I believe this is the only note-complete performance of this opera, and furthermore, the only one that is sung in all of the original keys (in almost every other recording "Casta diva" and the duets are transposed down). It is a spectacular example of bel canto. Recorded in 1964, Joan Sutherland was at her peak, exhibiting fearless, beautiful singing, thoroughly accurate in fiorature and breath control.
This 1987 best-of compiles the work from A&M efforts that marked a stylistic change from her Vanguard years, yet a pretty consistent level of success. Relying on the work of other artists seemed to be more hit and miss during the A&M era. In Baez's interpretations of songs like Bob Dylan's "Simple Twist of Fate" and "Forever Young" and John Lennon's "Imagine," her pitch-perfect tone might strike some as unemotional, but her singing is engrossing nonetheless. Not surprisingly, Baez sounds the best here with the tracks that deviate from weighty issues. "Gracias a la Vida" (sung in Spanish) and the haunting "Di Da" (with Joni Mitchell) have her giving off more charm and emotion than usual. "Children and All That Jazz," from her best-selling 1975 album Diamonds & Rust, has a gorgeous, heavily produced '70s L.A. pop/rock style that suited her voice. Unlike many greatest-hit sets, Classics, Vol. 8 also offers strong live performances, including "The Night They Drove Old Dixie Down" and the CD closing "Amazing Grace." Classics, Vol. 8 has the strength of a regular release effort and more than captures the time frame and the artist it's spotlighting.