Learn how to play piano today in this online music course. Easy piano & keyboard lesson tutorials for beginner pianists.
Born in 1860, Isaac Albéniz is best known for piano music that brilliantly evokes the spirit of Spain. As a composer-virtuoso, Albéniz successfully melded together composition and performance to create a bravura style reminiscent of the music of Liszt, seasoned with Spanish folk idioms. The work that most convincingly represents this synthesis of virtuosity and tradition is the enchantingly colorful and atmospheric Iberia, a suite of 12 pieces recalling Spanish (particularly Andalusian) places and dances. Albéniz used folklore as his inspiration, but created a singular melodic style, which eventually influenced Debussy and Ravel. Believing that artistic originality and an interest in one's national musical tradition do not exclude each other, Albéniz likewise was largely the creator of the Spanish musical idiom that would be adopted and developed by Granados and de Falla - All Music Guide
The six symphonies were recorded between 1973 and 1975, and for their time were the best available recordings of Nielsen's music. They constitute the bulk of this 2008 box set, and though two smaller sets of the symphonies and the concertos were issued by EMI in 2007, this seven-disc compendium provides much more music at a comparable cost.
Maria Szymanowska Piano Duo is formed by two pianist associated with the Academy of Music in Łódź. The guiding thought of the joint activity adopted by the artists is to promote Polish music and works of less known composers, whose pieces are gradually being forgotten. Polish music, to which the present CD including four hands piano music is dedicated, occupies a special place in their output.
Four American composers, all pianists, all prizewinners at the height of their powers. It is not surprising that the works collected here are idiomatic to the instrument and gratify ing to play. Augusta Read Thomas explores the piano’s natural resonance and beauty. Wayne Peterson’s expressive, sweeping virtuosic lines reflect his past as a jazz pianist. Charles Wuorinen’s bracing rhythms leap across the instrument in a modernist romp that echoes the wit and humor of his opera. Eric Moe’s Afro-bebop encore rounds out the program.