Loly Cavalli

Loly Cavalli - Color Streak  Graphics

Posted by nrg at Dec. 6, 2013
Loly Cavalli - Color Streak

Loly Cavalli - Playboy International (set 2)
40 jpg | 1280*1920 | 35.72 Mb

Loly Cavalli - Naked Kiss  Graphics

Posted by nrg at Nov. 6, 2013
Loly Cavalli - Naked Kiss

Loly Cavalli - Playboy International (set 1)
51 jpg | 1280*1920 | 58.03 Mb
Argentinean model

Rene Jacobs, Concerto Vocale - Cavalli: La Calisto (2006)  Music

Posted by ArlegZ at Dec. 14, 2017
Rene Jacobs, Concerto Vocale - Cavalli: La Calisto (2006)

René Jacobs, Concerto Vocale - Cavalli: La Calisto (2006)
NTSC 4:3 (720x480) | Italiano (LinearPCM, 2 ch) | Italiano (DTS, 5 ch) | 232 min | 7.19+6.11 Gb (2xDVD9)
Classical | Label: Harmonia Mundi | Sub: Italiano, Francais, English, Deutsch, Nederlands | Recorded: 1996

Cavalli was the leading composer of opera in Venice during the 1650s, and Calisto (which premiered in November 1651) finds him at the height of his powers. Giovanni Faustini’s mythologically based libretto for Calisto tells the story of the amorous trials of two couples: Calisto, a female devotee of the goddess Diana, and her pursuer, Jove; and Diana herself, and the shepherd Endymion. As a follower of Diana, Calisto has rejected carnal relations with men; as a result, in order to win her affection, Jove disguises himself as Diana, and Calisto willingly follows him in that guise to enjoy carnal pleasure. Calisto’s actions invoke the wrath of both Diana herself, and of Jove’s wife Juno. According to the myth, Calisto is transformed into a bear, and will later ascend to the firmament as the constellation Ursa Minor. Diana, in Faustini’s version, finally admits to loving Endymion; they remain devoted to each other, but their relationship remains unconsummated.
Lorenzi Cavalli, Enrico Cavalli - Tecnologie e progettazione di sistemi informatici e telecomunicazioni. Vol.3 (2014)

Lorenzi Cavalli, Enrico Cavalli - Tecnologie e progettazione di sistemi informatici e telecomunicazioni. Vol.3 (2014)
Italian | 2014 | PDF | Pages 450 | ISBN: 9788826815480 | 83 MB

Dopo il primo capitolo dedicato alla rappresentazione delle informazioni e ai formati standard, vengono presentate le caratteristiche generali dei sistemi operativi e le modalità operative per i sistemi Linux (Ubuntu), Windows (versione 8), Mac OS X, sistemi per l'informatica mobile (Android e iOS).
William Christie, Les Arts Florissants - Cavalli: La Didone (2012) [Blu-Ray]

William Christie, Les Arts Florissants - Cavalli: La Didone (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 25962 kbps / 1080i / 29,970 fps | 176 min | 42.1 Gb
Audio1: Italian LPCM 2.0 / 24-bit | Audio2: DTS-HD MA 5.1 / 48 kHz / 4003 kbps / 24-bit
Classical | OPUS ARTE | Sub: English, French, German

A live performance from October 2011 at the Theatre de Caen affords a superb introduction to Cavalli’s rarely performed 1641 opera La Didone. William Christie leads Les Arts Florissants in beautifully realized period style, while French stage actor Clement Hervieu-Leger, in his operatic directorial debut, draws powerful and moving characterizations from a large, versatile cast.
Fabio Biondi, Europa Galante - Pier Francesco Cavalli: La Didone (2007)

Fabio Biondi, Europa Galante - Pier Francesco Cavalli: La Didone (2007)
NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 173 min | 4.13+7.27 Gb (DVD5+DVD9)
Classical | Label: Dynamic | Sub: Italiano, English, Francais, Deutsch, Espanol | Recorded: 2006

Preceded by a solemn prologue in which Iride admonishes mortals that they should not offend the gods, the story of Cavalli’s Didone comes to life thanks to numerous solo passages of highly varied character and structure, designed both for simple basso continuo support and for a more complex instrumental accompaniment, for five real parts which enjoy some independent moments and which create a diversion from the action or blend in with it in a wholly logical way, intensifying it in a studied, evocative manner. The tragic story of the Carthaginian queen is thus unfolded with extreme attention in a framework that had already been adopted by Monteverdi, of whom Cavalli is considered a worthy successor. In this case it is enlivened and, we might say, given a more popular, direct appeal as it aims to communicate with a public that is gradually expanding. The composer is sincere when he states: ”My spirit has always been far from the printing press: I have preferred to allow my weaknesses to run where fortune takes them with the pen rather than the press.” He identifies with the torment of Didone and with the ”force of nature” (Prunières) that is his and the brilliance of some of his solutions, he creates one of the most tragic, tormented operas of the entire seventeenth century.
Marina Bartoli, La Venexiana, Claudio Cavina - Cavalli: Artemisia (2011)

Marina Bartoli, La Venexiana, Claudio Cavina - Cavalli: Artemisia (2011)
XLD | FLAC (image+.cue, log) | Covers Included | 02:27:23 | 626 MB
Genre: Classical, Opera | Label: Glossa | Catalog: GCD 920918

It's not necessary to make extravagant claims for Francesco Cavalli's originality to recognize his absolute mastery of the style of mid-17th century Venetian opera perfected by Monteverdi in L'incoronazione di Poppea. The fact that he was able to keep the operatic form so fresh and vital (and most importantly, hugely entertaining) for more than a generation after Monteverdi's death is achievement enough.
Hana Blazikova, L'Arpeggiata, Christina Pluhar - Francesco Cavalli: L'Amore innamorato (2015)

Francesco Cavalli - L'Amore innamorato (2015)
Hana Blažíková, soprano; L'Arpeggiata; conducted by Christina Pluhar

EAC | FLAC | Image (Cue&Log) ~ 326 Mb | Artwork included | Time: 01:06:52
Classical, Baroque Opera | Label: Erato | # 0825646166428

With L’Amore innamorato – ‘Love in love’ – Christina Pluhar and L’Arpeggiata return to their own first great love, Italian music of the 17th century, and specifically to composer Francesco Cavalli (1602-1676). A luminary of the glamorous and innovative world of Venetian opera, Cavalli was a protégé of Claudio Monteverdi – the composer around whom L’Arpeggiata built Il teatro d’amore, the ensemble’s first Warner Classics album, which was released in early 2009. “Cavalli’s music excites my passions”, says Christina Pluhar. He composed some 40 operas, some of which have achieved new currency since the 1960s, such as La Calisto, Il Giasone, L’Egisto and L’Ormindo and La Didone. Arias and instrumental numbers from six of his operas feature in L’Amore innamorato. The instrumentalists of L’Arpeggiata are joined for the album – which also includes pieces by two of Cavalli’s contemporaries, Girolamo Kapsperger and Andrea Falconieri – by two sopranos, the Catalan Núria Rial and the Czech Hana Blažíková.

Nicholas Evans - L'uomo che sussurrava ai cavalli (Repost)  eBooks & eLearning

Posted by Karabas91 at June 25, 2017
Nicholas Evans - L'uomo che sussurrava ai cavalli (Repost)

Nicholas Evans - L'uomo che sussurrava ai cavalli
Italian | 2010 | 392 pages | ASIN: B0067BH4WI | EPUB | 0,6 MB

Nomi, cognomi e infami - Giulio Cavalli  eBooks & eLearning

Posted by Maroutan at May 2, 2017
Nomi, cognomi e infami - Giulio Cavalli

Nomi, cognomi e infami - Giulio Cavalli
Italian | 2015 | 246 Pages | ISBN: 6050490015 | EPUB | 466.51 KB

Il libro di Giulio Cavalli non è un libro come gli altri. “Nomi, cognomi e infami” è il diario impersonale di un anno di storie incrociate in una tournée che è scesa dal palco per diventare la sua storia: quella di un attore di teatro che vive sotto scorta da due anni. È un viaggio nel tempo e nello spazio che accompagna il lettore dall'attentato di via D'Amelio al sorriso di Bruno Caccia, dalle parole di Pippo Fava all'omicidio di don Peppe Diana passando attraverso il coraggio di Peppino Impastato, Rosario Crocetta e i ragazzi di Addiopizzo, fino a svelare la presenza della mafia al Nord che l'autore è stato tra i primi a denunciare…