when most people enter the world fo jazz, they may stumble around until they find something that suits their taste, or they may simply give up, since some jazz is very complicated and hard to follow… at first.
But with top flight musicians and some beautifully simple melodies, Kenny Burrel draws us into the jazz world and takes us for a fine ride. ~ Amazon
Richard Christopher "Rick" Wakeman (born 18 May 1949) is an English keyboardist, songwriter, television and radio presenter, and author. He is best known for being in the progressive rock band Yes across five tenures between 1971 and 2004 and for his solo albums released in the 1970s…
Kenny Chesney treats his first-ever live album as a celebration, collecting 29 highlights recorded at some point over the 2010s. By casting such a wide net, Chesney has plenty of room for covers and cameos in addition to the hits, but it's also telling that Live in No Shoes Nation concentrates on all the music he's made following the release of 2001's Greatest Hits. Starting with 2001's No Shoes, No Shirt, No Problems, he's hit his sunny stride, specializing in mellow beach tunes, slightly sad ballads, drinking tunes, and arena anthems, all of which are featured on this double-disc set. If the crowd noise sometimes seems a bit heavy-handed, the roar underscores how Chesney entertains on a mass scale, and that's perhaps the one revelation of the record: based on this, calling his fan base a nation isn't much of an exaggeration. While Live in No Shoes Nation is quite slick in both its performance and production, part of its charm is that it's such a professional affair.
With label woes, a rotation of drummers, and Stateside disinterest, the 1990s were difficult for the Church. Tough enough that most would have expected the veteran Australian rock act – cursed in North America as a one-hit wonder for 1988's "Under the Milky Way," despite an impressive catalog that dates back to 1981 – to throw it all away by now, or at least cash in through some nostalgia tour. Not so. Instead, the quartet took to the studio for three months, jamming with one another unhindered, and then piecing together the fruits of their labor. The resulting Forget Yourself, the Church's 17th album, is a timeless, magical disc that is easily as strong as anything from their 1980s peak.
Arista dropped them but the Church soldiered on – Tim Powles fully joined in the songwriting process a number of times, while Peter Koppes guested on various cuts after his absence from Sometime Anywhere. Violinist Linda Neil also appeared along with other guests from that record, with Magician Among the Spirits being the attractive end result. If the band was still a touch fragmented, Magician shows them well on the road to becoming a fully tight unit once again, with a number of interesting diversions along the way. Sonically, things followed in the vein of Sometime to a large extent, trying out different approaches and backing, often exploring more spacious, sometimes very late-night, relaxed arrangements.
The Rolling Stones Collection was originally released in October 1984 (only 10,000 sets were pressed). This "Limited Edition Library of Original Master Recordings" transferred direct from the original 1963 to 1969 master recording tapes, includes a softcover book that reproduces The Rolling Stones original album cover graphics (front and back), a Geo-Disc cartridge alignment platter and a color, four page folded leaflet with band photo and information about the Collection…
One of our favorite Kenny Burrell albums – and a record with a much deeper feel than lots of his other work! Kenny cut this album with John Coltrane in 1958 – and the session's a real standout in both of their careers at the time – Kenny's, for being a well-crafted, highly-focused effort – and Coltrane's, for being a unique outing with a guitar, but one that's done with the same deep-spirited sound of his best work for Prestige. The group's a quintet, with Tommy Flanagan, Paul Chambers and Jimmy Cobb in the rhythm section.