when most people enter the world fo jazz, they may stumble around until they find something that suits their taste, or they may simply give up, since some jazz is very complicated and hard to follow… at first.
But with top flight musicians and some beautifully simple melodies, Kenny Burrel draws us into the jazz world and takes us for a fine ride. ~ Amazon
Upon the release of their first single, "Chance to Desire," Radiorama immediately made an impression in European clubs with their quick-paced, simplistic beats paving the way for house music. They continued to release popular singles until they finally released their first full-length album, 1986's Desire and Vampires…
Kenny Rankin sings like Chet Baker would have if Baker had had a voice. His tone is high (Rankin's speaking voice is actually fairly low) and he has a subtle, cool style. It is a bit of a surprise, but Rankin (whose previous output has been in pop music) is actually a fine jazz singer. He always sticks to the lyrics when performing veteran standards (there is no scatting), but changes many of the notes, even during the melody statements, and he is definitely improvising. Rankin's concept is kind of strange ("At Last" and "The Very Thought of You" are radically changed) but successful and he has a strong and likable voice. An all-star acoustic trio (consisting of pianist Mike Wofford, bassist Brian Bromberg, and drummer Roy McCurdy) backs the singer on most of the tracks, Tom Scott (on tenor and alto) and trombonist Bill Watrous add melodic bop solos to three songs apiece, "It Had to Be You" is taken as a romping duet with pianist Alan Broadbent, and the remarkable singer Sue Raney interacts with Rankin on "I've Got a Crush on You." This surprising CD is highly recommended.
Though it was recorded live at New York's jazz emporium, Iridium, Detroit born saxophonist Kenny Garrett makes a return home of sorts with Sketches of MD, his debut on the Motor City's own Mack Avenue Records. His quartet here, with bassist Nat Reeves, pianist/organist Benito Gonzalez, and drummer Jamire Williams, may not possess the star power of some of his studio albums, but this band is more than up for the gig. In addition, saxophonist Pharoah Sanders reprises his role from Beyond the Wall from 2006 as Garrett's foil, creating sparks aplenty.
Kenny Burrell's guitaristry is well-documented in his years with Oscar Peterson and on his first dates as a leader on the Blue Note label, but God Bless the Child, his only date for CTI in 1971, is an under-heard masterpiece in his catalog. Burrell's band for the set includes bassist Ron Carter, percussionist Ray Barretto, Richard Wyands on piano, flutist Hubert Laws, trumpeter Freddie Hubbard, and drummer Billy Cobham. CTI's house arranger, Don Sebesky, assembled and conducted the strings in a manner that stands strangely and beautifully apart from his other work on the label. Sebesky understood Burrell's understated approach to playing guitar…
Introducing Kenny Burrell is the debut album by American jazz guitarist Kenny Burrell, recorded in 1956 and released on the Blue Note label. In 2000, it was released on the 2 CD-set Introducing Kenny Burrell: The First Blue Note Sessions along with Kenny Burrell Volume 2, plus bonus tracks.