Classic Rock Presents Hendrix - People, Hell and Angels Collector's Pack features the brand new studio recorded album by Jimi Hendrix in full, art cards plus a 116 page magazine that forms the ultimate sleeve notes. The album consists of 12 previously unreleased tracks recorded by Jimi Hendrix whilst starring in the 'Jimi Hendrix Experience'. This special album showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock's largest grossing concert act and simultaneously placed two of his albums together in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.
Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album. It peaked at number six in the UK, where it spent 12 weeks on the chart. Although the album confounded critics in 1968, it has since been viewed as Hendrix's best work and one of the greatest rock records of all time. Electric Ladyland has been featured on many greatest-album lists, including Q magazine's 2003 list of the 100 greatest albums and Rolling Stone's list of the 500 greatest albums of all time, on which it was ranked 54th.
In the '70s, there was no shortage of posthumous Jimi Hendrix releases. Reprise and other labels knew that Hendrix's fans were an incredibly loyal and devoted bunch, and they knew that serious collectors would snag any Hendrix LP they could get their hands on…
Jimi Hendrix's third and final album with the original Experience found him taking his funk and psychedelic sounds to the absolute limit. The result was not only one of the best rock albums of the era, but also Hendrix's original musical vision at its absolute apex…
Call it a soundtrack producer's dream. One of the most vital and influential bands in modern-day music cuts a song entitled "If God Will Send His Angels" just months before you are hired to put together a soundtrack for a movie entitled City of Angels. The band is U2, and their song not only opens the City of Angels soundtrack, but it is also the anchor of a group of tracks that narrowly escapes the sappy trail that the movie blazed when it hit theaters. In all actuality, the soundtrack sounds much too dark, menacing, and legitimate to be attached to the film. Alanis Morissette assures the direction of the album when she follows U2's less-than-perky offering with "Uninvited," which is nothing if not vintage Alanis. From there on the quality drops off somewhat, but not until after Jimi Hendrix comes in with "Red House." It's still amazing to this day how the sounds of Hendrix on the guitar could be so many things all at the same time – soothing, moving, eerie, and untouchable.
Paul Gilbert , is an American hard rock/heavy metal guitarist. He is best known for being the co-founder of the band Mr. Big. He was also a member of Racer X, with whom he released several albums. Following Mr. Big's disbandment in 1996, Gilbert launched a solo career, for which he has released numerous solo albums, and featured in numerous collaborations and guest appearances on other musicians' albums. Gilbert has been voted fourth-best on GuitarOne magazine's "Top 10 Greatest Guitar Shredders of All Time". He has also ranked in Guitar World's "50 Fastest Guitarists of All Time" list.
Canned Heat rose to fame because their knowledge and love of blues music was both wide and deep. Emerging in 1966, Canned Heat was founded by blues historians and record collectors Alan “Blind Owl” Wilson and Bob “The Bear” Hite. Hite took the name “Canned Heat” from a 1928 recording by Tommy Johnson. They were joined by Henry “The Sunflower” Vestine, another ardent record collector who was a former member of Frank Zappa’s Mothers of Invention. Rounding out the band in 1967 were Larry “The Mole” Taylor on bass, an experienced session musician who had played with Jerry Lee Lewis and The Monkees and Adolfo “Fito” de la Parra on drums who had played in two of the biggest Latin American bands, Los Sinners and Los Hooligans.