Album released in 1994 compiling the main hits of the Brazilian singer Astrud Gilberto (Bahia, 1940) in her previous recordings. Despite the usual quality of Verve recordings, in this case it misses a real remastering of the original records, on topics such as his famous 'Girl from Ipanema'. But the sweetness, quality and warmth of the voice of Astrud allowed to pass on these inconveniences, highlighting its enormous importance among the other stars of Brazilian music.
Jazz Masters Deluxe Collection by John Coltrane was released September 5, 2012 on the Entertainment Supplies label, and contains a single disc with 9 great selection tracks. A great compilation of this giant of jazz.
Verve Records was originally the product of the vision of jazz impressario Norman Granz (1918-2001). He formed the label in 1956 and moved all of the recordings released on his earlier Norgran Records and Clef Records labels to create the new Verve catalog.
This album was originally released in 1988 as "Bobby McFerrin - Don't Worry, Be Happy". Vocal virtuoso Bobby McFerrin ranks among the most distinctive and original singers in contemporary music – equally adept in jazz, pop, and classical settings, his octave-jumping trademark style, with its rhythmic inhalations and stop-on-a-dime shifts from falsetto to deep bass notes often sounds like the work of at least two or three singers at once, while at the same time sounding quite unlike anyone else…
Oscar Peterson was recorded by Verve more often than any other artist. In those years, his groups had the ability to not just keep up with him but become equal partners in creating music that would soar the heights while never forgetting to flat-out swing. Hear him in classic duo, trio, and big-band settings with such stalwarts as Cannonball Adderley, Ray Brown, Herb Ellis, Sam Jones, Clark Terry, and Ed Thigpen.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. The gentle genius of guitarist Johnny Smith – perfectly captured in this late nite trio session from the 50s! There's a lot more jazz here than you might guess from the "easy listening" title – and Johnny's working with drummer Charlie Mastropaolo and bassist George Roumanis, in a style that's very much in keeping with his other best Roost work at the time. Smith has this way on the strings that's like few other players of his time – a style of playing the guitar that's so gentle, so spacious, the notes come off the instrument almost by themselves – with a lightly ringing quality that's the best part of the unique Johnny Smith tone.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. A Johnny Smith album with a real difference, and that difference is vibes – handled her by a young John Rae, whose tones make a perfect accompaniment to Smith's chromatic style of guitar! The balance of vibes and guitar is beautiful – handled with all that sense of space that both Johns could bring to their 50s work – with just a bit of extra help from George Roumanis on bass and John Lee on drums – players who can come in strong when needed, but often lay back and let the chromes take over!
Verve Records celebrated the 50th anniversary of Norman Granz's first Jazz at the Philharmonic concert with an all-star get-together at Carnegie Hall. Different groups of top players from Verve's legacy (both past and present) had opportunities to perform, and this CD has many of the highlights. Pianist Peter Delano plays "Tangerine" with a trio; Dee Dee Bridgewater sings "Shiny Stockings" with the Carnegie Hall Jazz Band; Hank Jones pays tribute to Art Tatum; Abbey Lincoln sings "I Must Have That Man"; Joe Henderson meets up with Antonio Carlos Jobim (who made his final concert appearance) on "Desafinado";"Manteca" features trumpeter Roy Hargrove and trombonist Steve Turre; pianist Yosuke Yamashita pays tribute to Bud Powell; Betty Carter scats on "How High the Moon"; Herbie Hancock and John McLaughlin play a restrained acoustic version of Bill Evans' "Turn out the Stars"; Hargrove teams up with altoist Jackie McLean and guitarist Pat Metheny for "The Eternal Triangle"; organist Jimmy Smith revisits Oliver Nelson's arrangement of "Down by the Riverside"; Art Porter and Jeff Lorber play some crossover, and J.J. Johnson contributes a few trombone solos.