The seventh in a series of 8 simultaneously released sets celebrating the most iconic British pop show of all time takes a journey back in time to a time of the Britpoppers, boy bands, girl bands and the rise and rise of R&B. Marking the period 1995-2000 this 3-CD collection includes Oasis, Cher, Underworld, Craig David, Hanson, Paul Weller, Texas and many more.
2014 collection containing huge hits from the '90s by the biggest artists of the decade. To date, the NOW series has generated sales of over 200 million albums worldwide, and has sold over 77 million copies in the United States since its debut. Every album in the NOW series has reached the Billboard Top 10, and it is the only non-soundtrack, multi-artist collection to reach #1 Billboard status on the Billboard Top 200 Album Sales Chart.
Maxi Dance Sensation is another great compilation of current dance tracks that can easily become classics 90's. Enjoy!
The seemingly bottomless record collection of Nick Saloman from the Bevis Frond has spawned the third in an ongoing series of albums collecting obscure instrumental tracks from the '60s and '70s, and while many of these songs support the popular notion that the hipper and more interesting rock artists of the day were fond of vocal numbers, there are some fun and exciting tunes to be found on this set. Roaring Blue draws its title from the lead-off track, a swinging dance tune by the Sound of Jimmy Nicol, featuring the drummer who briefly replaced an ailing Ringo Starr during a tour in 1964 (this may explain why Nicol's drums are so far up in the mix), while members of the long-running U.K. pop band Blue Mink appear on the track "Beat Party" under the pseudonym the Underground, and John McLaughlin adds guitar licks to "Trans-Love Airways" by Big Jim Sullivan.
Nick Saloman of the Bevis Frond once again invites us to join him in the obscure pleasures of little-known pop, R&B, and jazz instrumental sides of the '60s and '70s with this collection. A number of the selections featured on Return of the Instro-Hipsters are so obscure that even Saloman isn't sure just who is responsible for them (though he offers some educated guesses on the artists behind such names as Sharks, Oliver Bone, and the Masked Phantom), but there are a good share of solid grooves and kicky melodies to be found here from a number of gifted little-knowns. If you went to the movies in the '70s, "Soul Thing" by Tony Newman will sound familiar, while flautist Harold McNair solos over a Dave Brubeck-influenced piano groove on "The Hipster," Jerry Allen demonstrates new uses for game calls on "Fuzzy Duck," Thunder Road's synthesized version of "Peter Gunn" beats Art of Noise's variation on the theme by more than 15 years, "The Brooke Bond Beat" by Cliff Adams may be the most swingin' tea commercial ever, and the Outer Limits serve up some tough, moody rock, appropriately titled "Black Boots".