VOLUME 1 - Jazz Basics is designed for the newcomer to jazz guitar. It covers all of the fundamentals and basic concepts essential for jazz improvisation, and features performances with Satoshi Inoue on guitar. Songs include Big Blues and Whistle Stop. VOLUME 2 - second video is designed for intermediate to advanced guitarists. It introduces varous ideas and methods for practicing improvisation and self-expression, and features performances with Satshi Inoue on guitar. Songs include: Waltz New, Miro, and Seseragi. In VOLUME 3, the Jim Hall Quartet plays original tunes in varous styles, including swing, bossa nova, blues and calypso. Jim analyzes each composition and explains the role of the guitar in different ensemble formats. Features performances with Scott Colley (bass), Andy Watson (drums) and Rasmus Lee (tenor sax). Songs include: Why Not Dance, Joao, Mr. Blues, and Street Dance.
This [reissue] restores to circulation a strong Atlantic date from Art Farmer's immediate post-Jazztet period and features Farmer's quartet playing standards with swinging subtlety. Interaction, from 1963, is a vehicle for the intertwining improvisations of guitarist Jim Hall and Farmer, on flügelhorn, who weaves through and around Hall's sublimely understated lines with disarming ease, elegance, and sensitivity.
Guitarist Jim Hall is the sort of musician who displays such technical expertise, imaginative conception, and elegance of line and phrase that almost any recording of his is worth hearing. Still, Concierto ranks among the best albums of his superb catalog. For starters, the personnel here is a jazz lover's dream come true…
Features 24 bit remastering and comes with a mini-description. One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe.
Reissue with the latest remastering. Comes with liner notes. The excitement on the cover here is very well-placed – and RCA clearly knows they've got something special on their hands – the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums.
A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars".