The Evolution Kettlebell Groundwork DVD presents a new paradigm in kettlebell training. The program will help you build a repertoire of movement skills beyond the foundational lifts that are commonly taught in KB certifications. When you have mastered the basics and are left looking for something that will expose and destroy any weaknesses your previous training program left behind it is time to experience Evolution Kettlebell Groundwork!
Ashtanga Vinyasa Yoga, The Primary Series is a valuable practice guide for the beginner through to Full Primary level practitioner. Take a 15-minute class with John Scott and begin your personal yoga journey, or follow John through a complete 90-minute Full Primary Series. John Scott is an inspired and advanced practitioner of Ashtanga Vinyasa Yoga. He has been a direct and continuing student of Sri K. Pattabhi Jois in Mysore, South India since 1989. Certified to teach by Sri K. Pattabhi Jois, John's teaching is very precise and follows the traditional method of counting through the correct vinyasa for each asana. This is a great opportunity to practice with a teacher who teaches from the heart. Join in and practice with John's dynamic balance of strength and grace; share his knowledge and enthusiasm for passing on the joys and techniques of this ancient form of yoga.
Self-Made Man contains nearly 80 minutes of all original steamy blues and smokin’ blues-rock, incorporating Chicago, boogie, swamp, swing, and harmonica blues, all recorded with a live-in-the-studio sound that is true to Studebaker John’s stage performances. For more than 25 years, John has been writing, recording and performing only original compositions, along with continuous touring throughout the US, Canada, UK and Europe in support of his music. His songs have been featured in major motion pictures and prime-time TV commercials. Many articles have been written about John in various publications including Guitar One magazine US, Blues in Britain, and a cover story in Back to the Roots magazine in Belgium. His music can be heard on blues radio shows every day around the globe. As a songwriter and musician, Studebaker John has emerged as a major creative force in the world of the blues today. If “Alternative Rock” is a meaningful description of progressive variations of this style of music, then John has laid the foundation for “Alternative Blues”. Ahead of the pack, with vision and foresight, creating a new standard and landscape for this music’s future… with John at the wheel, the future is now.
Studebaker John, who dominates this release, has diverse talents in four areas: as a guitarist, harmonica soloist, singer and songwriter. His abilities on both guitar and harmonica are quite impressive, playing the very different instruments with equal intensity and passion. In contrast, John's singing is serviceable, and none of his dozen originals on his fourth Blind Pig release are destined to become standards. Overall, this bluesy, often high-powered set is a good showcase for his playing, although one would love to hear Studebaker John perform blues standards sometime.
A bluesman from Chicago who doesn't perform any covers is a rarity indeed, but John Grimaldi, aka Studebaker John, has stuck to his guns throughout his career, and this 2001 release is a good indication why. While his melodies are serviceable, the guitarist/harpist/singer writes sharp, smart lyrics that are far more provocative than what most contemporary bluesmen churn out. Add tough vocals that place him between Darrell Nulisch and Stevie Ray Vaughan and a sizzling attack that never seems phoned in for a 50-minute set, and you wonder what more it would take for this gutsy, obviously inspired bluesman to get traction, even in a market saturated by talented players. Along with his other talents, Grimaldi also produced this disc, and the stripped-down yet full sound is raw and driven yet accessible. Songs such as the opening "Burned by Love" and "Rich Man" boast melodies that are far more creative and dramatically arranged than the genre exercises most bluesmen work in. He blows serious Little Walter-inspired amplified harp on the "Juke"-styled instrumental "Harpology," and the driving Bo Diddley beat of "Nothing Comes Easy" pushes this disc into the red zone. The slow, sexy grind of "Lock & Chain" gives Grimaldi a chance to display his impressive vocals and a slide guitar tone with Elmore James nuances.
Slide guitarist and songwriter John Campbell was a man driven. Before his untimely death, he had pulled out all the stops to play a music that was full of mystery, pathos, dark energy, and plenty of rock & roll strut 'n' growl; it could be frightening in its intensity. Howlin' Mercy was the last of two recordings for Elektra, and is by far the heavier of the two. As displayed by its opening track, "Ain't Afraid of Midnight," Campbell was a considerable slide guitarist who owed his skill to the bluesmen like Lightnin' Hopkins (from his home state of Texas), Fred McDowell, and a few others. His solos are wrangling, loose, and shambolic; they are undeniably dark and heavy. They cut with elegance across the rhythms and melodies in his songs. This is followed by a version of "When the Levee Breaks" that is a direct counter to and traditional reclamation of the Led Zep version and places it back firmly in the blues canon. As evidenced by "Saddle Up My Pony," Campbell was equally skilled at transmuting the Delta blues and framing them in a very modern context without taking anything away from their chilling, spare power and poetry.