As mentioned in his autobiographies, Telemann's encounters with Eastern European gypsy music influenced his own compositions. The young composer must have been enthralled by the wonderful inventiveness of this music, as typified in this recording with the last movements of the Caprice Symphony and the Concerto in e minor for recorder and flute.
Our collection is called “Caprice” in honor of Thierry Lancino’s Cinq Caprices, adapted for flute and piano especially for this recording. The collection is an homage to Pierre Boulez and his life-changing, challenging, ironic, and capricious "Sonatine pour flute et piano", written in 1946. Both Paavali Jumppanen and I had the great good luck to work with Pierre Boulez in our formative years, so when we started to perform together it was obvious that the Sonatine would be a central part of our repertoire and that a recording would follow.