Fans of complex German space progressive rock fans will groove with this release. "Here It Is" combines the keyboard workout of ELP with the atmosphere of Grobschnitt and Genesis. This is a purely instrumental album featuring a five-piece lineup of dual keyboards, electric and acoustic guitars, bass and drums. The music has intricate layers combined with sharp soloing.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Sublime guitar work from the great Johnny Smith – a musician who was years ahead of his time, and influenced a generation with his clean, clear tone on the instrument! Smith's in a perfect setting here – a Roost label quartet date that includes Bob Pancost on piano, George Roumanis on bass, and Mousie Alexander on drums – a very understated group that really lets Johnny's wonderful tones and colors stand strongly out front! Titles include "0500 Blues", "Old Girl", "Tired Blood", "Un Poco Loco", and "More Bass". Great CD version – one of the few proper issues of this material!
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. The gentle genius of guitarist Johnny Smith – perfectly captured in this late nite trio session from the 50s! There's a lot more jazz here than you might guess from the "easy listening" title – and Johnny's working with drummer Charlie Mastropaolo and bassist George Roumanis, in a style that's very much in keeping with his other best Roost work at the time. Smith has this way on the strings that's like few other players of his time – a style of playing the guitar that's so gentle, so spacious, the notes come off the instrument almost by themselves – with a lightly ringing quality that's the best part of the unique Johnny Smith tone.
Johnny Smith is an exquisite jazz guitarist known mostly to fellow musicians and serious jazz fans. This beautifully packaged and expertly annotated eight-CD limited-edition boxed set from Mosaic includes his complete small-group recordings for Roost, most of which have languished out of print for decades. Smith's unique voicings on his instrument set him apart from other players, yet he maintains a lush, crystal-clear tone no matter the tempo or setting.
Reissue with SHM-CD format and new 24bit remastering. Johnny Smith really helped bring the sound of jazz guitar to a huge audience in the 50s – and an album like this is a perfect demonstration of his subtle genius on the instrument! At a time when so many others were working the guitar with a hard-edged sound, Smith moves into territory that's even more careful and precise – really making the most of the amplification on the strings, so that his touch can be gentle, but very pointed – allowing for lots of space between the notes, in a way that makes each of them mean even more than they might if strung together in a flurry. The group's a trio – with the bass and drums really giving Johnny a lot of room.
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. A trio is helping out guitarist Johnny Smith – but, as with all of his other Roost Records of the time, the man himself is very far out in the lead – making real magic on the strings of his guitar, and playing with an effortless command of tone and color! Some moments of the record actually have a bit more of an uptempo swing than other of Johnny's albums of the period – but others are a masterpiece is gentle harmonics – those incredible notes that Smith almost seemed to invent for jazz guitar in the 50s – and which seem to come through even more beautifully in the sparest of settings. The trio features Bob Pancoast on piano, Mousie Alexander on drums, and George Roumanis on bass
Moonlight in Vermont is a 1956 album by jazz guitarist Johnny Smith, featuring tenor saxophonist Stan Getz. Titled for Smith’s breakthrough hit song, it was the No.1 Jazz Album for 1956. It was popularly and critically well received and has come to be regarded as an important album in Smith’s discography, in the cool jazz genre and in the evolution of jazz guitar. Notable songs on the album, which reveal the influence of Smith’s experiences with the NBC Studio Orchestra, and as a multi-instrument musician, include the title track and the original composition “Jaguar”. The title track, singled out for its virtuosity, was a highly influential rendition of a jazz standard that secured Smith’s position in the public eye…
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Guitarist Johnny Smith in a sweet, laidback trio setting – just the kind of mode that's perfect for his gentle sense of color and tone – a style he virtually invented for jazz guitar in the 50s! The album's one of his classics for the Roost label, and it's a masterpiece in chromatic hues – subtle, simple, but completely fantastic – at a level that makes Johnny Smith one of the true legends in jazz guitar from the 50s. Accompaniment is by George Roumanis on bass and Mousie Alexander on drums – but both players are extremely gentle, and leave most of the sound to Johnny – as it should be. Titles include "Little Girl Blue", "My Funny Valentine", "Polka Dots & Moonbeams", "Everything Happens To Me", "Pavanne", and "Blues Back Stage".
Monster Mike Welch, one of Boston’s best-loved guitarists, presents «Just Like It Is», a very bluesy album including 11 Mike’s songs out of 13, and certainely one of his finest to date. «Just Like It Is» was recorded the same way than the previous Mike’s opus («Cryin’ Hey!») with musicians Mike is very comfortable with (drums : Mark Teixeira - bass: Brad Hallen – keyboards: Anthony Geraci) and very quickly, in two days, like a live in studio without any overdubs.