percent original and 100-percent interesting. Bill Mays, Martin Wind, and Matt Wilson have recorded together before, notably on Out in PA, another fine showcase for the trio's compositional talents. Here Peter Weniger brings his soulful, funky, tenor voice to their explorations, which sometimes involve tinkering with familiar themes: the joyous title tune is loosely based on the chord progressions of Nat Adderley's "Work Song," while Weniger's "Garrigue" is an inversion on the changes of "What Is This Thing Called Love?"
The biblical story of the princess Judith, who seduces and then beheads the invading Assyrian general Holofernes, has attracted composers from the early days of opera almost down to the present day with its mixture of gore, patriotic self-sacrifice, and latent feminist themes.
The clarinetist Martin Fröst, after a series of recordings of modern-ish Nordic and Germanic clarinet repertory on the Swedish label BIS, gets a larger mouthpiece here with a release on the major Sony Classical label. Fröst's playing has never been better: he excels in both tough, angular lines and slow cantabile, and both are applied here to a wide variety of material. Three of Schumann's Five Pieces in Folk Style, Op. 102, are made into a little sonata here, and sampling any one of them (tracks 7-9) will show you how compelling Fröst can make only moderately interesting music. Like those pieces, most of the music is arranged from music in media other than clarinet and orchestra.
Known in her heyday as "the blues sensation of the West," the big-voiced Sara Martin was one of the best of the classic female blues singers of the '20s. Martin began her career as a vaudeville performer, switching to blues singing in the early '20s. In 1922, she began recording for OKeh Records, cutting a number of bawdy blues like "Mean Tight Mama." She continued recording until 1928. During this time, Martin became a popular performer on the southern Theater Owners' Booking Association circuits, eventually playing theaters and clubs on the east coast as well. In the early '30s, Sara Martin retired from blues singing and settled in her hometown of Louisville, Kentucky. While she was in Louisville, she ran a nursing home and occasionally sang gospel in church. Sara Martin died after suffering a stroke in 1955.
A Winter Romance is perhaps best described as a "seasonal" album rather than a Christmas or holiday release, despite the inclusion of such familiar fare as "White Christmas" and "Winter Wonderland." Dean Martin has also included such standards as "The Things We Did Last Summer" and "June in January," as well as some specially written material such as Sammy Cahn and Ken Lane's title song and "It Won't Cool Off." Nevertheless, with its lush strings, well-scrubbed vocal choruses, and buoyant mood, this collection has an appropriately festive feel. Martin does a competent job, even having fun here and there when the song allows him to present his take on a similar baritone…
The soundtrack album for the drama "Woman In Gold" features the film's original music composed by Martin Phipps (Brighton Rock,Harry Brown) and Hans Zimmer (The Dark Knight, The Lion King, Inception, Gladiator, Interstellar). The film is directed by Simon Curtis and stars Helen Mirren, Ryan Reynolds, Daniel Bruhl, Katie Holmes, Charles Dance, Elizabeth McGovern and Frances Fisher…