As complete sets of Brahms piano music go, it's hard to get more complete than this set by Martin Jones on Nimbus. Jones includes not only the canonical two Rhapsodies, three Sonatas, four Ballades, six sets of variations, ten Hungarian Dances, sixteen Waltzes and twenty-eight short piano pieces, but also the almost forgotten sarabandes, gigues, gavottes, studies, canons and transcriptions. Listeners looking for the most complete Brahms available need look no further. Listeners who do look no further, however, will have to settle for good but by no means great performances. Jones has a big tone coupled to an impressive technique and many of his performances are quite fine. But too often here he seems to be merely going through the motions, turning in accomplished but unexciting sometimes even dutiful performances. When extroverted virtuosity is called for in the Paganini Variations, Jones is almost but not altogether on top of the notes.
Tamara Anna Cislowska is one of the best known and awarded Australian pianists of her generation. She has performed as a soloist across five continents and is renowned for her wide-ranging repertoire and exciting performances. In addition to spanning 300 years of music from Scarlatti to Sculthorpe, Tamara thrills audiences with her own transcriptions and arrangements of popular melodies. This release consists of a collection of dramatic, ghostly and macabre 19th century solo piano works.
This release from Australian award-winning pianist Tamara Anna Cislowska was recorded in February 1997 at the Conservatorium of Music, Newcastle. and consists of mystical, exotic, visionary, ancient and other-worldly timeless piano music for the modern world. It offers a musical experience unlike that of any other piano album - dreamy, exotic textures that will transport the listener to far away places and peaceful contemplative worlds.
Following his compendious sets of music by the outstanding figures of Minimalism such as Philip Glass, Terry Riley and Michael Nyman, Jeroen van Veen returns to Brilliant Classics with new recordings of the grandfather, inspiring figure of the genre, Erik Satie. Not that Satie himself would have recognised the term, coined by Nyman in the early 70s, but in saying new things in a quiet voice, swimming against the tide of Romanticism, he influenced not only Debussy, Ravel, Les Six and countless artists of any medium…
The protean and prolific Jeroen van Veen turns his attention to Erik Satie’s complete piano works for a 9-CD boxed set that ties in with the composer’s 150th birthday year. In a way, the collection is completer than complete. It includes all of Satie’s published and unpublished works for solo piano and piano duo, piano arrangements of theater scores as Le fils des étoiles, Darius Milhaud’s transcription of Cinéma.
Jean Roger-Ducasse was born in Bordeaux on 18 April 1873. He studied at the Paris Conservatoire from 1892 and in 1895, along with Ravel, joined the composition class of Gabriel Faure. In 1902 he won the second Grand Prix de Rome with his cantata Alcyone, with Ravel gaining fourth prize. He had a very active role in musical life in Paris founding the Societe Musicale Independante in 1909 and gaining the position of inspector general for the teaching of singing in Paris schools in 1910.