If you are into the music of Marcos Valle then you are in for a fantastic treat! Valle Tudo – Discografica De 1963 A 1974 features some of the most amazing music ever recorded. Every record in this massive package is a delight – from the early bossa sides, to the more complicated singer/songwriter material, to Valle's incredibly rich experiments with baroque pop! Valle is certainly one of the greatest Brazilian artists to ever enter a recording studio. Not only does the set include 10 rare albums, but each CD comes with bonus tracks – plus the whole thing also features a previously unreleased full album from 1966. Albums include Samba Demais, O Compositor E O Cantor, Braziliance, Viola Enluarada, Mustang Cor De Sangue, Marcos Valle (1970), Garra, Vento Sul, Previsao Do Tempo, and Marcos Valle (1974) – plus The Lost Sessions from 1966.
Marcos Valle was the Renaissance man of Brazilian pop, a singer/songwriter/producer who straddled the country's music world from the early days of the bossa nova craze well into the fusion-soaked sound of '80s MPB. Though his reputation in America never quite compared to contemporaries like Caetano Veloso, Milton Nascimento, Gilberto Gil, or even Tom Ze, Valle is one of the most important and popular performers in the history of Brazilian pop.
This album has prominent boogie, soul and funk influences. These had been present in Valle's work since the beginning of the 1970s and would be permanent influences on his music, also being solidified by his work with Leon Ware and Chicago.
Many of Airto Moreira's records from the late 1970s and early '80s get an undeserved bad rap because of their obvious – and intended – commercial appeal. Though he came to prominence in America as a member of Miles Davis' early electric bands, Moreira was an established artist in Brazil; one who sought to marry the sounds of his nation's folk traditions with all kinds of popular music. 1979's Touching You…Touching Me was recorded during his Warner period, and is perhaps his most polished record. Self-produced, he learned much of the technique he employed from the best-selling recordings of the time in all pop genres.
Rosalia De Souza confirms her place in a long line of Brazilian contemporary artists as she carries on a rich tradition of great songwriting. de Souza's delightful voice charms when singing alongside superstar Marcos Valle on "Que Bandeira" and persuasively interprets "Vivo Sonhando" by the Maestro Antonio Carlos Jobim. Between these two internationally known columns of Brazilian music, she moves gently along with either Bossa or Samba, thanks to Roberto Menescal's solid hand ( and composer of the album's title song) Menescal's guidance pushes De Souza to interpret a more evocative and spiritual song such as "Jogo De Roda" by 'mestre' Edu Lobo, whose tones are ancestral.
After the success of the Yellow Cube and the Black Box, the 3rd box will once again travel the musical planet Nova in all directions and at all times since the 50s.
Little is known about the life of Francisco António de Almeida, but he occupied a central position in Portuguese life in the first half of the 18th century and was able to learn the Italian style in Rome thanks to the ambitions of King João V. The rarely recorded La Spinalba ovvero Il vecchio matto (Spinalba, or the Mad Old Man) is a comic opera which follows the buffa tradition of intrigue and romantic complexities, and is filled with superb cantabile arias as well as a rich variety of original and dramatic orchestral effects. The cast is led by Ana Quintans, a much-in-demand soloist on the early music scene, and the highly regarded Portuguese ensemble Os Músicos do Tejo is directed by its co-founder Marcos Magalhães.