This 1981 recording found Waters being produced by rocker Johnny Winter, who had brought Muddy back to form on the Hard Again album. Winter was smart enough to surround the great one with musicians who knew his music intimately…
The Sony Legacy issue features completely remastered sound and Margolin's candid notes, but it also hosts two bonus tracks from the King Bee sessions that Winter didn't see fit to release the first time. There's a redo of "I Won't Go Down," a cut from the '50s that Waters sings in his lower baritone roar, and "Clouds in My Heart," a deep, long, sad blues that is one of the great unearthed treasures in Waters catalog. This cut alone with all of its deep emotion and the sound of a band trying to hold the storm of emotions in check and failing is a masterpiece and one of the most amazing blues tunes of the last 30 years.
The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.
This is a three classic albums CD box set with the original artworked 'mini LP' CD wallets in deluxe packaging. It contains the albums "Hard Again", "I'm Ready" and "King Bee".
Hed Kandi presents the Back To Love Anniversary Edition - a celebration of the music that gave birth to a whole generation of clubbing, indeed to Hed Kandi itself!
Muddy Waters was the leading exponent of Chicago blues in the Fifties, and with him, the blues came up from the Delta and went electric. His guitar licks and repertoire have fueled innumerable blues bands.
Jettisoning not only the funk-metal rhythms of their earlier work but also long-time guitar hero and wacky eyewear model James B Martin, King For A Day… Fool For A Lifetime for the most part pursued a more back-to-basics garage sound that slotted in with the post-grunge environment of 1995. The album holds up well today, with Mike Patton achieving new heights of visceral howling on the likes of Cuckoo For Caca, but among the bonus tracks there's little to get excited about other than the tragic-comedy Bee Gees cover - I Started A Joke.