Although best remembered for his devotion to the core Austro-Germanic repertoire, Austrian conductor Herbert von Karajan did flirt with the English repertoire in the '50s and early '60s.
In light of the "chill-out" trend of the 1990s, major labels released many albums of slow, meditative pieces to appeal to listeners who wanted relaxing or reflective background music. Deutsche Grammophon's vaults are full of exceptional recordings of classical orchestral music, and the performances by Herbert von Karajan and the Berlin Philharmonic are prominent in the label's catalog. The slow selections on Karajan: Adagio are in most cases drawn from larger compositions, though these movements are frequently anthologized as if they were free-standing works. Indeed, many have come to think of the Adagietto from Gustav Mahler's Symphony No. 5 as a separate piece in its own right, largely because of its evocative use in the film Death in Venice. Furthermore, the famous Canon by Johann Pachelbel is seldom played with its original companion piece, the Gigue in D major, let alone in its original version for three violins and continuo; it most often appears in an arrangement for strings.
Acclaimed Berlin Philharmonic conductor Herbert von Karajan leads a stellar cast – including mezzo-soprano Agnes Baltsa and sopranos Anna Tomowa-Sintow and Janet Perry – in this memorable 1984 production of "Der Rosenkavalier." Recorded at Austria's Salzburger Festpiele, composer Richard Strauss' comic opera tells a tale about love between an aging noblewoman, her handsome lover, a bumbling baron and a wealthy merchant's beautiful daughter.
A definitive documentary about legendary conductor Herbert Von Karajan to mark 100 years since his birth. First release in any format! Not just a biographical film, Karajan uncovers the true, personal essence of the unique artist behind the public figure, a portrait of a man who was full of contradictions and remained a mystery until his death.
Over twenty-five years after his death in July 1989, the controversial Austrian conductor Herbert von Karajan remains an enigma. He was the most successful conductor in the history of classical music. Many of those recordings - of Italian opera, of Wagner and Richard Strauss, of Sibelius, Beethoven and Brahms - are treasured by music lovers around the world. Yet, even at the peak of his fame, his performances were variously criticised for being too opulent, too manicured, lacking warmth or spiritual depth.
Herbert von Karajan also often confronted himself with spiritual music. Especially the Mozart, Verdi and Brahms Requiem were always performed in the utmost quality, whereas before all else Verdi's Messa di Requiem demands excellent opera voices.