Jordi Savall

Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}

Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 412 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 300 dpi (jpg) -> 76 Mb | 5% repair rar
© 1993, 2008 Alia Vox | AVSA 9860
Classical / Baroque / Orchestral

This is a reissue of a recording from 1993 (re-released a few years ago and deleted in 2003), recently remastered for SACD, and it really impresses with a renewed presence and impact, even on standard CD playback. As I said in my original review, Savall's reading "comes as close as these things can to placing us in the best seat in the house and treats us to a rare experience: the sensation of believing we're hearing a ruggedly familiar piece for the first time. Literally bursting with energy, scintillating strings, blazing horns, and incisive winds, and never boring even for one second, these performances give you Handel at his most exciting." If you have the earlier release, you probably don't need this one–unless you now own an SACD system–but it does deserve a place in every Handel collection, not only for the unsurpassed performances, but also for the effect of Savall's several decidedly "non-standard" tempos(!), and of course for the phenomenal sound, which now must have reached its ultimate realism in this format.

Jordi Savall - Cantigas de Santa Maria 1993 (Remastered 2017)  Music

Posted by Pisulik at Oct. 18, 2017
Jordi Savall - Cantigas de Santa Maria 1993 (Remastered 2017)

Jordi Savall - Cantigas de Santa Maria 1993 (Remastered 2017)
Classical | MP3 CBR 320 kbps | Digital Booklet | 01:18:01 | 203 MB
Label: Alia Vox

When this album was released in 1993, it immediately made sensation in the press and the media. It must be said that it was in the wake of the immense success achieved by Jordi Savall in the aftermath of Alain Corneau's film Tous les mains du monde, based on Pascal Quignard's novel-script, scene of Monsieur de Sainte-Colombe (Jean-Pierre Marielle) and Marin Marais (Gérard Depardieu), two great violists of the seventeenth century. Additional soundtracks, well done by Jordi Savall, a great violist of the 20th century, have earned him the Cesar award for best film music, the Charles Cros Academy Grand Prize and the Soloist of the Year at Victories of Music.
Jordi Savall, Nigel Rogers, Anthony Bailes - A Musicall Banquet 1610 (1977) {EMI "Reflexe" CDM 7 63429 2 rel 1991}

Jordi Savall, Nigel Rogers, Anthony Bailes - A Musicall Banquet 1610 (1977) {EMI "Reflexe" CDM 7 63429 2 rel 1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1977, 1991 EMI Classics / EMI Electrola / EMI Reflexe | CDM 7 63429 2
Classical / Renaissance / Baroque

"Furnished with a varietie of delicious Ayres, collected out of the best authors in English, French, Spanish and Italian". Robert Dowland the son of Dowland "The English Orpheus" was the compiler of this fine anthology dedicated to Sir Robert Sidney, once Lord Chamberlain. In an age of "conceit" It was common enough to select some contrasting idea or image and apply it to an unrelated concept—hence the title "Musicall Banquet" which Robert Dowland charmingly describes as "like a careful confectionary", continuing that "as neere as might be I have fitted my Banquet for all tastes".
Jordi Savall & Hesperion XX - Juan Del Enzina - Romances & Villancicos (1991) {Astrée-Auvidis E 8707}

Jordi Savall & Hesperion XX - Juan Del Enzina - Romances & Villancicos (1991) {Astrée-Auvidis E 8707}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 415 Mb | MP3 @320 -> 178 Mb
Full Artwork @ 300 dpi (jpg) -> 64 Mb | 5% repair rar
© 1991 Auvidis / Astrée | E 8707
Classical / Renaissance

Jordi Savall (born 1941), one of the world's leading players of the viola da gamba, founded the ensemble Hespиrion XX in 1974. Savall's goal — and that of co-founders Montserrat Figueras, Hopkinson Smith, and Lorenzo Alpert — was to explore lesser-known repertories of the European Middle Ages, Renaissance, and Baroque periods; their special love has been early Spanish music. The group has toured over five continents and produced well over 50 recordings (many on the Astree Audivis label). The group's membership changes with the repertory of an individual recording or performance project, and with the particular orchestration envisioned by Savall.
Le Concert des Nations, Jordi Savall - George Frideric Handel: Water Music; Music for the Royal Fireworks (1993)

George Frideric Haendel: Water Music; Music for the Royal Fireworks (1993)
Le Concert des Nations; Jordi Savall, direction

EAC | FLAC | Image (Cue&Log) ~ 384 Mb | Mp3 (CBR320) ~ 176 Mb | Scans included
Genre: Classical, Baroque | Label: Astree | # E 8512 | Time: 01:13:49

Jordi Savall's exemplary performance of Handel's Water Music and Music for the Royal Fireworks is among the finest available on disc: refined and precise, but very big, with blood-stirring grandeur. This is just the kind of extroverted, rousing presentation that best highlights the music's open-air ceremonial function. Savall's Le Concert des Nations is essentially a chamber orchestra with double or triple winds, but the sound he elicits from the group is majestic and surprisingly powerful. The playing is crisp and the rhythmic articulation bracing, but the sound is never brash. In fact, more often than not it is seductively sensual, a heady integration of precision and supple, shapely phrasing. Handel left no authoritative edition of the score of Water Music and it has traditionally been divided into three suites, but Savall reorders the material into two suites, a decision that makes more sense in terms of key relationships and that sounds entirely satisfying.
Jordi Savall - Monteverdi - Madrigali Guerrieri Et Amorosi, Libro Ottavo (1995) {Astree-Auvidis E 8546}

Jordi Savall - Monteverdi - Madrigali Guerrieri Et Amorosi, Libro Ottavo (1995) {Astrée-Auvidis E 8546}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 261 Mb | MP3 @320 -> 133 Mb
Full Artwork @ 300 dpi (jpg) -> 39 Mb | 5% repair rar
© 1995 Auvidis / Astrée | E 8546
Classical / Baroque / Renaissance

Monteverdi's madrigals were the laboratory in which he sought the connections between music and the emotions, and none are more moving and evocative than those of his eighth and final book, the "Madrigali Guerrieri et Amorosi," (1638). This release offers only a selection, but puts the music's drama in gratifyingly high relief. It's a beautifully sung, ravishingly played and lushly recorded collection, "Madrigali Guerrieri et Amorosi," by Jordi Savall and La Capella Reial de Catalunya (Astree E 8546). Dynamics are supple, coloration is flexible and expressive dissonances are pointed up in a way that gives works like "Lamento della Ninfa" and "Gira il nemico" an unusually vivid edge.
Jordi Savall - La Barcha d'Amore 1563-1685 - Hesperion XXI & Le Concert des Nations (2008) {Alia Vox AV 9811}

Jordi Savall - La Barcha d'Amore 1563-1685 - Hespèrion XXI & Le Concert des Nations (2008) {Alia Vox AV 9811}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 367 Mb | MP3 @320 -> 160 Mb
Full Artwork @ 300 dpi (jpg) -> 68 Mb | 5% repair rar
© 2008 Alia Vox | AV 9811
Classical / Baroque / Renaissance

This 68-minute program–a compilation of recordings made by Jordi Savall, Montserrat Figueras & Co. during the years 1976 and 2008 (including several selections originally released on dhm and Virgin Classics)–proved one of those purely pleasurable, effortlessly rewarding listening sessions that only rarely come along. We don't often review compilations drawn from multiple recordings made in different venues and over many years–they're so often programmatically disjointed and sonically varied; but in this case it doesn't matter. The music is compatible stylistically and these performers are so consistent in the quality and care and vitality of their performances that, well, what's 30 years or so?
Hesperion XXI & Jordi Savall - Ostinato (2002) {Alia Vox AV 9820}

Hespèrion XXI & Jordi Savall - Ostinato (2002) {Alia Vox AV 9820}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 387 Mb | MP3 @320 -> 175 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 2002 Alia Vox | AV 9820
Classical / Early Music / Baroque / Renaissance

Ostinato is an anthology which brings together the most representative works of the art of improvisation and of a musical form based on a unique concept of the basso, which is repeated sequentially throughout the compositions.
Jordi Savall & Hesperion XX - Alfonso X El Sabio - Cantigas de Santa Maria (1993) {Astree-Auvidis E 8508}

Jordi Savall & Hespèrion XX - Alfonso X El Sabio - Cantigas de Santa Maria (1993) {Astrée-Auvidis E 8508}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 309 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 300 dpi (jpg) -> 112 Mb | 5% repair rar
© 1993 Auvidis / Astrée | E 8508
Classical / Medieval / Chamber Music

Jordi Savall, once more time, shares with us a beautiful program of instrumentals and chorals pieces from the middle age. Alfons X El Sabio Cantigas are the most popular music pieces about this period, but also really majestic. The sound of this album is really magic. A very good choice for a first approach…
Jordi Savall, La Capella Reial, Hesperion XX - Francisco Guerrero - Sacrae Cantiones (1992) {Naïve Astrée ES 9953 rel 2000}

Jordi Savall, La Capella Reial, Hesperion XX - Francisco Guerrero - Sacrae Cantiones (1992) {Naïve Astrée ES 9953 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 308 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 1992, 2000 Auvidis / Naïve / Astrée | ES 9953
Classical / Renaissance / Choral

Sixteenth-century Spanish composer Francisco Guerrero is featured in a reissued disc of motets for four, five, six, eight and 12 voices, with and without instruments. They come from a handful of collections published between 1555 and 1597 and show Guerrero’s skill in evoking a wide range of moods, joyful, sombre and contemplative in turn. Jordi Savall’s ensemble is well-equipped to project the skilfully wrought structures and expressive allure of the music. Some of the pieces fare better than others in respect of vocal texture and ensemble. Tenors and basses occasionally lack tonal refinement but, at their strongest the performances provide a radiant conspectus of Guerrero’s masterly motets.