Lacy J.dalton

Katherine Recatto by Dalton Campbell for B-Authentique Magazine

Katherine Recatto - Dalton Campbell Photoshoot
10 jpg | up to 1280*1920 | 8.55 MB
American model

J.R. Richards - Stripped (2016)  Music

Posted by Pisulik at Dec. 7, 2016
J.R. Richards - Stripped (2016)

J.R. Richards - Stripped (2016)
Acoustic Rock | MP3 CBR 320 kbps | 00:55:41 | 128 MB
Label: JR Richards | Release Year: 2016

To commemorate 20 years since Dishwalla Pet Your Friends Album was released, I am releasing an acoustic, stripped down version of the songs in the way I initially wrote them. The Album is titled ‘Stripped’ and will feature the #1 hit ‘Counting Blue Cars’, along with 10 other of Dishwalla’s most popular songs. The songlist has been created by my fans over two decades of requests.
Je ne dors pas et pourtant j'ai tout essayé - Les causes inconscientes des troubles du sommeil

Je ne dors pas et pourtant j'ai tout essayé - Les causes inconscientes des troubles du sommeil
Albin Michel | 2014 | ISBN: 2226257136 | French | PDF | 236 pages | 36 MB

Nombreux sont ceux qui ont tout essayé (médicaments, plantes, homéopathie, relaxation, hypnose, ostéopathie… changement d alimentation, de rythme de vie, nouveau matelas, etc.) mais qui souffrent toujours de troubles du sommeil. Combien de nuits gâchées, de journées au bord de l épuisement pendant lesquelles il faut coûte que coûte tenir jusqu au soir…

J'ai Tué - Tome 5 - John Lennon (2016)  Comics

Posted by ALGEROIS at Dec. 6, 2016
J'ai Tué - Tome 5 - John Lennon (2016)

J'ai Tué - Tome 5 - John Lennon (2016)
French | CBZ | 52 pages | 27 MB

Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004  Music

Posted by Designol at Sept. 13, 2016
Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004

Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004
EAC | FLAC | Image (Cue&Log) ~ 830 Mb (incl 5%) | Mp3 (CBR320) ~ 293 Mb (incl 5%) | Scans included
Avant-Garde Jazz, Free Jazz, Post-Bop | Label: HAT HUT | # hatOLOGY 2-604 | Time: 01:55:35

This double-CD reissues the nine numbers from a former double LP, adding three previously unreleased tunes from the same Switzerland concert. The Steve Lacy Five (the leader on soprano, Steve Potts on alto and soprano, Irene Aebi on cello, violin and vocals, bassist Kent Carter and drummer Oliver Johnson) is at its best on scalar-based instrumentals such as the near-classic "Blinks." Some tunes utilize the voices of Aebi and Lacy, and these are often quite eccentric and for more selective tastes. But the many strong solos by Lacy and the highly underrated altoist Potts makes this two-fer of interest for followers of advanced jazz. This was always a well-organized and highly original group.

The Italian Paintings From the Mary and Harry L. Dalton Collection  eBooks & eLearning

Posted by bakerman at Sept. 13, 2016
The Italian Paintings From the Mary and Harry L. Dalton Collection

The Italian Paintings From the Mary and Harry L. Dalton Collection
Duke University Museum of Art | 1974 | ISBN: N/A | English | 74 pages | PDF | 8 MB

Steve Lacy & Mal Waldron - At the Bimshuis 1982 (2006)  Music

Posted by mark70 at Aug. 16, 2016
Steve Lacy & Mal Waldron - At the Bimshuis 1982 (2006)

Steve Lacy & Mal Waldron - At the Bimshuis 1982 (2006)
EAC Rip | FLAC (tracks) + Cue + Log | Artwork | 48:53 min | 255 MB
Genre: Jazz | Label: Challenge Records #DBCHR 75349

This previously unreleased live session from 1982 features saxophonist Steve Lacy and pianist Mal Waldron in duo performances recorded at the Bimhuis in Amsterdam, the home of Dutch jazz masters like Han Bennink, Misha Mengelberg and Willem Breuker. Both musicians are great improvisors and they frequently performed together as a duo. They also share a deep influence by Thelonious Monk, which is evident in this stunning performance. On this recording they perform Lacy's 'Blues for Aida', heard here in its earliest recorded version, and an innovative version of Waldron's `Snake Out'. The programme is completed by three Thelonious Monk tunes, `Reflection', `Round Midnight' and `Epistrophy'.

Dalton - Argitari (1975) [Reissue 2005] (Repost)  Music

Posted by gribovar at Aug. 12, 2016
Dalton - Argitari (1975) [Reissue 2005] (Repost)

Dalton - Argitari (1975) [Reissue 2005]
EAC Rip | FLAC (image+.cue+log) - 339 MB | MP3 CBR 320 kbps (LAME 3.93) - 118 MB | Covers - 50 MB
Genre: Progressive Rock | RAR 3% Rec. | Label: Vinyl Magic (VM CD 098)

The group was formed in 1972 by keyboardist Temistocle Reduzzi,Aronne Cereda on guitars, Alex Chiesa on flute, Rino Limonta on bass and Walter "Tati" Locatelli on drums, they released a very good debut album with "Riflessioni: idea d'infinito". With a great use of flute and good guitar riffs, the album has some very good moments, like Idea d'infinito with some Jethro Tull influences. The album has a very short running time of around 30 minutes but it moved the band to a moderate success. They even won the first prize in a swiss Pop Festival in Zurich. Affinity to early UK prog is noticeable in the blues-influenced guitar riffs and leads, typically breathy and percussive flute lines, occasional stabs at (then) avant-garde electronic episodes based on Moog and a Mellotron…

Lucky Luke 003 - Dalton City (2007, 2nd print)  Comics

Posted by mikestoke at July 23, 2016
Lucky Luke 003 - Dalton City (2007, 2nd print)

Lucky Luke 003 - Dalton City (2007, 2nd print)
English | CBR | 50 pages | HD | 89.31 MB
Mal Waldron & Steve Lacy - Live at Dreher, Paris 1981 - Vol. 1 & 2 (2003) {4CD Set hatOLOGY 4-596}

Mal Waldron & Steve Lacy - Live at Dreher, Paris 1981 - Vol. 1 & 2 (2003) {4CD Set hatOLOGY 4-596}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.31 Gb | MP3 @320 -> 615 Mb
Full Artwork @ 600 dpi (png) -> 329 Mb | 5% repair rar
© 1981, 2003 hatOLOGY / HAT HUT Records | 4-596
Jazz / Post Bop / Progressive Jazz / Avant-Garde Jazz / Piano / Saxophone

The equality, the almost perfect balance in complement and contrast, of the musical collaboration between Steve Lacy and Mal Waldron was palpable in both its internal and external workings … These four CDs, captured live in Paris in 1981, are notable as the first documentation of their performances as a duo, a particularly felicitous exploration of common interests and uncommon talents, initiating an intermittent series of duo recordings that would span thirteen years, varying repertoire, and several labels, but never venture far from the groundwork that was established here.