Karajan Albinoni

Herbert Von Karajan - Albinoni, Pachelbel, Corelli & Manfredini, Vivaldi (1987)

Herbert Von Karajan - Albinoni, Pachelbel, Corelli & Manfredini, Vivaldi (1987)
EAC | FLAC | Tracks (Cue & Log) ~ 345 mb | MP3 320 kbps CBR ~ 199 mb | Scans included | 60 min
Classical | Label: Deutsche Grammophon | Rel: 1987

It has been said that "the man of the Baroque loves unrest and tension and the overwhelmingly pathetic". In some ways the remark seems odd: after all, is it not the Baroque era, say from 1600 to 1750, that produced the stately court music of Purcell, the dignified oratorios and anthems of Handel, and the triumphant intellectual achievement of Bach's Art of Fuguel Of course it is. Yet on actually experiencing these works as a listener, one realizes that music did not have to wait until Beethoven and the Romantic period for strong feelings to be expressed. The beginning of the 17th century, indeed, saw the birth - or, after the ancient Greeks, the rebirth - of the music drama or opera. This happened in Italy, with Monteverdi among the early operatic masters. And in instrumental music, too, Italian composers learned how to move a listener to sweet emotions that purged the soul and refreshed the heart.
Academy of Ancient Music, Christopher Hogwood - Albinoni: 12 Concertos Op. 9 (1999) (Repost)

Academy of Ancient Music, Christopher Hogwood - Albinoni: 12 Concertos Op. 9 (1999)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:57:32 | 630 MB
Genre: Classical | Label: Decca | Catalog: 458 129-2

For consistently amiable, if undemanding entertainment, Albinoni’s concertos, with or without oboe, or oboes, are hard to beat. Christopher Hogwood and the Academy of Ancient Music here perform the 12 concertos contained in the collection published in 1722 as the composer’s Op. 9.

Herbert von Karajan, Berliner Philharmoniker - Adagio (1994)  Music

Posted by Designol at Oct. 26, 2016
Herbert von Karajan, Berliner Philharmoniker - Adagio (1994)

Herbert von Karajan, Berliner Philharmoniker - Adagio (1994)
Mahler, Pachelbel, Massenet, Brahms, Vivaldi, Grieg, Mozart, Albinoni, Beethoven, JS Bach, Sibelius

EAC | FLAC | Tracks (Cue&Log) ~ 366 Mb (incl 5%) | Mp3 (CBR320) ~ 223 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 445 282-2 | Time: 01:18:51

In light of the "chill-out" trend of the 1990s, major labels released many albums of slow, meditative pieces to appeal to listeners who wanted relaxing or reflective background music. Deutsche Grammophon's vaults are full of exceptional recordings of classical orchestral music, and the performances by Herbert von Karajan and the Berlin Philharmonic are prominent in the label's catalog. The slow selections on Karajan: Adagio are in most cases drawn from larger compositions, though these movements are frequently anthologized as if they were free-standing works. Indeed, many have come to think of the Adagietto from Gustav Mahler's Symphony No. 5 as a separate piece in its own right, largely because of its evocative use in the film Death in Venice. Furthermore, the famous Canon by Johann Pachelbel is seldom played with its original companion piece, the Gigue in D major, let alone in its original version for three violins and continuo; it most often appears in an arrangement for strings.
Karajan 1980s – The Complete Orchestral Recordings: Box Set 78CDs (2014)

Karajan 1980s – The Complete Orchestral Recordings: Box Set 78CDs (2014)
Classical | MP3 CBR 320 kbps | 10,02 Gb
Label: Decca | Release Year: 2014

"Between 1980 and his death in 1989, Herbert von Karajan recorded the incredible amount of 78 CDs worth of orchestral and choral music for DGG. In the final decade of his creative life, he made quintessential recordings of major works he had not recorded before: Nielsen’s Symphony No. 4 “The Inextinguishable” and Saint-Saëns’ “Organ” Symphony. Among the highpoints of Karajan’s late years is the major part of his collaboration with Anne-Sophie Mutter, the “wunderkind” Karajan discovered in the late 1970s and mentored throughout the 1980s.
Herbert von Karajan, Berlin Philharmonic Orchestra - Adagio (1972) [Japanese SHM-SACD 2011] PS3 ISO + FLAC {RE-UP}

Herbert von Karajan, Berliner Philharmoniker - Adagio: Albinoni, Rachelbel, Boccherini, Respighi (1972) [Japan 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 47:10 minutes | Scans included (PDF) | 1,39 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included (PDF) | 972 MB
Japanese original release / Uses the DSD master produced at EBS in August 2011 / Based on Deutsche Grammophon analog tape
Herbert von Karajan - Complete Recordings on Deutsche Grammophon

Herbert von Karajan - Complete Recordings on Deutsche Grammophon
Deutsche Grammophon | 2008 | 240 CD | 250 RAR | 22 Gb
MP3 192 Kbps | Lame encoded | Tracks | Covers & Booklets | Fserve, Fsonic

This box can be considered as the ultimate chapter about Herbert von Karajan and was released in occasion of the Maestro's 100th birthday. Karajan left a huge number of recordings and most of them were for Deutsche Grammophon. This box collect all this bonanza into 240 CD! About 252 hours total time! From the 1938 recording of the "Magic Flute" Overture to the last 1989 recording of Bruckner's Symphony No. 7.

Karajan - The Very Best of Adagio  Music

Posted by dakszhund at Aug. 21, 2009
Karajan - The Very Best of Adagio

Karajan - The Very Best of Adagio
Classical | 2 CDs | MP3 NO BOOKS NO COVER | 244 MB
Deutsche Grammophon 000583002 | Release Date: 2006

Herbert von Karajan (5 April 1908–16 July 1989) was an Austrian orchestra and opera conductor, one of the most renowned 20th-century conductors. His obituary in The New York Times described him as "probably the world's best-known conductor and one of the most powerful figures in classical music."Karajan conducted the Berlin Philharmonic for thirty-five years. He is the top-selling classical music recording artist of all time, with record sales estimated at 200 million.
Vivaldi: The Four Seasons/Albinoni: Adagio in G/Corelli: Concerto Grosso in G (repost)

Vivaldi: The Four Seasons/Albinoni: Adagio in G/Corelli: Concerto Grosso in G
WMA | CBR 256 Kbps | April 4, 1985 | 126 Mb

Karajan is probably one of the most accomplished conductors to come out of post-Mahler era of German symphonic tradition influenced strongly by Beethoven, Mahler, and Wagner. This means that in addition to usually using larger groups to play the smaller traditional chamber group pieces as intended here, the instruments with symphonies such as the Berlin Philharmonic are also generally modern except perhaps for the soloist's. Conductors and musicians are trained to perform every piece as if it were a Mahler symphony.
Vivaldi: The Four Seasons/Albinoni: Adagio in G/Corelli: Concerto Grosso in G

Vivaldi: The Four Seasons/Albinoni: Adagio in G/Corelli: Concerto Grosso in G
WMA | CBR 256 Kbps | April 4, 1985 | 126 Mb

Karajan is probably one of the most accomplished conductors to come out of post-Mahler era of German symphonic tradition influenced strongly by Beethoven, Mahler, and Wagner. This means that in addition to usually using larger groups to play the smaller traditional chamber group pieces as intended here, the instruments with symphonies such as the Berlin Philharmonic are also generally modern except perhaps for the soloist's. Conductors and musicians are trained to perform every piece as if it were a Mahler symphony. All of these things redefine the piece significantly so the performance simply has more the dynamics of a German Mahler or Wagner piece instead of an Italian chamber piece which was devised for different and smaller specifications as well as style of performance. This performance is almost a full adaptation or transcription instead of an interpretation and so grandiose in scope that it's even too much for Beehthoven's symphonies. Solti has a similar style although Karajan I find to be better as he is often less hesitant with Vivaldi and is more passionate in his interpretations. This is a good performance to look into if you like modern symphonic interpretations for traditional chamber pieces. Violin virtuoso performances such as Perlman's are also in this category. There are few to boast of that are played in the Baroque tradition as there are few groups out there who can really play Vivaldi well in that style: especially this piece. The best in my opinion would be Pina Carmirelli's 1982 performance with I Musici di Roma. In addition to the group playing on Stradivari, Carmirelli has a very fluid and constant interpretation that is Romantic but mostly traditional. A close one behind that is Salvatore Acardo's Stradivarius performance with I Solisti delle Settimane Musicali di Napoli (Acardo actually performed this piece with I Musici as well.) Karajan's however is probably one of the best ones to come out of the German orchestral tradition of interpretation such as with Solti, Toscanini, and even Bernstein who all rose from that discipline from the early 1900s to the '50s and 60's. All of them are accomplished legends in symphonic direction and good investments if you like this style of interpretation.
Herbert von Karajan, James Levine, Rafael Kubelik - Mozart: Requiem, Great Mass in C minor, Missa brevis in C major (1998)

Herbert von Karajan, James Levine, Rafael Kubelik - Mozart: Requiem, Great Mass in C minor, Missa brevis in C major (1998)
EAC | FLAC | Image (Cue & Log) ~ 568 Mb | Total time: 53:02+74:17 | Scans included
Classical | Label: Deutsche Grammophon | # 459 409-2 | Recorded: 1973, 1975, 1989

Two great recordings of two of the greatest choral works. Karajan and Levin swoops the standards of tempi, phrasing and intens music making. Karajan's finest recording of the Requiem. Levin sets the bar a milestone higher. Remastering of the Requiem is confidentional good. Sound quality of K327 is superb.