Listeners familiar with any of Masaaki Suzuki's many Bach recordings for BIS are likely to know what to expect from his recording of the Well-Tempered Klavier Book II: immaculate playing, impeccable taste, and immediate sound. Perhaps best-known internationally for his series of recordings of Bach's cantatas and other sacred works, Suzuki started his career as a superlative keyboard player, and as his performance here on the harpsichord demonstrates, he has kept his skills well-honed.
Works include solo pieces, works for two pianos and four hands piano. The works for two pianos include Symphonic Dances from West Side Story and an arrangement of El Salon México by Bernstein. Four Movements for Two Pianos by Glass was commissioned by the Ruhr Piano Festival for its 20th anniversary celebration in 2008 and was premièred by these artists.
Youthful Viennese pianist Till Fellner has performed J.S. Bach's Well-Tempered Clavier to critical acclaim across Europe, and has made it the backbone of his recital repertoire. For this recording of Book I, Fellner performs the 24 preludes and fugues with a rich and full sound, yet with the refinement and fastidious control required in these comprehensive studies of Baroque keyboard technique. Articulation and balanced phrasing are of paramount importance, and Fellner's energies are directed to the clean execution of lines and the careful shading of contrapuntal voicings. What emotion he communicates is subtle and somewhat constrained to the contrasting characters of each pairing – the preludes and fugues often play off each other – yet his interpretations are quite colorful and varied over the course of the set. Neither cerebral nor effusive, Fellner renders the music in an appealing middle area between schools of interpretation, and achieves imaginative results that should please both traditionalists and fans of period practice.
hristophe Rousset's first recording for Aparte, devoted to Louis Couperin, was received enthusiastically by public and critics alike and collected many distinctions in the international press, including a BBC Music Magazine Instrumental Choice. Since then he has continued to delight and excel both as harpsichordist and as director of Les Talens Lyriques. Now at the peak of his maturity, the artist presents Bach' musical testament: the Well-Tempered Clavier. Written 20 years after the first volume, Book II contains the musical and spiritual legacy of the composer. Christophe Rousset plays these pieces on the 1628 Ruckers harpsichord of Antwerp, one of the best examples of its kind in the world.
Book One of the Well-Tempered Clavier is performed on the piano while Book Two is performed on the harpsichord. His tempos are very fast, and he has a certain sense of humor that comes through in all his performances, making what might seem academic, warm and accessible. Highly recommended - and check out Jarrett's other classical recordings for other delights just as great.
This album features recordings of four piano rolls that Gustav Mahler made of his own compositions.
This well recorded disc from 1987 delivers truly exciting performances of all three works in typically crisp manner by Zimerman. Ozawa and the Boston orchestra give excellent support. The emphasis here is on excitement largely created by fast speeds delivered with clarity. The more gentler parts of all three works are played with due regard to sensitivity but there is no denying that in these recordings these works are seen as primarily as virtuoso display works and that is what we are given.