By now, It's pretty safe to say that Karen Souza is the great new voice of today's Jazz. After the success of her previous albums "Essentials" and "Hotel Souza", Karen presents now "Essentials II", a carefully selected collection of hit songs from all eras; in exquisite Jazz versions where her unique voice draws us into her intimate and sensual world. This time, the album's production has been helmed by legendary producer and entrepreneur Richard Gottehrer, famous for his work (and guiding the careers) with artists such as Blondie, The Go-Go's, Dr. Feelgood, Richard Hell and The Bongos to name just a few. Recorded at the The Orchard Studios in NYC, 'Essentials II' will allow you to hear Karen's voice like never before…
Latin American jazz singer Karen Souza, who has performed and recorded under the pseudonyms Pacha Ibiza, FTV (FashionTV), and Privé, is best known for her work on the popular jazz and '80s series, which featured sultry, jazz-infused covers of '8os hits like "Do You Really Want to Hurt Me" (Culture Club) and "Personal Jesus" (Depeche Mode). Souza also contributed to '70s and '90s versions of the series as well.
After beginning as a vocalist for numerous house music producers, Karen Souza participated in the successful series Jazz and 80’s and its successors. Now, Karen has launched her solo career with Essentials, a summary of her career as a jazz singer, where her unique and seductive voice draws you in. This album brings us recreations of classics such as Every Breath You Take (The Police), Do You Really Want to Hurt Me? (Culture Club), Creep (Radiohead) and Tainted Love (Soft Cell), which have become classics over the past few years. Essentials is a different album, where jazz appears at its most elegant, thanks to Karen´s amazing voice.
Due to the success of Sleek Essential 3 DVD set, Karen has added another DVD to this breakthrough fitness system to streamline your workout and deliver fast results. It contains all new footage, not available on Karen's other workouts.
Souza's voice is one of elegant restraint and sensuousness. Hers is not an overpowering vocal presence, but rather, a very inviting one. She seduces deliciously with gentleness and whisper-to-the mic sultriness. That feeling is pervasive across an interesting selection of ballads, bossas (Antonio Carlos Jobim's "Dindi"), softer swing ("Delectable You," "Full Moon") and soft-rock grooves ("Night Demon").