This second volume in Universal/Impulse's reissuing of the albums of John Coltrane contains some choice titles. For those who love the early Impulse Trane, there is certainly something here for you in the John Coltrane and Johnny Hartman collection of ballads. There's also the excellent quartet era with Live at Birdland, Crescent, and the seminal A Love Supreme, the record that changed everything ever after for him. In addition, there is the 1963 album Impressions, a compilation of sorts. There is a long quartet selection called "Up 'Gainst the Wall" (1962), a beautiful but brief "After the Rain" with drummer Roy Haynes sitting in for Elvin Jones from 1963, the title cut, and opening number "India," recorded with Eric Dolphy on bass clarinet and Reggie Workman as an additional bassist.
Each album newly remastered from the original master tapes. The set containing these five classic, influential John Coltrane albums: Africa/Brass (1961), Live At The Village Vanguard (1961), Coltrane (1962), Duke Ellington & John Coltrane (1962), Ballads (1962). If you like jazz and you don't own this then your a mug. Coltrane plays like a nutcase on this record. Coltrane is undoubtedly the scariest pair of lungs to ever touch a Sax. The whole album drags every emotion from your soul and creates something which will either make musicians hesitant to pick up their instruments or forever play with an unimaginable, inexplicable love for this insane thing called music.
This Savoy double CD brings together in one package all of the label's sessions led by Harden, a talented young musician who turned up briefly, disappeared and is presumed to have died in the 1960s. It includes several alternate takes, giving ample evidence of his attractiveness as a player. He wrote all the pieces, which are more substantial than the on-the-spot "compositions" of many Savoy sessions of the '50s. Sometimes playing trumpet and sometimes rotary valve flugelhorn, he was capable of range, power and bursts of speed, but he built many of his solos on a base of restraint, lyricism and a certain wistfulness.
The superb 2016 six-disc John Coltrane box set The Atlantic Years: In Mono brings together most of the legendary jazz musician's Atlantic albums into one package, restored to their original mono sound. Beginning in 1959, Coltrane's Atlantic years were a transformative time for the saxophonist, during which he furthered his modal explorations and began incorporating aspects of the avant-garde, a vital combination that he would later bring to its pinnacle on his 1965 Impulse! classic, A Love Supreme. Included here are the landmark albums Giant Steps (1960), Bags & Trane (1959) with vibraphonist Milt Jackson, Olé Coltrane (1961) featuring trumpeter Freddie Hubbard, Plays the Blues (1960), and Coltrane's collaboration with maverick pocket trumpeter Don Cherry, The Avant-Garde (1966). Also included is a 32-page book featuring photos by Lee Friedlander and liner notes by writer Ashley Kahn.
One of the turning points in the career of John Coltrane came in 1965. The great saxophonist, whose playing was always very explorative and searching, crossed the line into atonality during that year, playing very free improvisations (after stating quick throwaway themes) that were full of passion and fury. This particular studio album has two standards (a stirring "Chim Chim Cheree" and "Nature Boy") along with two recent Coltrane originals ("Brazilia" and "Song of Praise"). Art Davis plays the second bass on "Nature Boy," but otherwise this set (a perfect introduction for listeners to Coltrane's last period) features the classic quartet comprised of the leader, pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.
The classic 1962 album Duke Ellington & John Coltrane showcased the rising jazz saxophone innovator performing alongside the long-established piano institution. While the pairing might have portended a dynamic clash of the musical generations, instead we got a casual, respectful, and musically generous meeting of like-minded souls. Similarly, while one might have assumed that Ellington would use his sidemen, instead producer Bob Thiele (who also produced similar albums for Ellington including pairings with Louis Armstrong and Coleman Hawkins) chose to bring in Coltrane's own outfit for the proceedings.