Joe d

Omega Rising: Remembering Joe D'Amato (2017)  Video

Posted by Tutorial at Feb. 27, 2017
Omega Rising: Remembering Joe D'Amato (2017)

Omega Rising: Remembering Joe D'Amato (2017)
1080p BluRay | 1920 x 1080 | .MKV/AVC @ 11.1 Mbps | 1h 8mn | 5.46 GB
Audio: Italian AC-3 224 Kbps, 2 channels | Subs: English
Genre: Documentary

Omega Rising: Remembering Joe D'Amato delves into the career of the notorious Italian filmmaker, Aristide Massaccesi aka Joe D'Amato, the infamous director behind the legendary Video Nasties Anthropophagus: The Beast and Absurd.

Omega Rising: Remembering Joe D'Amato (2017)  Video

Posted by MirrorsMaker at Feb. 27, 2017
Omega Rising: Remembering Joe D'Amato (2017)

Omega Rising: Remembering Joe D'Amato (2017)
BDRip 720p | MKV | 1280x720 | x264 @ 6573 Kbps | 68 min | 3,27 Gb
Audio: Italian AC3 2.0 @ 224 Kbps | Subs: English (embedded in MKV)
Genre: Documentary

Feature length documentary looking at the legendary career of notorious filmmaker Aristide Massaccesi A.K.A Joe D’Amato. Featuring interviews with Michele Soavi, George Eastman, Rossella Drudi, Carlo Maria Cordio and more!
Slide Hampton & Joe Haider Orchestra - Give Me A Double (1975/2016) [Official Digital Download 24/88]

Slide Hampton - Joe Haider Orchestra - Give Me A Double (1975/2016)
FLAC (tracks) 24-bit/88,2 kHz | Time - 93:18 minutes | 1,81 GB
Studio Master, Official Digital Download | Artwork: Front cover

With his ever-fresh and expansive musical outlook, Slide Hampton is the personification of the composer-arranger-instrumentalist in jazz. His composing and arranging prowess have long been sought by all manner of ensembles, from small groups to orchestras, student ensembles to professional bands. His superb trombone playing once elicited an ultimate seal of approval from the father of the modern jazz trombone and Hampton mentor, J.J. Johnson. From a backstage vantage point at a Kennedy Center performance, Johnson was overheard referring to a solo Slide performed as part of a tribute to Dizzy Gillespie as "one of the most articulate ever given on a trombone".

Joe Satriani - What Happens Next (2018)  Music

Posted by SERTiL at Jan. 14, 2018
Joe Satriani - What Happens Next (2018)

Joe Satriani - What Happens Next (2018)
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 350 MB
Label: Legacy – 19075802312 | Tracks: 12 | Time: 51:20 min
Instrumenta Rock, Guitar Virtuoso

Joe Satriani's 16th studio album is What Happens Next, a high-energy album that takes the legendary guitarist s skills to exciting new heights.

Smokin' Joe Kubek & Bnois King - Fat Man's Shine Parlor (2015)  Music

Posted by Designol at Jan. 7, 2018
Smokin' Joe Kubek & Bnois King - Fat Man's Shine Parlor (2015)

Smokin' Joe Kubek & Bnois King - Fat Man's Shine Parlor (2015)
EAC | FLAC | Image (Cue&Log) ~ 372 Mb | Mp3 (CBR320) ~ 142 Mb | Scans included | 00:47:54
Modern Electric Texas Blues, Blues-Rock | Label: Blind Pig | # BPCD 5163

It is so cool to find an album that was cut by professional musicians that sound like they are having a blast and doing what they were born to do, and a perfect example of this is Smokin’ Joe Kubek and Bnois King’s Fat Man’s Shine Parlor, a killer disc from their recent return to the venerable Blind Pig Records label!

The Americans at D-Day: The American Experience at the Normandy Invasion [Audiobook]  eBooks & eLearning

Posted by tarantoga at Dec. 28, 2017
The Americans at D-Day: The American Experience at the Normandy Invasion [Audiobook]

John C. McManus,‎ Joe Barrett (Narrator), "The Americans at D-Day: The American Experience at the Normandy Invasion"
ASIN: B07887K4TZ, ISBN: 1538495066 | 2017 | MP3@64 kbps | ~13:08:00 | 373 MB

Art Farmer with Joe Henderson - Yama (1979/2017)  Music

Posted by Domestos at Dec. 15, 2017
Art Farmer with Joe Henderson - Yama (1979/2017)

Art Farmer with Joe Henderson - Yama (1979/2017)
EAC Rip | FLAC (tracks+.cue, log) ~ 203.40 Mb | 33:14 | Scans included
Fusion, Jazz-Funk, Blues | Country: USA | Label: King records / CTI - KICJ 2565

Flugelhornist Art Farmer's fourth and final LP for CTI also features tenor-saxophonist Joe Henderson. The material (which includes originals by Clare Fischer, Joe Zawinul, Don Grolnick and Mike Mainieri) is not the most memorable and the funky rhythm section (which is greatly expanded) does not really blend all that well with the styles of Farmer and Henderson so this set is not as exciting as one might hope. A decent but largely forgettable effort.
Smokin' Joe Kubek & Bnois King - Roadhouse Research (2003) [Re-Up]

Smokin' Joe Kubek & Bnois King - Roadhouse Research (2003)
EAC | FLAC | Image (Cue&Log) ~ 347 Mb | Mp3 (CBR320) ~ 136 Mb | Scans included
Modern Electric Texas Blues, Blues Rock | Label: Blind Pig | # BPCD 5080 | 00:47:16

If the 10 years these Texas guitarists have spent as a team exploring the world bar by bar has been "research," what they've learned is how to please a crowd. The formula's simple: no-frills songs about women and working for a livin', set to meat-and-potatoes arrangements that leave plenty of room for their guitars to roam. Kubek's six-string snarls the loudest, hitting Albert Collins-style sustains and grinding out beefy chords. King skirts around the fringes with his sweet-toned, jazz-informed fills or works at groove-level, anchoring things with his basic, chopping, R&B-style chording. King's vocals are really his trump card. They're smooth and slinky when he's romancing in "Make It Right" or gravelly as Kubek's fluid guitar when he's a driven man in numbers like "Runnin' Blind." The album ends with the kind of guitar grand finale that sets a crowd on fire just after last call. The tune, "Standing in My Door," lets both six-stringers sting.
Smokin' Joe Kubek & Bnois King - Show Me the Money (2004) [Re-Up]

Smokin' Joe Kubek & Bnois King - Show Me the Money (2004)
EAC | FLAC | Image (Cue&Log) ~ 319 Mb | Mp3 (CBR320) ~ 119 Mb | Scans included
Modern Electric Texas Blues, Blues Rock | Label: Blind Pig | # BPCD 5090 | 00:42:13

Smokin' Joe Kubek and Bnois King's albums are dependable affairs that stick close to good old barroom Texas blues. The lyrics won't win any Pulitzer Prizes, and while Kubek is an amazing guitar player with a huge tone, he isn't exactly reinventing the instrument, and likewise King, although he is a distinctive and pleasant vocalist, isn't going to be mistaken for Marvin Gaye anytime soon. Not much has changed on their second release on the Blind Pig label, and Show Me the Money delivers another dose of straight-ahead roadhouse blues. If there are any concessions here, it is that all the songs pull in at a radio-friendly length, and at least one, the infectious "My Heart's in Texas," would fit effortlessly on "new country" play lists. The first two tracks, "I Saw It Coming" and "Burnin' to the Ground," pretty much lead the charge here, and King's easy, subtle singing pairs nicely with Kubek's gutbucket guitar tone, but there are no real surprises waiting in the grass, and certainly nothing that will shake the roots of the music industry – just solid blues-rock. Somebody's gotta do it, and Kubek and King do it so well.

Joe Lovano - Viva Caruso (2002)  Music

Posted by Designol at Nov. 23, 2017
Joe Lovano - Viva Caruso (2002)

Joe Lovano - Viva Caruso (2002)
EAC | FLAC | Image (Cue&Log) ~ 360 Mb | Mp3 (CBR320) ~ 169 Mb | Scans included | 01:05:11
Post-Bop, Modern Creative, Saxophone Jazz | Label: Blue Note | # 7243 5 35986 4

Viva Caruso is easily one of tenor saxophonist Joe Lovano's most ambitious and enjoyable recordings. Much like Terence Blanchard's Jazz in Film or Uri Caine's Urlicht/Primal Light, Viva Caruso finds the reedman adapting orchestral melodies and harmonies to a jazz format. Inspired after reading a biography about Italian tenor and opera legend Enrico Caruso, Lovano spent most of 2000 through 2001 researching Caruso's music and developing this project. There is a progressive, third stream appeal to Viva Caruso, with the various instruments laying down intricate counter-melodies and liquid, pulsating rhythms. For example, "Vesto La Giubba" from Pagliacci is slowed down here into a kind of folk-jazz meditation, not unlike something Dave Douglas' Tiny Bell Trio might do. Likewise, "Campane a Sera" features a pretty flute introduction to a very mid-'50s, Stan Kenton-style arrangement, and Gerald Wilson could very easily have scored "Soltano a Te" with its characteristically West Coast, neo-phonic horn sounds.