Jimmy Haslip

Allan Holdsworth, Alan Pasqua, Jimmy Haslip, Chad Wackerman - Blues For Tony (2009)

Allan Holdsworth, Alan Pasqua, Jimmy Haslip, Chad Wackerman - Blues For Tony (2009)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2CD | Moonjune, Records MJR029 | ~ 618 or 214 Mb | Scans(jpg) -> 32 Mb
Fusion / Free Jazz / Jazz-Rock

When drummer Tony Williams died of a heart attack on February 23, 1997, at the relatively young age of 51, it was a tremendous loss for straight-ahead post-bop and hard bop as well as for fusion. Williams had numerous acoustic jazz credentials (including his contributions to Miles Davis' legendary mid-‘60s quintet), and his band Lifetime was one of the most important fusion outfits of the ‘70s. The late drummer's fusion side is what electric guitarist Allan Holdsworth, electric bassist Jimmy Haslip (of Yellowjackets fame), keyboardist Alan Pasqua, and drummer Chad Wackerman pay tribute to on Blues for Tony, an excellent two-CD set that was recorded live in 2007…

Jimmy Haslip featuring Joe Vannelli - NightFall (2010)  

Posted by tiburon at April 7, 2012
Jimmy Haslip featuring Joe Vannelli - NightFall (2010)

Jimmy Haslip featuring Joe Vannelli - NightFall (2010)
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 300dpi | 315MB + 5% Recovery
Genre: Fusion

On Nightfall, Haslip’s first solo album since 2000’s Red Heat, he’s joined by keyboardist and producer Joe Vannelli for a set of heavily textured tracks characterized by multilayered keys and synths and programmed drums and percussion. Haslip’s awe-inspiring bass chops are amply on display.

Jeff Richman / Jimmy Haslip / Danny Gottlieb - Trio Loco (2001)  Music

Posted by tiburon at Jan. 21, 2012
Jeff Richman / Jimmy Haslip / Danny Gottlieb - Trio Loco (2001)

Jeff Richman / Jimmy Haslip / Danny Gottlieb - Trio Loco (2001)
EAC 0.99pb4 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 293MB + 5% Recovery
MP3 CBR 320 Kbps | 122MB + 5% Recovery
Genre: Fusion

Guitarist Jeff Richman, bassist Jimmy Haslip (taking a break from the Yellowjackets to play some fusion!) and drummer, Danny Gottlieb recorded live at the Baked Potato, in Hollywood CA, on Oct. 6 & 7 2000. Entirely instrumental, tasty, well played fusion from these three jazz/fusion veterans.
Michael Landau, Robben Ford, Jimmy Haslip, Gary Novak - Renegade Creation (2010)

Michael Landau, Robben Ford, Jimmy Haslip, Gary Novak - Renegade Creation (2010)
EAC | APE, Img+Cue, Log+Checker -> ~ 346 Mb | MP3 CBR320 -> ~ 129 Mb
Covers Included | FileSonic, FileServe | 3% Recovery
Genre: Rock, Blues | Label: Blues Bureau International | Catalog#: BB 2071-2

Renegade Creation is the new record by veteran musical giants, Michael Landau, Robben Ford,Jimmy Haslip and Gary Novak. Blending together to create a blues-driven sound that not only willsatisfy their individual fans but is fresh enough to attract a legion of new fans as well. Delivering bothrootsy, blues/rock vocal tunes and fiery instrumentals, the band draws on the unique guitar interplay between guitar giants Robben Ford and Michael Landau who inspire each other to new personal bests.
Michael Landau, Robben Ford, Jimmy Haslip, and Gary Novak - Renegade Creation (2010)

Michael Landau, Robben Ford, Jimmy Haslip, and Gary Novak - Renegade Creation (2010)
Mp3 320 kbps | 44.1 Khz | Stereo | 51 min 27 sec | 117.94 MB
Genre: Blues-Rock | Tracks:11

Collaboration between renowned guitarists Robben Ford and Michael Landau, drummer Gary Novak, and bassist Jimmy Haslip. The album brings to mind the essence of classic Blues rock crossed with the adventurous sophistication of fusion. 11 tracks .

Jimmy Nail - Tadpoles In A Jar (1999)  Music

Posted by Andi_Deris at May 26, 2017
Jimmy Nail - Tadpoles In A Jar (1999)

Jimmy Nail - Tadpoles In A Jar (1999)
EAC Rip | FLAC: Tracks+Cue+Log | 330 Mb | MP3 CBR 320 kbps | 117 Mb | Scans | Time: 48:28
EastWest | 3984-27020-2
Pop Rock, Soft Rock

Tadpoles In A Jar - 6th studio album Jimmy Nail. The album is a reflection of Jimmys younger years growing up in Benton. Since the beginning of the first song, you're convinced by the sincerety and the elegance of this great singer. The voice is a little broken and perfectly used. The sound is really great and the atmosphere is nostalgic (but not sad). It's quiet melodic but powerful pop for Beatles listeners, for instance. This CD is an excellent surprise: "Blue Beyond the Grey" - acoustic guitar, electric guitar, drums, bass, keyboards and produced by Jeff Lynne.

Jimmy Nail - Big River (1995)  Music

Posted by Andi_Deris at May 26, 2017
Jimmy Nail - Big River (1995)

Jimmy Nail - Big River (1995)
EAC Rip | FLAC: Image+Cue+Log | 343 Mb | MP3 CBR 320 kbps | 132 Mb | Scans | Time: 44:09
EastWest | 0630-12823-2
Pop Rock, Soft Rock, Country Rock

Big River was released on the East West record label and was the third of five UK top 10 hits for Jimmy Nail. The album produced two top 40 singles. The first was the title track (Lead Guitar - Mark Knopfler), which peaked at number 18 in October 1995. The album was certified platinum. All ten songs are gems, which is a rare thing for any album, and all but two were written by the artist, Jimmy Nail. His voice has a melancholy quality about it and he sings from the heart.

Eric Marienthal - Oasis (1991) (GRP)  Music

Posted by tiburon at Feb. 18, 2017
Eric Marienthal - Oasis (1991) (GRP)

Eric Marienthal - Oasis (1991) (GRP)
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 360MB + 5% Recovery
MP3 CBR 320 Kbps | 142MB + 5% Recovery
Genre: Jazz-Funk, Fusion, Smooth Jazz

As he was developing his formidable career in the early era of smooth jazz, the saxman proved an invaluable sideman of Chick Corea's Elektric Band, David Benoit's touring ensemble and a studio player for projects by such artists as Keiko Matsui and Mike Garson. Yet as a solo artist, he spent his first three albums searching for an identity that ranged from pop (Round Trip) to electronic mainstream jazz (Crossroads). With Oasis, his search came to a diverse, exciting, and highly enjoyable end. Marienthal applies his stellar blowing techniquest to styles ranging from folk to gospel, but the overall attitude he conveys is sweet and soulful R&B, as in the hoppin' grooves of the funky opening tracks "Hustlin'" and "Seafood to Go."

Michael Franks - Rendezvous In Rio (2006)  Music

Posted by Designol at Nov. 30, 2016
Michael Franks - Rendezvous In Rio (2006)

Michael Franks - Rendezvous In Rio (2006)
EAC | FLAC | Tracks (Cue&Log) ~ 405 Mb (incl 5%) | Mp3 (CBR320) ~ 174 Mb (incl 5%) | Scans included
Smooth Jazz, Cool Jazz, Crossover Jazz | Label: Koch Records | # KOC-CD-9964 | Time: 00:52:39

No chance Franks is going to change the formula now after all these years, but what a great formula it is. Michael Franks delivers another superb collection of idiosyncratic pop songs as only he can - this time out with a bit of a Brazilian flavored twist. Features Chuck Loeb (guitar, keyboards, programming), David Sancious (piano, keyboards), Jeff Lorber (keyboards, programming), Michael White (drums) and Eric Marienthal.

Marilyn Scott - Avenues Of Love (1998)  Music

Posted by JET 1 at Nov. 27, 2016
Marilyn Scott - Avenues Of Love (1998)

Marilyn Scott - Avenues Of Love (1998)
EAC Rip | FLAC (Tracks) +CUE, LOG | 350 MB | Covers Included
Genre: Jazz | Label: Warner Bros. Records | Catalog Number: 9468592

A top-notch adult contemporary vocalist still awaiting a well-deserved crossover commercial breakthrough, Marilyn Scott adds powerful fuel to her cause on Avenues of Love by helping herself with a well-balanced array of production and songwriting talent. George Duke surrounds her with party voices and a kneejerking Latin groove on a playful list of dance steps on "I Like to Dance," then surrounds her clear, sensuous voice with airy, billowing synth cushioning on the Bacharach-David classic "The Look of Love." Scott and bassist Jimmy Haslip reroute to Memphis on Michael Ruff's Wilson Pickett-like pick me up, "Love Is a Powerful Thing," engaging a two-piece horn section that sounds even larger. The Yellowjacket touch is in full effect on the picturesque "Avenida del Sol," which approximates an update of the gentle Astrud Gilberto sound; the tune was written by Scott and Bob Mintzer, and produced by Scott, Haslip, and Russell Ferrante. Scott's greatest gift here is her sense of modulation; she belts like crazy on the funk pieces, but recognizes the emotional power of restraint on the ballads.