Gossec made an important contribution to the development of French symphonic music and played a central role in Parisian musical life for almost three-quarters of a century. The opera 'Le Triomphe de la République' was composed in 1793 folowing the French Revolution and wonderfully demonstrates the musical movement that France experienced following the change in political climate. Music was recognized as a medium for the diffusion of new ideas and 'Le Triomphe de la République' was a case in point. It was written in the wake of popular enthusiasm at the news of the army's victory at the battle of Vlamy in 1792 against the anti-French troops led by the Duke of Brunswick. It features folk music and popular dances of the day reflecting a kind of life quite distinct from that of intellectual, aristocratic society. This is an opera that can be seen as redefining music for the new age; the awareness that new relationships were being formed within society as a whole is expressed stylistically by multi-levelled metaphors, and also by the interaction of different kinds of sound. I Barocchisti have a worldwide reputation for reviving vocal and instrumental works of the Baroque period and have earned worldwide success with live performances and recordings. Swiss conductor Diego Fasolis has received glowing reviews for his previous releases with this ensemble.
This LP comprises one of altoist Lee Konitz's greatest sessions. In 1967 he recorded a series of very diverse duets, all of which succeed on their own terms. Konitz is matched with valve trombonist Marshall Brown on a delightful version of "Struttin' with Some Barbecue" and matches wits with the tenor of Joe Henderson on "You Don't Know What Love Is." He plays "Checkerboard" with pianist Dick Katz, "Erb" with guitarist Jim Hall, "Tickle Toe" with the tenor of Richie Kamuca (Konitz switches to tenor on that cut), and an adventurous and fairly free "Duplexity" with violinist Ray Nance. Konitz also has three different duets in five versions of "Alone Together" and, on "Alphanumeric," welcomes practically everyone back for a final blowout. The music ranges from Dixieland to bop and free, and is consistently fascinating.
This fascinating release comprises live recordings made at the end of 1956, when Miles accepted an offer to tour Europe with a formation called the Birdland All Stars, which also included Lester Young and the Modern Jazz Quartet, along with European musicians such as pianist René Urtréger, bassist Pierre Michelot and drummer Christian Garros. We have here the one and only existing evidence of Miles playing with Lester Young and with the MJQ. It also presents a rare occasion to find Miles playing as the sole horn in a quartet format.
…Fine motets by Stradella and Bassani make this disc worth investigation. …violinist Patrick Cohën-Akenine with his excellent bad Les Folies Françoises play with resonant warmth, particularly in two dynamically charged Corelli sonatas.(Gramophone Magazine)
There are some real injustices in the business of recorded music and this disc brings one of them very much to light. The opening lines of the liner notes say, "Until relatively recently, the reputation of Alessandro Scarlatti – the son, brother, father and uncle of other illustrious musicians – was overshadowed by that of his son Domenico." It is not stated on this disc whether the notes were written to go with this Apex re-issue or whether they date from the same period as the recording, but Alessandro’s reputation, if he has one, is still very much under his wonderful son’s shadow. It is an indication of a massive injustice, that this re-issue goes some small way to correcting.