This is one of the beauties of the Japanese progressive rock. PAGEANT was formed in '81 by guitarplayer Ikkou Nakajima, singer/keyboard player Hiroko Nagai, bass player Nagashima and drummer Hideaki Indou. In '85 they appeared on a Japanese progrock compilation entilted "Progressive Battle" and one year later PAGEANT released their debut-album "La Mosaïque de la Rêverie", a 'classic'. The band was completed by Kazuhiro Miyatake (flute and electric guitar) and Nobuyuki Nagashima (bass) on those records. The second album "Abysmal Masquerade" appeared in '87 and two years followed by the third record entitled "The Pay for a Dreamer's Sin". On this album Hiroko Nagai and Hideaki Indou remained from the original line-up, Kazuhiro Miyatake played flute on two tracks and the band's new guitarplayer became Hiroyuki Maeno.
10 CD set containing ten original albums plus bonus tracks by the blues legend B.B. King. It's a unique collection of hits and rarities from 1949 to 1962. The rare LP 'Twist with B.B. King' is appearing here for the first time on CD.
Because the personnel include Louis Armstrong, Lillian Hardin, and Johnny and Baby Dodds, the 1923 recordings of King Oliver's Creole Jazz Band, originally made for the Gennett, OKeh, Columbia, and Paramount labels, have been reissued numerous times as formats have changed and technology has improved. Here, the Canadian label Off the Record (distributed in the U.S. by Archeophone Records) puts 37 tracks on two CDs, having made transfers from the most pristine 78-rpm discs available.
The largely unacknowledged open secret lying at the heart of Rick Springfield's career is how, at his core, he's a serious artist. His gift for power pop and his spell as a television actor obscured this essential fact, but on the many albums he's made since his popular peak during the early '80s, he regularly returns to sober subjects, which means most of his fans may not be surprised that he spends the bulk of his 2018 album The Snake King exploring depression, faith, political confusion, and other weighty ideas. Even so, he hits these subjects hard throughout The Snake King, his lyrical explicitness finding a match in a shift his music: He's moved from arena rock toward heavy blues and folk-rock anthems straight from Bob Dylan in 1965. Given that he's a fine guitarist and craftsman, this isn't quite as startling in sound as it is on paper.