This CD reissues what was arguably the finest of the John Coltrane-Pharoah Sanders collaborations. On five diverse but almost consistently intense movements ("The Father and the Son and the Holy Ghost," "Compassion," "Love," "Consequences," and "Serenity"), the two tenor saxophonists, pianist McCoy Tyner, bassist Jimmy Garrison, and both Elvin Jones and Rashied Ali on drums create some powerful, dense, and emotional music. Unlike some of the live jams of 1966, the passionate performances never ramble on too long and the screams and screeches fit logically into the spiritual themes. This would be the last recording of Coltrane with Tyner and Jones.
This CD reissues what was arguably the finest of the John Coltrane-Pharoah Sanders collaborations.
Key 60s material from the great John Coltrane – even if the set wasn't ever released until the late 70s! The album's kind of a "prequel" to the later Meditations record, and it stands as a key bridge between Coltrane's modal years and his more spiritual sounds – delivered here by a core quartet, without the larger accompaniment that graced the later version! The classic quartet is at their best – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and the sound is slightly more inside than later, but no less filled with searching and yearning! CD version contains a 12 minute extended alternate take of "Joy", the centerpiece of the composition.
Here it is: eight CDs worth of John Coltrane's classic quartet, comprised of bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones, recorded between December of 1961 and September of 1965 when the artist followed his restless vision and expanded the band before assembling an entirely new one before his death. What transpired over the course of the eight albums and supplementary material used elsewhere is nothing short of a complete transfiguration of one band into another one, from a band that followed the leader into places unknown to one that inspired him and pushed him further. All of this transpired in the span of only three years.
John Coltrane (1926-67) was the most relentlessly exploratory musician in jazz history. He was always searching, seeking to take his music further in what he quite consciously viewed as a spiritual quest. In terms of public recognition, this quest began relatively late. The tenor saxophonist, a native of North Carolina who later moved to Philadelphia, was 28 when he joined the Miles Davis quintet in 1955, after years of paying dues in the big band and combo of Dizzy Gillespie (where he played alto before switching to tenor) and as a supporting player behind saxophonists Johnny Hodges, Eddie "Cleanhead” Vinson, and Earl Bostic. Coltrane’s anguished tone and multi-noted, rhythmically complex solos with Davis quickly elevated him to the front ranks of jazz…
Recorded in one day (August 23, 1957) at Rudy Van Gelder’s studio in Hackensack, NJ. This date of ballads and burners features the young tenor saxophonist John Coltrane leading a quartet comprised of pianist Red Garland, bassist Paul Chambers and drummer Arthur Taylor. Liner notewriter (original and reissue) Ira Gitler remarks, “In the ‘50s I was called upon to name many of the untitled songs at Prestige. Traneing In came to me because of the way [Coltrane] homed in after Garland’s opening solo [on the song].” This album is significant in that it took place halfway through Coltrane’s break with Miles Davis’ classic quintet of the ‘50s and it was the same year that the tenor saxophonist hooked up with Thelonious Monk to record the recently discovered live Carnegie Hall masterpiece.
Soultrane is one of the essential albums in John Coltrane’s career. Recorded during the first year of his Prestige contract, between his critical service in Thelonious Monk’s quartet and his return to the band of Miles Davis, it finds the tenor saxophonist displaying a new level of both technical and conceptual refinement, dispensing torrents of notes that annotator Ira Gitler famously dubbed "sheets of sound." The Red Garland Trio, a key component on many Coltrane recordings of the period, is at its eloquent best; and the program, with two compositions from the early days of modern jazz, two lesser-known standards, and a recently penned requiem for the late Ernie Henry…
Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time Lush Life was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack. Lush Life contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd added to “Lush Life.”