Let's put the hook in right from the jump: Echoes of Indiana Avenue is perhaps the most significant release of previously unissued material by a major jazz artist since the The Thelonious Monk Quartet with John Coltrane: At Carnegie Hall appeared in 2005. That's not hyperbole. These tapes, which consist of two live recordings and one studio demo, were cut, presumably, between 1957 and 1958, with various groupings of musicians, including his brothers Monk and Buddy, as well as pianist Earl Van Riper and bassist Mingo Jones. All of the tunes here are now regarded as standards, but some were current then, freshly added in that era, such as Shorty Rogers' "Diablo's Dance," Horace Silver's "Nica's Dream," and perhaps most importantly, Thelonious Monk's "'Round Midnight" and "Straight No Chaser."
Country Music Hall of Fame members, Grand Ole Opry members, and five-time GRAMMY winning group, The Oak Ridge Boysannounce the release of their Lightning Rod Records forthcoming project 17th Avenue Revival, produced by critically-acclaimed producer Dave Cobb.
Beat Avenue is 60-year-old Eric Andersen's most ambitious album, a 90-minute tour de force that encapsulates his musical and lyrical concerns over a lifetime. The music is often-dense rock dominated by a rhythm section led by guitarist Eric Bazilian of the Hooters. Equally dense is Andersen's highly poetic versifying, which he sings in his gruff baritone. Andersen is world-weary in these songs, roaming the globe haunted by the past and fearful of the future. He confesses to a reckless youth, but acknowledges that he can no longer afford such license. "What once was Charles Bukowski," he sings in "Before Everything Changed," referring to the free-living beat poet, "is now Emily Dickinson." The ballads and love songs "Song of You and Me," "Shape of a Broken Heart," "Under the Shadows," and "Still Looking for You" are rendered tenderly, but they are also full of regret and loss, past-tense reflections that recount memories of love long gone. The first disc of Beat Avenue is complete and formidable unto itself, but there is a second CD consisting of two lengthy songs. The title track, running more than 26 minutes, is a beat poem with jazzy accompaniment by Robert Aaron in which Andersen recalls a poetry reading he attended as a 20-year-old on the day President Kennedy was assassinated.
The two albums on this CD were the first John Handy recorded as a leader. This young alto saxophonist he also plays tenor on the first album -from Texas had gained exposure and experience working with Charles Mingus and Randy Weston in 1959. They taught me self-confidence, he said, and these recordings are full of it. His flawlessly controlled playing is strong and inventively contemporary without succumbing to the tyranny of Bird. For his well-received leader debut, In the Vernacular, he shared the front line with the brilliant trumpeter Richard Williams supported by a near-perfect rhythm section with pianist Roland Hanna…
Contemporary jazz ensemble Yellowjackets' 2011 Mack Avenue debut, Timeline features the band's longstanding knack for straddling the line between smooth jazz and more cerebral post-bop stuff. Marking the group's 30 years in the business, the album is a perfect mix of low-key, soulful moments and more funky, angular jazz.