Best of Led Zeppelin is a two-volume compilation album series by English rock group Led Zeppelin released by Atlantic Records. Volume One, Early Days, was released on November 23, 1999 while Volume Two, Latter Days, was released on March 21, 2000. Early Days is composed of selected tracks from the period in the band's history dating 1968 to 1971. Latter Days covered 1973 to 1979. Early Days debuted at #71 on the Billboard's Pop Albums chart and Latter Days debuted at #81.
The progressive rockers who emerged in the '90s and 2000s ranged from time-warped artists who faithfully emulated the prog explorers of the '60s and '70s to artists who combined prog rock with '90s/2000s alternative rock and were not oblivious to life in a post-Nevermind world. This best-of collection, which spans 1999-2008, makes it clear that the Pineapple Thief falls into the latter category; founder/leader Bruce Soord appreciates Pink Floyd's classic '70s albums, but the fact that he enjoys Wish You Were Here and Dark Side of the Moon doesn't make him any less appreciative of Nirvana, Radiohead, or melodic industrial rockers Nine Inch Nails…
Sam Graham once referred to Fahey as the "curmudgeon of the acoustic guitar," while producer Samuel Charters noted that Fahey "was the only artist I ever worked with whose sales went down after he made public appearances." This tumultuous spirit, in turn, made tumultuous music on albums like Days Have Gone By, filled with odd harmonics, discord, and rare beauty. The esoteric titles like "Night Train of Valhalla" stand beside more abrasive ones like "The Revolt of the Dyke Brigade."
Canadian folkies the Wailin' Jennys aren't opposed to throwing down the occasional sea shanty or English drinking song. Multi-talented singer/songwriters Ruth Moody, Nicky Mehta, and Cara Luft – the latter left the group soon after the album's release and was replaced by Annabelle Chvostek – formed the group in 2002 after sharing the stage as soloists at an in-store in a local record shop, and their intoxicating blend of country, Celtic, and folk has cast a spell on not only the Great White North, but much of the U.S. as well. Like Gillian Welch or Alison Krauss, they can make new songs feel traditional ("Arlington") and old songs sound brand new ("The Parting Glass").
By 1984 it was a common complaint that Sonny Rollins's live appearances were much more exciting than his studio recordings. Although none of the latter were throwaways (and virtually all of the Milestone sessions have their moments of interest), few were real gems. Sunny Days, Starry Nights as usual finds the great tenor at his best on the two ballads ("I'm Old Fashioned" and Noel Coward's "I'll See You Again") while the other four originals have been largely forgotten. His backup crew features trombonist Clifton Anderson and keyboardist Mark Soskin.
Features 24 bit remastering and comes with a mini-description. Drummer Grassella Oliphant's The Grass Is Greener is as good as it is rare. One of many soulful organ jazz dates that have gained cult status among sample hungry hip-hop and acid jazz devotees, this 1967 Atlantic album is packed with great playing and solid grooves (besides recording only one other album as a leader, his 1965 debut The Grass Roots, Oliphant also appeared on dates by singer Gloria Lynne and organist Shirley Scott, among others). With guitarist Grant Green and B-3 master John Patton completing the classic organ combo setup, the trio particularly stretch out on fine numbers like "Cantaloupe Woman" and Patton's own "Soul Woman."