Something of an anomaly on the Sub Pop roster, the Supersuckers bore a limited surface resemblance to grunge, but they were a party band at heart, donning cowboy hats and kicking out a gleefully trashy brand of throttling, rockabilly-flavored garage punk. Their lyrics were a raucous, over-the-top celebration of all the attendant evils of rock & roll – sex, booze, drugs, Satan, and whatever other vices the band could think of, all glorified with tongue planted firmly in cheek. Save for an abrupt and temporary detour into hardcore honky tonk, their approach stayed relatively consistent through the '90s, as did their quality control.
Forty-five years after her death, Mahalia Jackson remains the world's most famous gospel singer. "Moving On Up A Little Higher" explores Mahalia's roots, as she performs hymns of her childhood and reunites with her mentor, Thomas A. Dorsey. These performances date from 1946 to 1957, when Mahalia's voice was at it's golden best. Highlights include the only known recording of Mahalia, accompanied by Thomas A. Dorsey, two live versions of her first and greatest hit, "Move On Up A Little Higher" and two of her most important concerts: a 1951 symposium that introduced her to a larger, interracial public and the 1957 Newport Jazz Festival concert.