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Martin Jones - Jean Roger-Ducasse: The Complete Piano Music (2015)

Martin Jones - Jean Roger-Ducasse: The Complete Piano Music (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 03:05:37 | 569 MB
Genre: Classical | Label: Nimbus | Catalog: NI 5927

Jean Roger-Ducasse was born in Bordeaux on 18 April 1873. He studied at the Paris Conservatoire from 1892 and in 1895, along with Ravel, joined the composition class of Gabriel Faure. In 1902 he won the second Grand Prix de Rome with his cantata Alcyone, with Ravel gaining fourth prize. He had a very active role in musical life in Paris founding the Societe Musicale Independante in 1909 and gaining the position of inspector general for the teaching of singing in Paris schools in 1910.
Idil Biret - Brahms: The Complete Solo Piano Music and the Piano Concertos (12 CDs, 2001)

Idil Biret - Brahms: The Complete Solo Piano Music and the Piano Concertos (12 CDs, 2001)
MP3 320 kbps | 12 CDs, 12:17:16 min | 1,65 Gb | Scans -> 12,5 mb
Genre: Classical / Label: Naxos

This set is a remarkable bargain, containing all of Brahms's solo piano music, including such chips from his workshop as cadenzas for other composers' concertos and a series of strictly mechanical piano studies that nobody will want to listen through. No matter. Idil Biret has a firm grasp of Brahms's idiom, and she plays with insight and passion throughout the set. Although she doesn't startle with her virtuosity, she handles the considerable technical demands of the music with great confidence.

Miguel Baselga - Albéniz: Piano Music, Vol. 9 (2017)  Music

Posted by Pisulik at Aug. 5, 2017
Miguel Baselga - Albéniz: Piano Music, Vol. 9 (2017)

Miguel Baselga - Albéniz: Piano Music, Vol. 9 (2017)
Classical, Piano | MP3 CBR 320 kbps | 01:09:06 | 161 MB
Label: BIS

The piano works by Isaac Albeníz range from indisputable masterpieces to ravishing salon music, the composer painting with bright Spanish colours as well as the hues of Classicism or Romanticism. On eight previous volumes, Miguel Baselga has guided listeners through the music of his compatriot, earning acclaim from reviewers worldwide: ‘pianism of the highest order’ (MusicWeb-International); ‘berauschend agil und rhytmisch spannungsgeladen’ (PIANONews); ‘un pianista elegante y refinado’ (CD Compact). With the assistance of Albeníz scholar Jacinto Torres, Baselga has been able to access rare editions and scores, and his exhaustive series includes the Marcha militar by a nine-year-old Albeníz (Vol. 7), as well as the four books that make up the celebrated Iberia (Vols. 1-4) and the composer's only two scores for piano and orchestra (Vol. 6).

Piano Music Theory (Back To Basics) by JFilt  eBooks & eLearning

Posted by naag at Aug. 4, 2017
Piano Music Theory (Back To Basics) by JFilt

Piano Music Theory (Back To Basics) by JFilt
MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 30M | Lec: 12 | 179 MB
Genre: eLearning | Language: English

Piano Lessons For Beginners in 30 Minutes
Jean Sibelius - Piano Music Vol. 5 - Havard Gimse (2004) {Naxos 8.555853}

Jean Sibelius - Piano Music Vol. 5 - Håvard Gimse (2004) {Naxos 8.555853}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 173 Mb | MP3 @320 -> 138 Mb
Full Artwork @ 600 dpi (jpg) -> 39 Mb | 5% repair rar
© 2004 Naxos | 8.555853
Classical / Late Romantic / Early Modern / Piano

All the pieces recorded here come from the 1920s, the period of the Sixth and Seventh Symphonies, and are rarities. Among the finest are the Five Sketches, which come from the very end of the decade and more among Sibelius’s last published works. They may be slight but they are highly individual and hive great finesse. The Village Church from Op. 103 has overtones of the Andante festivo for strings, and The Oarsman seems to ruminate on ideas in the Seventh Symphony. Sibelius’s piano-writing may have evoked little enthusiasm during his lifetime and it is true that, by the exalted standards he set elsewhere, it is limited in resource and scale. But pieces like In Mournful Mood and Landscape from Op. 114 are curiously haunting. So is the rest of the Op. 114 set, and its neglect has been our loss.
John Tilbury, Christian Wolff - Christian Wolff: Early Piano Music 1951-1961 (2002) (Repost)

John Tilbury, Christian Wolff - Christian Wolff: Early Piano Music 1951-1961 (2002)
EAC | APE (image+.cue, log) | Covers Included | 01:32:40 | 238 MB
Genre: Avant-garde, Modern Classical | Label: Matchless Recordings | Catalog: MRCD51

This outstanding two-CD survey of the piano music of Christian Wolff comes courtesy of the composer's longtime friend, pianist John Tilbury, with a little help from Matchless label boss (and fellow AMM mainstay) Eddie Prévost and the composer himself. Wolff's studies with John Cage began at the tender of age of 16, and "For Prepared Piano" (1951) is an affectionate nod toward the rhythmic procedures of his teacher, who sent his student off to the hotbed of avant-garde Europe that same year to meet Pierre Boulez.
Alessandro Simonetto & Leroy Shield - The Original Laurel & Hardy Piano Music (2017)

Alessandro Simonetto & Leroy Shield - The Original Laurel & Hardy Piano Music (2017)
Classical, Piano | MP3 CBR 320 kbps | 01:00:54 | 169 MB
Label: Aevea Classics

Contains 16 new music from the Laurel & Hardy comedies + the complete version of Snowing (unedited) from the film 'Laughing Gravy', in the solo piano version (Alessandro Gioele Simonetto, piano). New music from the film 'Our Relations', 1936 (pieces: We Are Just An Happy Family; Valse; On a Sunny Afternoon) - Stock Music, 1935 (Tango; Just a Melody Sweet; There's Always…; Seasons; Beyond the Rainbow; Love Is Everything To Me; Mys-tée-ree; Colonial Gaieties)
Benjamin Frith - John Field: Piano Music, Vol. 2 (Nocturnes and Sonatas) (2000)

Benjamin Frith - John Field: Piano Music, Vol. 2 (Nocturnes and Sonatas) (2000)
EAC | FLAC | Image (Cue&Log) ~ 173 Mb | Mp3 (CBR320) ~ 160 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.550762 | Time: 01:06:57

The first volume of this series (Naxos 8.550761) mixed the first two sonatas of Field's Op. 1 with the first nine Nocturnes. The Sonata Op. 1 No. 3 in C minor logically appears on this second volume, in a most successful performance. Dedicated to Clementi, the first movement shows distinct tendencies towards 'Sturm und Drang'. Neither movement is fast: the concluding Rondo (marked Allegretto scherzando) is bursting with wit and charm to balance the stress of the first. This piece alone justifies the modest outlay for this disc. The remaining tracks, the next nine Nocturnes in the series, demonstrate Frith's sensitivity. Importantly, he shows a laudable restraint with the sustaining pedal. His sweet cantabile is the result of an acute musical sensitivity, and he never overblows the scale of these miniatures.

Jordi Masó - Turina: Piano Music, Vol. 12 (2016)  Music

Posted by SERTiL at July 19, 2017
Jordi Masó - Turina: Piano Music, Vol. 12 (2016)

Jordi Masó - Turina: Piano Music, Vol. 12
Classical | WEB FLAC (tracks) & d. booklet | 67:39 min | 184 MB
Label: Naxos | Tracks: 08 | Rls.date: 2016

This penultimate volume of Joaquín Turina’s complete piano works features his “programmatic” pieces: music inspired by local scenes or texts by the late-Romantic poet and author Gustavo Adolfo Bécquer (1836–70). The “tragicomedy” Recuerdos de mi rincón is a lighthearted divertissement with twelve mini-scenes that portray local characters from Turina’s Madrid neighbourhood, while La Venta de los Gatos brims with truly inspired and beautiful moments. El Cristo de la Calavera further reveals Turina’s deft touch for dramatic and picturesque style while faithfully adapting Bécquer’s story to include every detail. Originally composed for a stage drama, Navidad is filled with Christmas carols and traditional melodies.
Benjamin Frith - John Field: Piano Music, Volume 1 (Nocturnes and Sonatas) (1999)

Benjamin Frith - John Field: Piano Music, Vol. 1 (Nocturnes and Sonatas) (1999)
EAC | FLAC | Image (Cue&Log) ~ 160 Mb | Mp3 (CBR320) ~ 147 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.550761 | Time: 01:01:39

Fifteen years before Chopin wrote his first “nocturne”, Irish pianist/composer John Field composed his Nocturne No. 1 in E-flat major, followed by at least 15 more pieces in the same style. In these short works for solo piano, Field–who was one of the most celebrated pianists in the world during the first quarter of the 19th century–put form to the idea of a contemplative, lyrical composition, specifically tailored to the piano’s expressive capabilities. These “night” pieces are primarily characterized by a dominant, gracefully flowing melody, with most of the harmonic activity in the pianist’s left hand. Although other pianists have recorded at least some of Field’s Nocturnes–most notably John O’Conor (Telarc) and Miceál O’Rourke (Chandos)–Benjamin Frith’s own uniquely inflected, poetic readings have a satisfying aura of intimacy cast in the warm colors of his well-tempered, expertly recorded piano. Although O’Conor’s playing is more lyrical, with more fluid legatos, Frith generally takes more time–and these invariably lovely pieces blossom just as fully and brilliantly.