Standing In The Light is the fourth studio album released by the British jazz-funk band Level 42. The album, released in 1983, generated the group's first top 10 in the UK album charts, peaking in #9. The album was well received by critics and fans.
Level 42 was steadily perfecting and evolving their dance/pop, funk, and rock mix during the '80s, and when they hit the big time, the label began reissuing their earlier, less successful material. It's hard to understand why this didn't do as well as later albums like World Machine, Running in the Family, and Staring at the Sun, although the obvious reason would be that no singles ever broke that compared with the ones from those releases. But it was just as well produced, the songs were almost as cutely performed, and the arrangements are very similar.
Polydor's Level Best is a thorough, successful overview of the smooth, jazzy British sophisti-pop outfit, containing all of their biggest hits and best material, including the sublime "Something About You." At 18 tracks, it may run a little long, but it still is as comprehensive a summary of Level 42's career as could be hoped.
Recorded on the final night of their tour at the Hammersmith Apollo in 2003, this special 16 track live package from the Jazz-funk legends Level 42 is packed with classics. The band are at their brilliant best performing hits including 'Lessons in Love' and 'Something About You' that have underlined the reasons why the group have always been at the very top level of modern day music.
Manchester band whose blend of smooth jazz, sophisticated pop, and funk topped the British charts during the 1980s and '90s. At the beginning of their career, Level 42 was squarely a jazz-funk fusion band, contemporaries of fellow Brit funk groups like Atmosfear, Light of the World, Incognito, and Beggar & Co. By the end of the '80s, however, the band – whose music was instantly recognizable from Mark King's thumb-slap bass technique and associate member Wally Badarou's synthesizer flourishes – had crossed over to the point where they were often classified as sophisti-pop and dance-rock, equally likely to be placed in the context of Sade and the Style Council as any group that made polished, upbeat, danceable pop/rock.