Features 24 bit remastering and comes with a mini-description. The 27 trombones that earned one of Down Beat's rare 5***** review. Each of the selections on this set has between seven and a dozen trombonists along with a rhythm section. The first five selections were recorded with East Coast musicians and the next six with players from the West Coast but, truth be told, there is no real difference in the style of music.
Features 24 bit remastering and comes with a mini-description. Saxes Inc – a unique sax-heavy session done by Warner Brothers, and a blaring batch of tracks played by an all-star all-sax group that includes Herb Geller, Phil Woods, Gene Quill, Al Cohn, Zoot Sims, Seldon Powell, Hal McKusick, and Georgie Auld! Bob Prince arranged and conducted, and the approach is surprisingly modernist, with the saxes carrying the bulk of the rhythm and melody, as well as the solos – a really great approach that makes for plenty of unique moments – all handled with a sound that's a lot more fluid than you might expect! Titles include "Four Brothers" (of course!), "The Gypsy", "Night In Tunisia", "Jumpin With Symphony Sid", and "Axmobile".
Reissue with latest remastering. Comes with liner notes. JJ Johnson's greatest album – without a doubt! This gem of a session was recorded in 1960 in New York, with an incredibly hip sextet that includes Cedar Walton, Clifford Jordan, and Freddie Hubbard. The tracks are all long, hip, and very much in a Blue Note soul jazz mode – very unusual not only for Johnson, but for Columbia records as well. The album feels like it should have been issued on Epic, with those killer Dave Bailey sides from 1961 – which might be why it has frequently gotten lost in Johnson's career, hidden amidst some of the sleepier material that seems to see the light of day more often than this one. The album's a stone winner all the way through – and features Johnson playing some of his gutsiest solos ever. Tracks include "Minor Mist", "In Walked Horace", "Fatback", "Aquarius", and "Shutterbug".
Reissue with latest 2014 DSD remastering. Comes with liner notes. Jeru was a favor that Gerry Mulligan did for his drummer, Dave Bailey, who owned a startup label called Jazzline. Mulligan was bet-ween recording contracts. The ensemble played together only once, during the four-and-a-half-hour session when Jeru was made in 1962. It features Tommy Flanagan on piano, Ben Tucker on bass, Bailey on drums and Alec Dorsey on congas. The album never appeared on Jazzline because CBS bought the master and released it on Columbia.
Reissue with latest 2014 remastering. Comes with liner notes. The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader. This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.
Features 24 bit digital remastering. Comes with a description. his 1966 date by Duke Pearson with an octet was originally issued by Atlantic. Reissued by Collectables, this is Pearson in full soul-jazz mode, driven deeply by the blues, with an all-star band (not all members play on all tunes): drummer Mickey Roker; Harold Vick on soprano; James Spaulding on flute and alto; bassist Bob Cranshaw; trumpeter Johnny Coles; tenor George Coleman; guitarist Gene Bertoncini; and Pearson on piano and celeste.
This long-out-of-print CD has finally been reissued and it's a must-have for Phil Woods fans, or for anyone interested in an excellent example of post-Parker be-bop saxophone. The sound quality is excellent, the rhythm section is very competent and Phil is at the top of his game on a nice mix of standards and originals. It's easy to see why he has been the benchmark for jazz alto for decades. His swing and inventiveness are nicely showcased as he eases his way through the list of tunes. If one were to buy one or two CD's that best show Phil Woods' ability to create meaningful jazz, this one would have to be high on the list for consideration. Don't miss it!
Features 24 bit digital remastering. Comes with a description. On this interesting LP, Four Brothers Sound refers to the four overdubbed tenor saxes Giuffre uses throughout the session. The effect is similar to that achieved by Bill Evans on his similar effort, Conversations With Myself. The chief differences between the two might be this: where Evans layered wholly different improvisational lines to the same changes, Giuffre generally sticks to ensemble work. Also, Evans was the only performer on his set, while pianist Bob Brookmeyer and guitarist Jim Hall join Giuffre on several cuts.
Features 24 bit digital remastering. Comes with a description. Originally released on Atlantic in 1957, the short-lived bop quintet les Jazz Modes performed excerpts from Frank Loesser's third Broadway musical The Most Happy Fella. This tasteful date features Julius Watkins on French horn (and pre-Thelonious Monk) and tenor saxophonist Charlie Rouse, accompanied by pianist Gildo Mahones, bassist, Martin Rivera, drummer Ron Jefferson, and, for this date only, vocalist Eileen Gilbert was added on "My Heart Is So Full of You."
Features 24 bit digital remastering. Comes with a description. A firey stormer from the great Slide Hampton! The album's one of his few early sides for Atlantic – and like the others, it's a groundbreaking batch of larger group material, with slide out front on trombone, and the rest of the ensemble vamping along like a tight Blue Note combo. Players are excellent – and include George Coleman on tenor, Horace Parlan on piano, Hobart Dotson on trumpet, and Ray Barretto on drums – and Slide makes them come together so tightly, you'd think they were working together every night of the week! Titles include "The Barbarians", "Strollin", "The Jazz Twist", "Red Top", "Slide Slid", and "Day In Day Out".