This long-out-of-print CD has finally been reissued and it's a must-have for Phil Woods fans, or for anyone interested in an excellent example of post-Parker be-bop saxophone. The sound quality is excellent, the rhythm section is very competent and Phil is at the top of his game on a nice mix of standards and originals. It's easy to see why he has been the benchmark for jazz alto for decades. His swing and inventiveness are nicely showcased as he eases his way through the list of tunes. If one were to buy one or two CD's that best show Phil Woods' ability to create meaningful jazz, this one would have to be high on the list for consideration. Don't miss it!
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Pianist Hein Van Der Gaag definitely gets right to the point here – starting off the album with a great version of Horace Silver's "Ecaroh" that's filled with these descending note clusters that really open up the tune – setting up this bold, dark mood which is then balanced over the course of some more introspective tunes that follow! The approach is great – that really special way of creating a trio session that the Limetree label had during the 80s – a quality that's maybe made the imprint one of the best on the European scene at the time for piano jazz. Hein's group here features Joep Lumey on bass and Ben Schroeder on drums.
Features 24 bit digital remastering. Comes with a description. On this interesting LP, Four Brothers Sound refers to the four overdubbed tenor saxes Giuffre uses throughout the session. The effect is similar to that achieved by Bill Evans on his similar effort, Conversations With Myself. The chief differences between the two might be this: where Evans layered wholly different improvisational lines to the same changes, Giuffre generally sticks to ensemble work. Also, Evans was the only performer on his set, while pianist Bob Brookmeyer and guitarist Jim Hall join Giuffre on several cuts.
Reissue with the latest 2015 DSD remastering. Comes with liner notes. Pianist Denny Zeitlin is sporting a beard on the cover of this fourth album for Columbia Records – and his music here definitely reflects a bit of a change from his earlier cleaner-cut image! Denny steps a bit outside at times – never to much so to make the album a session of avant jazz, but definitely showing the listener at the start that he's able to stretch out in the same way as some of the more adventurous pianists of his generation – yet really sound best as a master of lyrical understatement, as on his previous few records! Zeitlin's command of chords is wonderful – these blocks of color and subtle sound in his hands – inspired by Bill Evans, but taken in a whole new direction – and set up here in two different trios, with either Charlie Haden or Joe Halpin on bass, and Oliver Johnson or Jerry Granelli on drums. The real star of the show is always Denny.
An ever expanding library of video guitar lessons in which Stochelo shares his approach to technique, improvisation and rhythm-guitar. If you are a student of gypsy jazz you would probably jump to the chance of having a one-on-one session with Stochelo showing you all the tricks of the trade. And now: this is a real possibility!
This CD celebrates the arrival of the new millennium and also marks the group's 20 years as one of the pioneering infuences on today's Jazz/Funk scene.
Nice 16 track japan only compilation featuring the best in female contemporary jazz.
In Memoriam. By 1980, vibraphonist Bobby Hutcherson had evolved from a member of the avant-garde into a top exponent of the modern mainstream. This excellent album (mostly originals and obscurities but highlighted by an inventive version of Bud Powell's classic title cut) features Hutcherson with a top notch all-star group also including guitarist John Abercrombie, keyboardist George Cables, electric bassist Chuck Domanico and drummer Peter Erskine. Pity that this fine set has been long out-of-print.
Coltrane Jazz is the sixth studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records. The song "Villa's Blues" is noted as a landmark recording, as it marks the first session date of the early John Coltrane Quartet on record. Featured alongside Coltrane are pianist McCoy Tyner, drummer Elvin Jones, and bassist Steve Davis. On June 20, 2000, Rhino Records reissued Coltrane Jazz as part of its Atlantic 50th Anniversary Jazz Gallery series. Included were four bonus tracks, two of which had appeared in 1975 on the Atlantic compilation Alternate Takes, the remaining pair earlier issued on The Heavyweight Champion: The Complete Atlantic Recordings in 1995…