These three masses are early works but Bruckner had already gestated into Bruckner by the time of their composition. His symphonies regularly quote motifs from these works; they resonated in his mind down the years (and in fact, the F Minor Mass was written as a palliative gesture when the poor bugger was madder than usual).
Carl Orff's Stravinskian rabble-rouser retains its appeal. The pagan high-jinks, driving rhythms, and dips into semi-hysteria can be irresistible given the right performance. And, of course, with its dynamic range, from delicately colored quiet passages to heaven-storming climaxes, it's tailor-made for showing off hi-fi systems. Telarc is known for its outstanding sound, and this one's well up to the house standards.
Ever since Beethoven wrote his last piano sonata and called it "Opus 111", the number 111 has enjoyed certain kudos in musical circles, and 2009 marks the 111th anniversary of Deutsche Grammophon.
Over 11 decades, the label's philosophy has always been “the greatest recordings by the greatest artists in the world” and now they showcase this with this incredible 55 CD box set.
Often described as ‘music for amateurs’, sometimes used (or misused) towards purely commercial ends, Orff’s Carmina Burana was clearly ready for a new approach, a sort of revivifying, thorough rethinking. This has now been done, thanks to Jos van Immerseel and the absolutely exceptional musical team that he assembled.
"This is a terrifically exciting performance of Orff's popular chestnut. Tempos are swift, from the opening "O fortuna" onward. The soloists are uniformly excellent, especially Judith Blegen, whose "In trutina" remains one of the most beautiful ever recorded. (…) In sum–an unusual and extreme rendition, really well done." ~ClassicsToday