Compiling material from Willie Nelson's later career, the box set Revolutions of Time: The Journey 1975-1993 provides a thorough overview of the singer's most popular recordings, as well as some of his most obscure. Divided into three thematic discs – "Pilgrimage," "Sojourns," and "Exodus" – the box contains most of his hits from the era, including selections from The Red Headed Stranger and Stardust. These songs are on "Pilgrimage." "Sojourns" concentrates on his duets, while "Exodus" is filled with songs from the late '80s and early '90s…
Since the beginning of it’s existence in 1960, the Slovak Chamber Orchestra has developed into one of the most popular ensembles in the field of classical music in Slovakia, and into one of the principal representatives of the Slovak interpretation art abroad. The idea of founding a string orchestra has risen in the mind of Prof. Bohdan Warchal in the late 50-s, while still a member of the Slovak Philharmonic Orchestra.
Some years ago a distinguished music professor said to me, "You must go and see Doktor Faust at English National Opera - you'll hear a second rank composer at the height of his powers". Backhanded though this compliment may seem, it was clearly conveyed with a spirit admiration and perhaps a tinge of surprise.
Say what you will about scanty biographical material and uncertain personal links, it nevertheless seems entirely probable that Bach wrote at least some of his sonatas and partitas for violin solo after his first wife's death in 1720. In this second volume of Hélène Schmitt recordings of the works, her performance of the monumental A minor Sonata No. 2 is so passionate, so rhapsodic, and so expressive that the spirit of loss and grief fills the music like inconsolable tears.
This wild recording, the first volume of two covering all the Bach sonatas and partitas for solo violin, may well polarize listeners into attitudes of love and hate. French violinist Hélène Schmitt delivers readings of the first sonata and the first two partitas that are nowhere near the mainstream for these celebrated works, which are generally regarded as icons of Bach's intellectual accomplishment and have been subjected to all kinds of numerological analysis.