Compiled and designed in the manner of Love, Murder, and God, three thematically compiled Johnny Cash anthologies released to wide acclaim in the spring of 2000, Life brings together 18 songs from Cash's back catalog that in one way or another deal with the nuts and bolts of many people's existence – home, nation, work, family, surviving hard times, and celebrating good times. Of course, the nature of this theme is broader and not nearly as cleanly defined as the themes of the three previous sets, and a few of these songs might have fared better elsewhere – "Where Did We Go Right" and "You're the Nearest Thing to Heaven" would have fit nicely on Love, while "I Talk to Jesus Everyday" and "Lead Me Gently Home" would not feel out of place on God. But as a summation of the broad and idiosyncratic worldview of Johnny Cash, Life fares very well indeed; Cash could set a protest song like "The Ballad of Ira Hayes" or "Man in Black" next to the fiercely patriotic "Ragged Old Flag" and see no contradiction, and celebrate the importance of hard work ("Country Trash") while savoring the sweet prospect of punching out the boss ("Oney").
While Johnny Cash at Folsom Prison, the 1968 album that made Cash a household word, spent only two weeks at No. 1, this 1969 follow-up topped the charts for 20 weeks. As with Folsom, the San Quentin LP had to be edited due to space limitations. Now, 31 years after the fact, the show can at last be heard in true perspective. All the original performances hold up, including the album's hit single: Shel Silverstein's "A Boy Named Sue," presented unbleeped for the first time. Equally impressive are the eight restored tracks and unexpurgated between-song patter. Cash's opening renditions of "Big River" and "I Still Miss Someone" are bracing. So are four closing songs teaming Cash with his complete performing troupe (the Carter Family, Carl Perkins, and the Statler Brothers). Their gospel performances ("He Turned the Water into Wine," "The Old Account," and an early version of "Daddy Sang Bass") are electrifying, as is a concluding medley featuring everyone. Cash is presented here at his roaring, primal best.
As part of Columbia/Legacy's ongoing celebration of Johnny Cash's 80th Birthday in 2012, the label assembled a series of compilations under the rubric "The Greatest." The concept of this 14-track compilation is clear: it is a collection of duets Cash cut for Columbia between 1967 and 1985. Some of these cuts appeared on albums by other artists ("Girl from the North Country" is pulled from Bob Dylan's Nashville Skyline), some were not released at the time (his George Jones duet "I Got Stripes" was a bonus track on the 2002 reissue of Silver), some are pulled from Cash's TV show (the opening "I've Been Everywhere" with Lynn Anderson)…
This collection of Artie Shaw big band recordings comes from his brief association with the Musicraft label. Having assembled and broken up several earlier units, this edition, heard in recordings made between 1945 and 1946, is more of an arranger's band than one that features many soloists, other than the leader. During this period of Shaw's career, he was constantly changing the instrumentation of his band and making personnel substitutions. Fellow Musicraft artist Mel Tormé and his group the Mel-Tones are added on some tracks, though this was a studio relationship exclusively and they were not a part of Shaw's organization. The innovative blend of strings, voices and brass in the swinging arrangement of "What Is This Thing Called Love" is the highlight of the vocal selections, along with an updated instrumental version of the clarinetist's earlier hit, "Begin the Beguine." The only reservation about this compilation is that several tracks are abruptly faded or even truncated.
Duets is an album by country music singer Johnny Cash and his wife June Carter Cash, released in 2006. The album is made of duets by the singers mentioned before with songs that Cash had previously released. It is exactly the same as the '16 Biggest Hits' album by the same duo on Sony/BMG Legacy, only with a different cover.
Johnny Cash left us a wonderful country songbook, and in this one-hour and twenty minute lesson Fred shows you how to play and sing eight of Cash’s most popular gems.
This is the centre-piece of an extensive Johnny Cash Night on BBC Four. A major retrospective of Cash's life, times and music, it includes contributions from his daughter, Rosanne Cash, and son, John Carter Cash; his long-time manager, Lou Robin; and fellow musicians, including Little Richard, Cowboy Jack Clement, Kris Kristofferson, Merle Haggard and Elvis Costello.
Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history – as he would later illustrate with his series of historical albums – that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles.