You'll recognise the wonderful Steamy Windows (covered by good friend Tina Turner with TJW backing her) but the awesome opening track Tunica Motel which tells of Tony Joe's return to his blues roots sets the stage for the whole album. Tunica Motel has it all - strong hooks and TJW's strong songwriting which starts as a song about getting away from it all, and becomes, gradually, a gut-spilling account. "I'm so tired of fighting with myself…" confesses TJW. Later, when he's contemplating his musical direction, he "sees the ghost of Robert Johnson" and for me the line brings an involunatary tingle down my spine every time I hear it, which is often. Tony Joe is Back! In this album he reintroduces us to his warm Stratocaster blues in gorgeous tracks: Ain't Going Down This Time and You're Gonna Look in Blues. In some ways these marked a new sound that he'd develop on subsequent albums - moving us closer to his use of Spanish guitar.
As samplers go, this is one of the best. An excellent cross section of artists from the Stockfish catalog. I am especially taken by the cuts from Alan Taylor ("The Beat Hotel" in particualr) and Chris Jones. Sonics are clean, clear and crisp, with an exceptional sense of timbre. I've purchased a few of the CD's of the artists I've heard on this sampler, and I'm here to tell you, they sound great to - though they can't beat these SACD tracks.
A true icon of swamp rock, Tony Joe White parlayed his songwriting talent and idiosyncratic vocals into a modestly successful country and rock career in Europe as well as America. Born July 23, 1943, in Goodwill, Louisiana, White was born into a part-Cherokee family. He began working clubs in Texas during the mid-'60s and moved to Nashville by 1968.
This posthumous CD is novel because it features Joe Pass exclusively on acoustic guitar, and it is obvious that he enjoyed every minute of these sessions. "The Shadow of Your Smile" is no longer easy listening fodder, as Pass turns it into a miniature master class in swing. "Star Eyes" is accented by the soft squeaks of Pass' fingers gently weaving their intricate magic. Most of the works of Joe Pass tended to be improvised blues, so the title track is an exception – a simple yet elegant ballad written for his wife. "Blues for Angel" highlights his matchless mastery of slow blues. The boppish blues "Satellite Village" is a perfect closer. The good news is that there are several more unreleased sessions by Joe Pass that will follow this superb collection.
Collection includes 10 studio albums and 4 live albums by American blues-rock guitar virtuoso Joe Bonamassa.
Joe Stump is certainly not an easy listening experience. In the expanding universe of guitar virtuosos he's the one that definitely stands out when it comes to composing music. The Dark Lord Rises is a prime example of it…
Tony Joe White, aka the Swamp Fox, has been on a roll these past few years, issuing album after self-released album of quality original material full of deep, dark, blues-flavored Florida vintage roots music.Heroines is no exception, but it is a record with a twist. First, it's on the Sanctuary label. Secondly, five of the record's 12 tracks are recorded with female vocalists in duet. They include the great Jessi Colter, Shelby Lynne, Emmylou Harris, Lucinda Williams, and Michelle White. The set opens with "Gabriella," a brief, jazzy flamenco-kissed instrumental, played on a pair of acoustic guitars. "Can't Go Back Home" stars Lynne. A true laid-back Tony Joe nocturnal swamp blues, it nonetheless carries within it that slightly menacing tension. Lynne's voice, which is well known for its power, showcases its other side here, one that is expressive, soulful and sensual even on slow burn. White's vocal whispers its edgy truth, underscored by his signature guitar sound.