The ten CDs are, so to speak, the antidote to our eroticly charged box '' Sex, Drugs And Alcohol '': Absolutely youthful, this new edition is full of romance, longing, love cries and the accompanying drama. The Rockn Roll era, which was otherwise so wild, has given us a lot of memorable love songs, which the young Elvis was so lucky enough to make on his first LP.
Love , lust and angst were the biggest topics of teen love songs back in the 50s, a time where the idols of the day , no longer your Mom and Dad s crooners, dominated the charts. The 1950s marked the birth of rock’n’roll. From big band tracks to jazz standards, until midway through the 20th century, music was a resolutely parent-friendly zone. But then everything changed. Elvis had flustered teenagers all shook up, while the likes of Chuck Berry, Jerry Lee Lewis and the like were destroying the old safety nets with a virile, passionate new sound.
This Live at the Circle Room date has been issued before, but the bonus material of the same band from a later date makes this an extra special set. For starters, the Circle Room, in the Hotel La Salle in Milwaukee, was the town's premier jazz spot in 1946. The first 17 tracks on this CD come from four performances between September 21 and 25 of that year. Cole, with Oscar Moore and Johnny Miller, had begin his singing career in earnest, and playing in front of a lounge crowd seemed like the most natural thing in the world for him. Indeed, as bottles click, and the periodic murmur of voices in the foreground appear in the mix, the listener will be transported into Cole's magical space. From Ellington's "C Jam Blues," to "I'm in the Mood for Love," "I'm Thru With Love," and "Sweet Georgia Brown," the Cole trio kicks it with grace and elegance.
3 CD collection of Love songs including Chrise Rea, Tina Turner, a-ha, Simply Red and many others. Released on March 10, 2017 on Warner.
Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as "I'm an Errand Girl for Rhythm," "Frim Fram Sauce," and "Hit That Jive Jack." Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber "I'm Through With Love" and "If I Had You." Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of "Hit That Jive Jack," although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall's vocal on "If I Had You," and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds.