Ce Cahier dédié à Joseph Conrad se compose de textes d’origines et de longueur très diverses. Le Cahier inclut dix-neuf textes de Conrad, qui pour certains ont été traduits pour la première fois.
Pourquoi faire compliqué quand on peut faire simple ? 99 % d'erreurs en moins, en parlant, en écrivant, et même en pensant ? Oui, c'est possible ! Avec ces 10 règles à connaître scrupuleusement, finies les fautes d'orthographe et les constructions chaotiques de grammaire : concentrez-vous sur l'essentiel, et soyez enfin sûr de vous en français ! …
Joseph and the Amazing Technicolor Dreamcoat is Andrew Lloyd Webber's first staged musical work and his first staged collaboration with his best lyricist Tim Rice. The very first musical they wrote together, called `The likes of us', didn't reach the stage at that time and was put there for a single special performance in 2005, luckily, captured on CD and also available here at Amazon. By Marijan Bosnar
A fine pianist who was originally heavily influenced by McCoy Tyner, Joe Bonner is an excellent interpreter of modal-based music and advanced hard bop. He studied music at Virginia State College and early on played with Roy Haynes (1970-1971), Freddie Hubbard (1971-1972), Pharoah Sanders (1972-1974), and Billy Harper (late '70s). Bonner, who recorded as a leader for Muse, Theresa, and most prominently Steeplechase, has been based in Colorado since the 1980s and remains a talented improviser.
The London symphonies, sometimes called the Salomon symphonies after the man who introduced London to Joseph Haydn, were composed by Joseph Haydn between 1791 and 1795. They can be categorized into two groups: Symphonies Nos. 93–98, which were composed during Haydn's first visit to London, and Symphonies Nos. 99–104, composed in Vienna and London for Haydn's second visit.
Every London Symphony, apart from one (No. 95), has a slow introduction to the first movement.
Among contemporary composers of orchestral music, Christopher Rouse is a prominent figure, noted for his extremely virtuosic scores as well as for his dark subject matter. Such fantastic – some might say nightmarish – pieces as the ultra-violent Gorgon (1984) and the enigmatic Iscariot (1989) are true to form in their evocation of mythology or religion, and even the elegiac Trombone Concerto (1991) has its suggestions of otherworldly things, particularly in its quotation of Leonard Bernstein's "Kaddish" Symphony and the haunting, dirge-like adaptation of the folk song Tsintskaro at the opening of the third movement. Yet Rouse's music is much more than its allusions, however meaningful, and it's possible to enjoy these works for their raw power and ethereal beauty without knowing anything about their references.
This recording, made in 1991, dates from what was perhaps the heyday of the English Chamber Orchestra (although the group's vigorous activities remain undiminished). The ECO, with origins as a conductorless Baroque orchestra, functioned smoothly as an ensemble, with a restrained sound and a high level of mutual sensitivity among the players. In these late Haydn symphonies, that translated into readings that were exceptionally effective in bringing out the humorous details and asides, the extensions of phrases so that they end with a wink or a joke, that are the essence of late Haydn. The orchestra is probably about the size of the one Haydn had at his disposal in London.