Louis Not

Les Maitres De L’Orgue Francais De Louis XIII À La Monarchie De Juillet (2014) (8CD Box set) {Radio France}

Les Maitres De L’Orgue Francais De Louis XIII À La Monarchie De Juillet (2014) ( 8CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (300dpi, png) | 2756 mb | MP3 CBR 320kbps | RAR | 1529 mb
Classical, Chamber, Organ | Label: Radio France, Catalog #: 316045

An extraordinary enterprise … As an experience of the sounds and styles of French organ culture this boxed set, it seems to me, is indispensable … the body of music is mostly, here, not created but simply made alive by the apt choice of instruments … it is a resource to which to return with delight.
The Royal Philharmonic Orchestra - Hits Of Phil Collins Performed By The Royal Philharmonic Orchestra Conducted By Louis Clark

The Royal Philharmonic Orchestra - Hits Of Phil Collins Performed By The Royal Philharmonic Orchestra Conducted By Louis Clark (1990)
EAC Rip | FLAC (Img) + Cue + Log ~ 276 Mb | MP3 CBR320 ~ 107 Mb
Scans (PNG, 400 dpi) ~ 67 Mb | RAR 5% Recovery
Easy Listening, Instrumental Pop, Modern Classical | Nouveau #10132

Ten of Collins' soft-rock hits (including "In the Air Tonight," "One More Night," and the cover of "Groovy Kind of Love") are given a smooth, friendly easy-listening treatment on this disc; the only drawback are the oppressive synthesized drums, which give the entire recording a mechanical feel.

Louis Harold Gray: A Founding Father of Radiobiology (repost)  eBooks & eLearning

Posted by roxul at Jan. 11, 2017
Louis Harold Gray: A Founding Father of Radiobiology (repost)

Sinclair Wynchank, "Louis Harold Gray: A Founding Father of Radiobiology"
2016 | ISBN-10: 3319433962 | 137 pages | PDF | 3 MB

Old Mobile : Fort Louis de la Louisiane, 1702-1711  eBooks & eLearning

Posted by readerXXI at Jan. 10, 2017
Old Mobile : Fort Louis de la Louisiane, 1702-1711

Old Mobile : Fort Louis de la Louisiane, 1702-1711
by Jay Higginbotham
English | 1991 | ISBN: 0817305289 | 592 Pages | PDF | 41.6 MB

"All history books should be written like this." – Birmingham Magazine

Dreams of Exile: Robert Louis Stevenson : A Biography  eBooks & eLearning

Posted by tarantoga at Jan. 7, 2017
Dreams of Exile: Robert Louis Stevenson : A Biography

Ian Bell, "Dreams of Exile: Robert Louis Stevenson : A Biography"
ISBN: 0805028072, 1780576846 | 1993 | EPUB | 296 pages | 388 KB

Joe Louis: The Life of a Heavyweight (Repost)  eBooks & eLearning

Posted by roxul at Dec. 22, 2016
Joe Louis: The Life of a Heavyweight (Repost)

Lew Freedman, "Joe Louis: The Life of a Heavyweight"
English | 2013 | ISBN: 0786459077 | 252 pages | PDF | 3 MB
Leila Josefowicz, St. Louis SO, David Robertson - John Adams: Scheherazade.2 (2016)

John Adams: Scheherazade.2 (2016)
Leila Josefowicz, violin; St. Louis Symphony Orchestra; David Robertson, conductor

EAC | FLAC | Image (Cue&Log) ~ 224 Mb (incl 5%) | Scans included | Time: 00:47:36
Genre: Classical | Label: Nonesuch | # 7559 79435-1

You'd get differing answers to the question of whether John Adams is America's greatest living composer, but he's the one to whom the country turned in the aftermath of the terrorist attacks of September 11, 2001. The demand for new work from him has only increased since he achieved senior citizen status. Fortunately, he's been able to meet that demand with distinctive large-scale works. Consider 2016's Scheherazade.2, recorded here by the violinist who premiered the work, Leila Josefowicz, with the St. Louis Symphony Orchestra under David Robertson. The piece succeeds on several levels. It is, outwardly, as close as Adams has come to writing a big Romantic violin concerto, and it will no doubt be welcomed into the concert repertory as such. Yet go into it more deeply, and it seems less a concerto than – well, what, exactly? Adams calls it a "dramatic symphony." English critic Nick Breckenfield has compared it to Berlioz's Harold in Italy, with the soloist representing an individual making her way through a series of adventures that may have a threatening tinge.
Holst, Saint Louis Symphony Orchestra, Walter Susskind ‎- The Planets (1975) [MFSL UDSACD 4005]

Holst, Saint Louis Symphony Orchestra, Walter Susskind ‎- The Planets (1975)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2004 | Mobile Fidelity Sound Lab, UDSACD 4005 | ~ 226 or 133 Mb | Scans Included
Classical

The Planets, composed between 1914 and 1916, is a suite of seven movements. Holst's starting point for the music was the astrological character of each planet, though his interest in astrology went no deeper than its musical suggestiveness…

Louis Armstrong - 24 Chefs D'Cueuvres (2003)  Music

Posted by popsakov at Dec. 8, 2016
Louis Armstrong - 24 Chefs D'Cueuvres (2003)

Louis Armstrong - 24 Chefs D'Cueuvres (2003)
EAC Rip | FLAC (Img) + Cue + Log ~ 198 Mb | MP3 CBR320 ~ 187 Mb
Scans (PNG, 300 dpi) ~ 24 Mb | RAR 5% Recovery
Jazz, Swing, Dixieland | Saga Jazz #981 064-2

24-bit remastered French exclusive compilation is packaged in a well designed digipak. 24 tracks performed by Louis Armstrong with various ensembles, His Hot Five, His Hot Seven, His Orchestra, Savoy Ballroom Five & others.
Le Concert d'Astree, Louis Langree - Mozart: Mass In C Minor (2006)

Le Concert d'Astree, Louis Langree - Mozart: Mass In C Minor (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 54:01 | 278 MB
Genre: Classical, Sacred | Label: Virgin Classics | Catalog: 0946359309

First things first: if you're seeing a picture of this disc on the site of an online retailer, be aware that it contains the Mass in C minor, K. 427, not the "Mass in C," promised by the cover, which would more likely be the "Coronation" Mass in C major, K. 337. It is always a shame when designers are given power of diktat over content editors. The so-called "Great" Mass in C minor is one of Mozart's most ambitious and most problematical works. There was no known immediate stimulus for its composition. Did Mozart begin writing it out of one of his rare religious impulses, on the occasion of his marriage to his bride Constanze? Out of his growing devotion to Freemasonry? Was it his first major exercise in applying the lessons in Bach-style counterpoint he had been receiving at the intellectual salons of the Baron van Swieten in Vienna? Or was it meant as a showpiece for singer Constanze with its killer soprano arias? It was all of these things and none of them, for Mozart never finished the mass.