Lligator Records 45th

Various Artists - Alligator Records 45th Anniversary Collection (2016) {2CD Alligator Records ALCD 127/28}

Various Artists - Alligator Records 45th Anniversary Collection (2016) {2CD Alligator Records ALCD 127/28}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.10 Gb | MP3 @320 -> 376 Mb
Full Artwork @ 300 dpi (jpg) -> 47 Mb | 5% repair rar
© 2016 Alligator Records | ALCD 127/28
Blues

It’s been 45 years since Hound Dog Taylor & The Houserockers entered a Chicago recording studio to cut the album that would change the face of American music forever. That self-titled release came out in August 1971 and launched an American institution, Alligator Records. Label boss Bruce Iglauer ran the operation from an efficiency apartment in the Windy City. In the subsequent decades, his imprint would issue roughly 300 titles, including releases from Koko Taylor, Albert Collins, Luther Allison, and Lil’ Ed and The Blues Imperials, among many, many others. When quality blues records were hard to come by and majors turned their attention to the latest fashions, Iglauer stuck it out, giving a loyal fan base music they didn’t know they were missing. To see the Alligator logo on an album’s spine meant you were getting something handpicked from a friend who loved that music as much as you did. Maybe even more.

VA - Alligator Records 45th Anniversary Collection (2016)  Music

Posted by ciklon5 at June 9, 2016
VA - Alligator Records 45th Anniversary Collection (2016)

VA - Alligator Records 45th Anniversary Collection (2016)
MP3 CBR 320 kbps | 02:40:32 | 372 Mb
Genre: Blues, Rock, Pop / Label: Alligator Records

Disc set celebrating the 45th anniversary of the world’s premier blues label. Thirty-seven songs and a six-panel digipak with 24-page booklet. The Alligator Records 45th Anniversary Collection clearly lays out Alligator’s wide-ranging, forward-looking vision with tracks from newer voices—Selwyn Birchwood, Toronzo Cannon, Shemekia Copeland, Moreland & Arbuckle and Jarekus Singleton—seamlessly programmed next to legendary artists like Curtis Salgado, Rick Estrin & The Nightcats, Joe Louis Walker, Delbert McClinton, Anders Osborne, The Holmes Brothers, Guitar Shorty, JJ Grey & Mofro, Ann Rabson and Roomful Of Blues. Together, the Alligator Records 45th Anniversary Collection presents a comprehensive portrait of this singular, rooted, soul-stirring American music. No repeat tracks from our five previous anniversary samplers.
Blossom Dearie - Blossom Dearie Sings 1973 (45th Anniversary Edition 2017)

Blossom Dearie - Blossom Dearie Sings 1973 (45th Anniversary Edition 2017)
WEB FLAC (Tracks) - 271 MB | Cover | MP3 CBR 320 kbps - 111 MB | 00:47:09
Vocal Jazz, Pop | Label: Daffodil Records

Blossom Dearie wrote her first song, "Blossom's Blues," in late 1956, a coy response to similar songs from female singers of the era. The first and last lyrics she would ever write would be, "If you don't like my peaches baby, why do you shake my tree?" In London, in the mid-60's, Blossom was visiting a friend when Brit-rocker Georgie Fame came on the radio. Her friend's children went wild and began to dance around the living room. Blossom was so taken that she sat down at the piano and began a melody, her friend, Sandra Harris, wrote the words, and Sweet Georgie Fame along with Blossom's earliest demo recordings of her own songs were born. From then on Blossom stayed on the music side and let talented friends supply the lyrics. Sweet Georgie Fame, and the real Georgie Fame stayed in England, but ten tracks, all written by Blossom Dearie, were about to make their way back home to New York.
David Earle Johnson & Jan Hammer - Hip Address (1980) {One Way Records}

David Earle Johnson & Jan Hammer - Hip Address (1980) {One Way Records}
EAC 0.99pb4 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 243MB + 5% Recovery
MP3 CBR 320 Kbps | 98MB + 5% Recovery
Genre: Fusion, Jazz-Funk

What a surprise to have stumbled upon this CD by percussionist David Earle Johnson, who doesn't seem to have many albums in print, let alone much of a solo discography. Granted, the co-billing of Jan Hammer (a mover and shaker during the heyday of jazz-rock fusion) on the CD cover may have convinced me that there was some worth to buying "Hip Address", but the music itself turned out to be rather good for the most part.
Orignally released in 1980, "Hip Address" builds on the jazz-rock fusion Hammer created with both the Mahavishnu Orchestra and Jeff Beck, adding a more percussive feel to it courtesy of Johnson. Hammer and Johnson play all instruments, with Hammer playing drums in addition to his multiple keyboards.

Miroslav Vitous - Miroslav (1977) {Freedom Records}  Music

Posted by tiburon at May 22, 2018
Miroslav Vitous - Miroslav (1977) {Freedom Records}

Miroslav Vitous - Miroslav (1977) {Freedom Records}
EAC 0.99pb4 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 163MB + 5% Recovery
MP3 CBR 320 Kbps | 85MB + 5% Recovery
Genre: Jazz, Post Bop, Fusion

1976-1977 sessions with Don Alias and Armen Halburian on percussion. Vitous overdubs bass and keyboards. A stunning musical trip through Afro-jazz texture music. "Tiger in the Rain" is absolutely captivating.

Clinical Text Mining: Secondary Use of Electronic Patient Records  eBooks & eLearning

Posted by AvaxGenius at May 22, 2018
Clinical Text Mining: Secondary Use of Electronic Patient Records

Clinical Text Mining: Secondary Use of Electronic Patient Records By Hercules Dalianis
English | PDF | 2018 | 192 Pages | ISBN : 3319785028 | 4.58 MB

This book describes the results of natural language processing and machine learning methods applied to clinical text from electronic patient records.
Friedemann - Memory Lane (2007) {Biber Records-In-Akustik INAK 76821 Official Digital Download rel 2015}

Friedemann - Memory Lane (2007) {Biber Records-In-Akustik INAK 76821 Official Digital Download rel 2015}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (qobuz.com) -> 370 Mb | MP3 @320 -> 139 Mb | Cover | 5% repair rar
© 2007, 2015 Biber Records / In-Akustik | INAK 76821
Jazz / Contemporary Instrumental Music / Guitar

On this compilation of award-winning studio recordings and passionate live performances, guitarist and composer Friedemann takes the listener through that magnificent musical scenery which he has cultivated so expertly over the last three decades. But on the way from the 1980s to 2008 there are also some previously unreleased tracks to be discovered.
Anthrax - Volume 8: The Threat Is Real (1998) [2004, Noise Records NO3902]

Anthrax - Volume 8: The Threat Is Real (1998)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Noise Records NO3902 | ~ 548 or 171 Mb | Scans(jpg) -> 53 Mb
Thrash Metal | 18 Tracks

Volume 8: The Threat Is Real is the eighth studio album by American thrash metal band Anthrax. The album was released on July 28, 1998 by Ignition Records and debuted at number 118 on the Billboard 200 chart. The record was produced by the band and Paul Crook. It features the song "Crush", which appeared in the video game ATV Offroad Fury for PlayStation 2 and in the game's soundtrack…

The Rhino Records Story: Revenge of the Music Nerds  eBooks & eLearning

Posted by First1 at May 21, 2018
The Rhino Records Story: Revenge of the Music Nerds

The Rhino Records Story: Revenge of the Music Nerds by Harold Bronson
English | October 22nd, 2013 | ASIN: B00FYZJII6, ISBN: 1590791282 | 416 Pages | EPUB | 19.11 MB

In the 1970s in the backroom of a record store, Harold Bronson and Richard Foos were making history—and Rhino Records was born. Harold Bronson’s The Rhino Records Story tells the tale of how a little record shop became a multi-million dollar corporation.
Chico Freeman - The Pied Piper (1986) {Blackhawk Records BKH508-2 rec 1984}

Chico Freeman - The Pied Piper (1986) {Blackhawk Records BKH508-2 rec 1984}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1984, 1986 Blackhawk Records | BKH 508-2
Jazz / Post Bop / Progressive Jazz / Reeds

The first of two Chico Freeman recordings for the soon-defunct Black-Hawk label finds the leader switching between tenor, alto, sopranino, soprano, bass clarinet, bass flute and C flute. John Purcell "only" limits himself to five reeds (alto, baritone, oboe, alto flute and piccolo), and the horns are joined by either Kenny Kirkland or Mark Thompson on piano, bassist Cecil McBee and drummer Elvin Jones. The many combinations of reeds highlight this set, which has originals by Freeman, Mark Thompson ("Monk 2000"), John Stubblefield, Alex North and Cecil McBee ("Blues on the Bottom"), in addition to the standard "Softly As In a Morning Sunrise." The style ranges from straight-ahead to more exploratory sounds, and this colorful album is worth searching for.