Karajan 1987

Peter Tchaikowsky - Symphonie No. 6 »Pathetique« (Herbert von Karajan) (1987)

Peter Tschaikowsky - Symphonie No. 6 »Pathétique« (Herbert von Karajan) (1987)
EAC Rip | FLAC, IMG+CUE, LOG | HQ Full Scan | 45:57 | 213 MB
Genre: Classical | Label: Deutsche Grammophon

Verdi - Il Trovatore - La Callas - Karajan (1987)  

Posted by Ibiza at March 20, 2009
Verdi - Il Trovatore - La Callas - Karajan  (1987)

Verdi - Il Trovatore - La Callas - Karajan
Opera | mp3 320 Kbps | 2 CD | 310 MB
EMI Records Ltd 1987
W. A. Mozart - Requiem in D minor - KV 626 - Herbert von Karajan (1987)

W. A. Mozart - Requiem in D minor - KV 626
Genre: Classical | FLAC | 233 MB | 52:12 | Polydor
Concert du Nouvel An à Vienne - 1987   Karajan  (1987)

Concert du Nouvel An à Vienne - 1987 Karajan
Classical Music | mp3 320 Kbps | 158 MB
Deutche Grammophon 1987
Ludwig van Beethoven - "Egmont"; Wellington's Victory; Military Marches (Herbert von Karajan, Berliner Philharmoniker) (1987)

Herbert von Karajan, Berliner Philharmoniker -
Ludwig van Beethoven: "Egmont"; Wellington's Victory; Military Marches (1987)

EAC Rip | FLAC, IMG+CUE, LOG | HQ Full Scan | 01:11:32 | 360 MB
Genre: Classical | Label: Deutsche Grammophon
Berliner Philharmoniker, Mstislav Rostropovich, Herbert von Karajan - Dvorák & Tchaikovsky (1968/2012) [24/192]

Berliner Philharmoniker, Mstislav Rostropovich, Herbert von Karajan - Dvorák & Tchaikovsky (1968/2012)
FLAC (tracks) 24-bit/192 kHz | Time - 60:20 minutes | 2.05 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Mstislav Rostropovich is the world's greatest cellist, and he has actually made at least five recordings of this greatest of all cello concertos. I have a certain preference for his later version, with Seiji Ozawa and the Boston Symphony Orchestra on Erato. This version has long been a prime recommendation, and in this new remastering at mid-price, it's an even better deal now. Herbert von Karajan accompanies with his usual expertise, and the Tchaikovsky performance is quite simply the finest around. This concerto is one of those pieces of which you'll want to have five or six copies. Just make sure this is one of them. –David Hurwitz
Herbert Von Karajan, BP - Sibelius: Symphony No.2, The Swan Of Tuonela, Finlandia (2011) PS3 ISO + Hi-Res FLAC

Herbert Von Karajan, Berlin Philharmonic - Jean Sibelius:
Symphony No.2 / The Swan Of Tuonela / Finlandia (1977/81)

PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 65:53 minutes | Scans NOT included | 1,75 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,19 GB
Japanese Remastered Reissue '2011 / Esoteric Company, Japan # ESSE-90058
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Recording: Berlin, 9/1975

EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.
Herbert von Karajan & Berlin Philharmonic - Herbert von Karajan & Berliner Philharmoniker (2017)

Herbert von Karajan & Berlin Philharmonic - Herbert von Karajan & Berliner Philharmoniker (2017)
Classical | MP3 CBR 320 kbps | 08:08:26 | 1.10 GB
Label: Deutsche Grammophon | Release Year: 2017

One of his peculiarities was that he usually conducted concerts with his eyes closed, vexing many orchestra musicians. However, through Karajan’s intense rehearsals they were thoroughly prepared for performances. “His philosophy was that everything the orchestra needs had to happen beforehand,” the string bassist Rudolf Watzel recalled. Under Herbert von Karajan the Berliner Philharmoniker developed their very own performance culture, characterised by a beauty of sound, enchanting legati, virtuosity and perfection. He preferred to concentrate on the classical-romantic repertoire: Beethoven, Brahms, Bruckner, Schumann, Tchaikovsky, Wagner and Strauss. In addition, he devoted himself to the Second Viennese School and leading composers of the early 20th century like Ravel, Stravinsky and Debussy, taking occasional excursions into the contemporary era with works by Messiaen and Henze, even Penderecki.
Berliner Philharmoniker, Herbert von Karajan - Ravel: Bolero; Debussy: La Mer; Mussorgsky; Pictures (1995/2015) [24/96]

Berliner Philharmoniker, Herbert von Karajan - Ravel: Bolero; Debussy: La Mer; Mussorgsky: Pictures (1995/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 74:49 minutes | 1.43 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

„Here are examples of 'The Karajan Effect' at its most positive, and sounding, in these new transfers, fractionally more open, focused and fresh than before, with the billowing bass moderated and the dynamic range extended. Along with Karajan's own imaginative deployment of orchestral colour (to take one example: the extra gong with barely damped striker at the end of Pictures), the Berlin Jesus-Christus Kirche acoustics of these 1964-6 recordings add their own wonderful coloration and atmosphere (dark and cavernous at appropriate moments in Pictures).