Jazz Ruskaval Uploaded

Wynton Marsalis & Eric Clapton - Play The Blues - Live From Jazz At Lincoln Center (CD+DVD) (2011) [Repost]

Wynton Marsalis & Eric Clapton - Play The Blues - Live From Jazz At Lincoln Center
1 CD | EAC Rip | FLAC (Image) + CUE + LOG | HQ scans | 757 MB | 5% Recovery
Genre: Jazz/Blues | Label: Reprise Jazz | Catalog Number: 8122 79759 0 | Release Date: 2011
1 DVD | NTSC 16:9 (720x480) VBR (Bitrate: 8.00Mbps; Frame rate: 30.00)
Audio: English DTS 1536Kbps 5.1, English PCM 1536Kbps Stereo | 6.11 GB (DVD9) | 5% Recover
Genre: Jazz/Blues | Uploaded/Bitshare | Links are interchangable

George Wallington - Knight Music (1957) {Atlantic-Koch Jazz}  Music

Posted by ruskaval at June 29, 2015
George Wallington - Knight Music (1957) {Atlantic-Koch Jazz}

George Wallington - Knight Music (1957) {Atlantic-Koch Jazz}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 208 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 2000 Atlantic / Koch Jazz | KOC CD-8543
Jazz / Bop / Piano

The fine bop pianist George Wallington hasn't received the recognition he deserved, possibly because of a two-dozen year gap from 1960-1984 when he was entirely out of the music business. This first-rate trio date for Atlantic has finally come out on CD and should help gain him some posthumous attention. One of his two greatest compositions, "Godchild" (which appears on the classic Miles Davis release The Birth of the Cool), opens the disc with a flourish, but there are many strong originals present. The lively stair-stepping "Serendipity" and the furious "Up Jumped the Devil" are worthy of comparison to Bud Powell. Wallington also covers several standards such as "Will You Still Be Mine?" and "It's All Right With Me" with finesse and imagination.
Cannonball Adderley - The Very Best Of Jazz Cannonball Adderley (2008) [2CD] {Concord}

Cannonball Adderley - The Very Best Of Jazz Cannonball Adderley (2008) [2CD] {Concord}
EAC rip (secure mode) | FLAC+CUE+LOG -> 740 Mb | MP3 @320 -> 254 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb
© 2008 Concord Jazz / Universal | 0600753113868
Jazz / Hard Bop / Saxophone


Cannonball Adderley - The Very Best Of Jazz Cannonball Adderley (2008) [2CD] {Concord}

One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound that communicated immediately to listeners. His intelligent presentation of his music (often explaining what he and his musicians were going to play) helped make him one of the most popular of all jazzmen.

Lee Morgan - Lee Morgan Plays Benny Golson (2010) {Musica Jazz}  Music

Posted by ruskaval at July 27, 2010
Lee Morgan - Lee Morgan Plays Benny Golson (2010) {Musica Jazz}

Lee Morgan - Lee Morgan Plays Benny Golson (2010) {Musica Jazz}
EAC rip (secure mode) | FLAC+CUE+LOG -> 537 Mb | MP3 @320 -> 188 Mb
Full Artwork @ 300dpi (jpg) -> 12 Mb
© 2010 Musica Jazz | MJCD 1221
Jazz / Hard Bop / Trumpet


Lee Morgan - Lee Morgan Plays Benny Golson (2010) {Musica Jazz}

Lee Morgan, a leading trumpeter and composer, recorded prolifically from 1956 until a day before his death in February 1972. Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. Great musician, great autor! Fresh compilation by italian snobs…

VA - Essential Jazz Guitar (2017)  Music

Posted by ciklon5 at Aug. 22, 2017
VA - Essential Jazz Guitar (2017)

VA - Essential Jazz Guitar (2017)
MP3 CBR 320 kbps | 1:49:05 | 238 Mb
Genre: Jazz / Label: Warner Music Group - X5 Music Group

Warner Music Group - X5 Music Group Presents Essential Jazz Guitar album 22 original hits by the original artists. Includes tracks by Yusef Lateef, The Modern Jazz Quartet and Laurindo Almeida, Art Farmer Quartet, Jean-Luc Ponty, Atilla Zoller and more.

The Jive Aces - Diggin' The Roots Vol. 2: Hot Jazz (2017)  Music

Posted by popsakov at Aug. 22, 2017
The Jive Aces - Diggin' The Roots Vol. 2: Hot Jazz (2017)

The Jive Aces - Diggin' The Roots Vol. 2: Hot Jazz (2017)
EAC Rip | FLAC (Img) + Cue + Log ~ 251 Mb | MP3 CBR320 ~ 89 Mb
Scans (PNG, 400 dpi) ~ 62 Mb | RAR 5% Recovery
Jazz, Swing | Golden Age Recordings #GARCD005

Britain's Got Talent stars The Jive Aces are the UK's # 1 jive and swing band. Renowned for their high energy show, they put Simon Cowell "in a really good mood" and were the first band to reach the BGT semi-finals. They've headlined The Albert Hall, played 30 countries, worked with Van Morrison and played for The Queen. Vol.2 of Diggin' The Roots, this time exploring the branch of "Hot Jazz" that influenced our sound. some fresh arrangements of well loved jazz classics.
Charles Mingus & Jazz Artists Guild - Newport Rebels (1960) {Candid Japan KICJ 8386 rel 2001}

Charles Mingus & Jazz Artists Guild - Newport Rebels (1960) {Candid Japan KICJ 8386 rel 2001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 247 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 32 Mb | 5% repair rar
© 1960, 2001 Candid / King Records Japan | KICJ 8386 | 24bit mastering
Jazz / Bop / Hard Bop / Post Bop

In 1960 bassist Charles Mingus helped to organize an alternative Newport Jazz Festival in protest of Newport's conservative and increasingly commercial booking policy. The music on this LP (which has been reissued on CD) features some of the musicians who participated in Mingus's worthy if short-lived venture. Trumpeter Roy Eldridge performs three numbers with pianist Tommy Flanagan, Mingus and drummer Jo Jones; of greatest interest is "Mysterious Blues" for it adds trombonist Jimmy Knepper and the unique altoist Eric Dolphy successfully to the group. The other selections match up drummers Max Roach and Jo Jones with Roach's quintet (featuring trumpeter Booker Little) on "Cliff Walk" and feature singer Abbey Lincoln on "Tain't Nobody's Bizness If I Do."
Sonny Rollins - Valse Hot (1956) {Dreyfus Jazz FDM 46050 367942 rel 2007}

Sonny Rollins - Valse Hot (1956) {Dreyfus Jazz FDM 46050 367942 rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 389 Mb | MP3 @320 -> 157 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1956, 2007 Dreyfus Jazz | FDM 46050 367942
Jazz / Bop / Hard Bop / Saxophone

For anyone seeking an introduction to Rollins the ten tracks provide substantial basis for why he is held in such high regard by jazz fans, fellow musicians, and some jazz critics.
Arne Domnerus - Jazz At The Pawnshop 3: Good Vibes (1976/2017) [DSD128 + Hi-Res FLAC]

Arne Domnérus, Bengt Hallberg, Georg Riedel, Egil Johansen, Lars Erstrand -
- Jazz At The Pawnshop, Volume 3: Good Vibes (1976/2017)

DSD128 (.dsf) 1 bit/5,6 MHz | Time - 55:08 minutes | 2,53 GB
FLAC (tracks) 24-bit/176,4 kHz | Time - 55:08 minutes | 2,15 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The recordings that comprise Jazz At The Pawnshop, made by recording engineer Gert Palmcrantz in 1976, are widely regarded by audiophiles as the best jazz recordings of the 20th Century. Jazz At The Pawnshop 3 is the last in this series that revisits the legendary Stockholm sessions from musicians Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen, and Lars Erstrand, presenting five previously unreleased tracks that highlight the unique relationship these jazz musicians have, their fervent improvisations bonding them to each other and to their audience.
The Charlie Shavers & Ray Bryant Quartet - Complete Recordings Vol.1-3 (1958-64) {3CD 2005 Lone Hill Jazz Remaster}

The Charlie Shavers & Ray Bryant Quartet - Complete Recordings Vol.1-3 (1958-64) {3CD 2005 Lone Hill Jazz Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.13 Gb | MP3 @320 -> 526 Mb
Full Artwork @ 300 dpi (jpg) -> 150 Mb | 5% repair rar
© 2005 Lone Hill Jazz | LHJ 10182~84
Jazz / Bop / Trumpet / Piano

Pure and simple genius from trumpeter Charlie Shavers – a player with a sweet tone and a fluid groove – stepping out here with great accompaniment from pianist Ray Bryant! The CD brings together work from the albums Charlie Digs Paree and Charlie Digs Dixie – both originally recorded for MGM Records in the late 50s, and done in a clean, uncluttered style that really brought a strong focus to Shaver's solos, but also gave some excellent rhythmic support from Bryant – working here at the height of his early powers, in a mode that's clearly relaxed enough to get with the spirit of each different session.